Kelim | 343 x 266 cm | Nr. 12-482136
SKU: 33784786935

Kelim | 343 x 266 cm | Nr. 12-482136

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Description

Kelim | 343 x 266 cm | Nr. 12-482136Kelim Lieferzeit 1 3 Tage Herkunft Pakistan Mae 343 cm x 266 cm (= 9. 12 qm) Herstellung handgewebt Material Flor: Wolle Knoten 160k 200k Auflage Einzelstck Herkunft Leuchtende Farben und einfache, geometische Muster dafr werden Kelims auf der ganzen Welt geliebt. Kelims (auch Kilim, Qilim) wurden traditionell nur fr den Eigengebrauch hergestellt. Nomaden und Bauern benutzten und benutzen ihre Kelims als Teppiche auf dem Boden, aber auch als Zelt oder

Kelim

Lieferzeit 1-3 Tage
Herkunft Pakistan
Maße 343 cm x 266 cm (= 9.12 qm)
Herstellung handgewebt
Material Flor: Wolle
Knoten 160k-200k
Auflage Einzelstück

Herkunft

Leuchtende Farben und einfache, geometische Muster – dafür werden Kelims auf der ganzen Welt geliebt. Kelims (auch Kilim, Qilim) wurden traditionell nur für den Eigengebrauch hergestellt. Nomaden und Bauern benutzten und benutzen ihre Kelims als Teppiche auf dem Boden, aber auch als Zelt- oder Wandbehänge, Decken, Kissen oder Taschen. Weil Kelims im Alltag ständige Begleiter waren, tragen die Muster – mögen sie auch naiv wirken – immer eine persönliche Botschaft und haben eine Bedeutung für die Weber und ihre Familien.

In Europa sind insbesondere Kelims aus der Türkei, dem Kaukasusgebiet, dem Iran, Afghanistan und dem turkmenischen Kulturraum bekannt und beliebt. Tatsächlich werden in allen Ländern in denen Teppiche geknüpft werden auch Teppiche handgewebt.

Material

Kelims werden handgewebt und bestehen nur aus Kett- und Schuss-Fäden, haben also keinen dicken, nach oben ausgerichteten Flor. Kelims haben auf beiden Seiten das gleiche Muster und sind daher beidseitig nutzbar. Die Musterung entsteht durch die farbigen Schussfäden, die in die Kettfäden gewebt werden. Für jede neue Farbe muss in jeder Reihe ein neuer Faden benutzt werden. Die Fadenenden werden mit eingearbeitet.

Die Schuss-Fäden dieses Kelim Teppichs bestehen aus handgesponnener, mit Pflanzenfarben gefärbter Schafwolle. Vor dem Weben des Teppichs wurden dafür zunächst Schafe geschoren und die Wolle anschließend gereinigt, gekämmt und schließlich gesponnen. Nach dem Spinnen wird die Wolle der Kelim Teppiche in einem aufwendigen Prozess mit Naturfarben gefärbt. Der Flor der Kelim Teppiche wirkt wegen dieses traditionellen Verfahrens trocken und leicht pelzig. Die Kett-Fäden dieses Kelims bestehen aus [Material (Kette)].

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SKU: 33784786935

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Steven A. Breedlove
New York, US
★★★★★ 5
Eye-Opening and Heart-Expanding
Format: Paperback
I am incredibly grateful for this book. It gave me profound insight into essential truths of Christian faith and doctrine by allowing me to see them through a radically different lens than my internal lens. Plus, it opened me up enormously to the experience of black Americans who express the pain and challenge of life in our country thoughtfully and provocatively. I left this reading chastened, desiring more conversation, moved to listen better, and hoping to live differently.
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Reviewed in the United States on December 9, 2023
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Bruce Hillyer
Cuba, US
★★★★★ 5
Best book I've read in last 10 years!
Format: Paperback
I'm absolutely blown away. I finished the book this morning. I have been recommending it to anyone and everyone who asks me "So, what you reading?". I'm known for having a book stack a mile high. I ran out of my first yellow highlighter! Profound stuff. The subtitle, How African American Literature Can Make Our Faith More Whole and Just, doesn't do the book justice. It is soooo much more. I highly recommend!
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Reviewed in the United States on March 28, 2023
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J. Brooke Chao
Belleville, US
★★★★★ 5
A must read
Format: Paperback
This is an amazing book! The author takes the reader through several works of black literature, expounding on how each work shows us deep things about theology and faith.
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Reviewed in the United States on December 3, 2025
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jdmangrum
Lake Worth, US
★★★★★ 5
Countee Cullen chapter
Format: Paperback
This book is a great read. I’m not even sure how to encapsulate my thoughts on it, but let me say the chapter, “Jesus,” on the poetry of Countee Cullen is brilliant and a masterclass on discipleship, suffering, identity, projecting onto Jesus. This one chapter could literally be a course in Christian discipleship handling multiple aspects of the life of faith. I feel like I’m not doing the chapter, the book, or Claude Atcho justice here, but I deeply recommend this book and urge readers to really sit with the Cullen chapter and all its implications. What a gift Claude Atcho has given us here!
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Reviewed in the United States on January 21, 2025
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Erin Straza
San Leandro, US
★★★★★ 5
An exceptional, stunningly beautiful, and greatly needed book
Format: Paperback
Have you ever finished a book so heavy with truth and beauty and goodness that you don’t know how to sum it up? That’s where I am upon completing Claude Atcho’s Reading Black Books: How African American Literature Can Make Our Faith More Whole and Just. I’m the sort who marks up books with notes, underlining, and asterisks. Pages with ideas I want to return to get a folded corner. For this book? More pages are folded than not and a flip through the book reveals copious amounts of fuchsia markings. Full disclosure: Claude is a writer friend; we’ve chatted about faith, books, work, writing, and podcasting. I’ve been eagerly awaiting the release of his book, knowing it would be fantastic. You might think I was biased in that assumption, considering our previous connection, considering I received an ARC from Brazos Press. What I found from the first pages was even more than expected: my friend as pastor, shepherd, prophet, counselor, guide. Claude features 10 key creative African American works to cast a vision for human flourishing rooted in the power and love of God found in Jesus Christ. Just listen to this moving excerpt: “Healing is found in the constant individual and communal turn toward the tender mercies of God, who calls us to a theological remembrance: to locate our history in his, to make sense of our memory in his memory, to process our wounds in his wounds” (126). This book is beautifully written, theologically robust, and desperately needed. I cannot recommend this book highly enough. It is stunning.
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Reviewed in the United States on May 17, 2022

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