V/A - The Harry Smith B-Sides

V/A - The Harry Smith B-SidesThe Harry Smith B Sides box set contains the flip side of every 78 rpm record that Harry Smith included on the Anthology of American Folk Music. In 1952, Folkways Records published the legendary six LP series entitled the Anthology of American Folk Music, compiled by eccentric record collector, filmmaker, artist, and anthropologist Harry Smith. Many historians cite Smith's reissue, with its recordings of country, blues, and gospel music from the 1920s

The Harry Smith B-Sides box set contains the flip side of every 78-rpm record that Harry Smith included on the Anthology of American Folk Music. In 1952, Folkways Records published the legendary six-LP series entitled the Anthology of American Folk Music, compiled by eccentric record collector, filmmaker, artist, and anthropologist Harry Smith. Many historians cite Smith's reissue, with its recordings of country, blues, and gospel music from the 1920s and '30s, and its booklet containing idiosyncratic liner notes, esoteric artwork, and handmade design as a major impetus for the folk music revival of the 1950s and '60s. 68 years later, The Harry Smith B-Sides offers both a resonant listening experience and the closing of a collector's circle. Sequenced in the identical order that Smith created, this new box set offers the flip-side of each record selected by Smith for the original Anthology of American Folk Music. Newly-remastered audio under license from Gennett Records, Paramount Records, Sony Music Entertainment, and Universal Music Group. This box set represents a mirror image of the Anthology of American Folk Music's tracklist. However, the producers have omitted the following tracks due to lyrics containing racist language: track 5 on disc 1, track 4 on disc 2, and track 16 on disc 4. Cigar box, full-color 144-page book featuring original artwork by Harry Smith and four CDs; 84 newly-remastered tracks on four CDs with a full-color 144-page book featuring archival images, original artwork by Harry Smith, and essays by John Cohen, Lance Ledbetter, and Eli Smith. Transcriptions and annotations for each track by more than 80 artists, writers, and musicians that have been inspired by Harry Smith's work including Daniel Bachman, Devendra Banhart, Sarah Bryan, Rosanne Cash, Dom Flemons, Steve Gunn, Will Oldham, Amanda Petrusich, Steve Roden, Art Rosenbaum, Nathan Salsburg, and Peter Stampfel.

Features Dick Justice, Nelstone's Hawaiians, Clarence Ashley, Coley Jones, Buell Kazee, Chubby Parker & His Old-Time Banjo, Uncle Eck Dunford, Burnett and Rutherford, Buster Carter and Preston Young, Carolina Tar Heels, G.B. Grayson, Kelly Harrell, Edward L. Crain, Carter Family, Williamson Brothers & Curry, Frank Hutchison, Charlie Poole with the North Carolina Ramblers, Mississippi John Hurt, William & Versey Smith, Furry Lewis, The Masked Marvel, Uncle Bunt Stephens, J.W. Day, Prince Albert Hunt's Texas Ramblers, Delma Lachney and Blind Uncle Gaspard, Andrew & Jim Baxter, A.C Eck Robertson and Family, Hoyt Ming and His Pep-Steppers, Henry Thomas, Jim Jackson, Columbus Fruge, Joseph Falcon, Breaux Freres, Cincinnati Jug Band, Frank Cloutier and the Victoria Cafe Orchestra, Rev. J. M. Gates, Alabama Sacred Harp Singers, Middle Georgia Singing Convention No. 1, Sister Mary Nelson, Memphis Sanctified Singers, Elders McIntorsh and Edwards, Rev. Moses Mason, Bascom Lamar Lunsford, Blind Willie Johnson, Ernest Phipps & His Holiness Singers, Rev. F.W. McGee, Rev. D.C. Rice and His Sanctified Congregation, Cannon's Jug Stompers, E. Segura & D. Herbert, Richard "Rabbit" Brown, Dock Boggs, Mr. & Mrs. Ernest V. Stoneman, Stoneman Family, Memphis Jug Band, Joseph Falcon & Cleoma Breaux, Blind Lemon Jefferson, Sleepy John Estes and Yank Rachell, Ramblin' Thomas, Julius Daniels, Uncle Dave Macon, J.P. Nestor, and Ken Manyard.