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Description
KIDS SEE GHOSTS - Kids See Ghosts (LP, Album) (Mint (M))Media Condition: Mint (M) Sleeve Condition: Near Mint (NM or M ) Country: USA & Canada Released: 2018 Genre: Hip Hop Style: Pop Rap, Experimental Comments: Sealed! Notes: Includes a printed insert. 2018 Getting Out Our Dreams II, LLC. Distributed by Def Jam, a division of UMG Recordings, Inc., 1755 Broadway, New York, New York 10019. Artwork 2018 Takashi Murakami Kaikai Kiki Co., Ltd. Feel The Love: Please Gimme My Publishing EMI Blackwood Music Inc.
Media Condition: Mint (M)
Sleeve Condition: Near Mint (NM or M-)
Country: USA & Canada
Released: 2018
Genre: Hip Hop
Style: Pop Rap, Experimental
Comments:
Sealed!
Notes:
Includes a printed insert. ℗ 2018 Getting Out Our Dreams II, LLC. Distributed by Def Jam, a division of UMG Recordings, Inc., 1755 Broadway, New York, New York 10019. Artwork © 2018 Takashi Murakami/Kaikai Kiki Co., Ltd. Feel The Love: Please Gimme My Publishing /EMI Blackwood Music Inc. (BMI)/Elsie's Baby Boy Publishing (ASCAP), administered by Kobalt Publishing// Warner-Tamerlane Publishing Corp. (BMI)/Papa George Music (BMI), all rights administered by Warner-Tamerlane Publishing Corp//Evan Mast Publishing (BMI)/Please Don't Forget To Pay Me (GMR)/Sony/ATV Songs LLC/Neighborhood Pusha (BMI) • Produced by Kanye West for Yeezy Sound • Co-produced by Benny Blanco and Mike Dean #MWA for Yeezy Sound • Additional production by Plain Pat, Evan Mast, Justin Vernon, Francis & the Lights, Cashmere for Yeezy Sound and Noah Goldstein for Ark Productions, Inc. • Engineered by Zach Djurich, Tom Kahre, Mike Malchicoff, William J. Sullivan and Andrew Dawson for Yeezy Sound and Noah Goldstein for Ark Productions, Inc. • Mixed By Mike Dean #MWA, Andrew Dawson and Jess Jackson for Yeezy Sound • Mix assistant: Sean Solymar for Yeezy Sound Freeee (Ghost Town Pt. 2): Please Gimme My Publishing /EMI Music Blackwood Inc. (BMI)/Elsie's Baby Boy Publishing (ASCAP), administered by Kobalt Publishing// It's Drugs Publishing/Sony/ATV (BMI)//Warner-Tamerlane Publishing Corp. (BMI)/Papa George Music (BMI), all rights administered by Warner-Tamerlane Publishing Corp//Way Above Music (BMI)//Africa Kurian Music/Songs By Defend Now Again (ASCAP) • Produced by Kanye West and Kid Cudi for Yeezy Sound co-produced by Mike Dean #MWA, Jeff Bhasker and Boogzdabeast for Yeezy Sound • Additional production by Andrew, Dawson, Andy C and Russell "Love" Crews for Yeezy Sound • Engineered by Zack Djurich, Mike Malchicoff, William J. Sullivan, Andrew Dawson and Nico Aglietti for Yeezy Sound • Mixed By Mike Dean #MWA and Jess Jackson for Yeezy Sound • Mix assistant: Sean Solymar for Yeezy Sound • Acoustic guitar: Zack Djurich for Yeezy Sound Contains a sample of "Stark" performed by Mr. Chop. Courtesy of Now-Again Records, LLC. Written by Corin Littler, used courtesy of Africa Kurian Music Songs by Defend/Now Again (ASCAP). Fire: Please Gimme My Publishing /EMI Music Blackwood Inc. (BMI)/Elsie's Baby Boy Publishing (ASCAP), administered by Kobalt Publishing//Evan Mast Publishing (BMI)//Wedon'tplayevenwhenwe'replayin! Songs LLC (ASCAP) • Produced by Kanye West, Kid Cudi, Boogzdabeast, and Andre 3000 for Yeezy Sound • Additional production by Evan Mast • Engineered by Zack Djurich, Mike Malchicoff and William J. Sullivan for Yeezy Sound • Mixed By Mike Dean #MWA and Jess Jackson for Yeezy Sound • Mix assistant: Sean Solymar for Yeezy Sound Contains a sample of "They're Coming To Take Me Away, Ha-Haaa!" written by Jerry Samuels and performed by Napolean XIV, used courtesy of Wise Brothers Music LLC. Reborn: Please Gimme My Publishing /EMI Music Blackwood Inc. (BMI)/Elsie's Baby Boy Publishing (ASCAP), administered by Kobalt Publishing//Evan Mast Publishing (BMI)//Universal Music Corp./OWD Olorun (ASCAP) • Produced by Kid Cudi and Dot Da Genius for Yeezy Sound • Co-produced by Plain Pat and Evan Mast for Yeezy Sound • Additional production by Benny Blanco for Yeezy Sound • Engineered by Zack Djurich, Mike Malchicoff, William J. Sullivan, Thomas Cullison, Andrew Dawson for Yeezy Sound and Noah Goldstein for Ark Productions, Inc. • Mixed By Mike Dean #MWA, Andrew Dawson and Jess Jackson for Yeezy Sound • Mix assistant: Sean Solymar for Yeezy Sound Cudi Montage: Please Gimme My Publishing /EMI Music Blackwood Inc. (BMI)/Elsie's Baby Boy Publishing (ASCAP), administered by Kobalt Publishing// Warner-Tamerlane Publishing Corp. (BMI)/Papa George Music (BMI), all rights administered by Warner-Tamerlane Publishing Corp// BMG Rights Management US LLC/Primary Wave (BMI) • Produced by Kid Cudi and Dot Da Genius for Yeezy Sound • Co-produced by Mike Dean #MWA for Yeezy Sound • Engineered by Zack Djurich, Mike Malchicoff, William J. Sullivan for Yeezy Sound and Noah Goldstein for Ark Productions, Inc. • Mixed By Mike Dean #MWA and Jess Jackson for Yeezy Sound • Mix assistant: Sean Solymar for Yeezy Sound Contains a sample of the recording "Burn The Rain" as performed by Kurt Cobain courtesy of UMG Recordings, Inc. Written by Kurt Cobain, published by BMG Rights Management US LLC/Primary Wave. 4th Dimension: Please Gimme My Publishing /EMI Music Blackwood Inc. (BMI)/Elsie's Baby Boy Publishing (ASCAP), administered by Kobalt Publishing// Warner-Tamerlane Publishing Corp. (BMI)/Papa George Music (BMI), all rights administered by Warner-Tamerlane Publishing Corp//Sony/ATV Music Publishing and Chappell & Co. (ASCAP) • Produced by Kanye West for Yeezy Sound • Additional production by Mike Dean #MWA for Yeezy Sound and Noah Goldstein for Ark Productions, Inc. • Additional programming by Plain Pat and Boogzdabeast for Yeezy Sound • Engineered by Zack Djurich, Mike Malchicoff and William J. Sullivan for Yeezy Sound and Noah Goldstein for Ark Productions, Inc. • Mixed By Mike Dean #MWA and Jess Jackson for Yeezy Sound • Mix assistant: Sean Solymar for Yeezy Sound Contains a sample of "What Will Santa Clause Say" performed by Louis Prima, used courtesy of Sony Music Entertainment. Written by L. Prima and published by Sony/ATV Music Publishing and Chappell & Co. (ASCAP). Kids See Ghosts: Please Gimme My Publishing /EMI Music Blackwood Inc. (BMI)/Elsie's Baby Boy Publishing (ASCAP), administered by Kobalt Publishing//Yasiin Bey Publishing Designee//Sound EQ Music (ASCAP)/Brill Building Songs (ASCAP) administered worldwide by Kobalt Songs Music Publishing (ASCAP) • Produced by Kanye West, Kid Cudi and Plain Pat for Yeezy Sound • Additional production by Andrew Dawson and Justin Vernon for Yeezy Sound and Noah Goldstein for Ark Productions, Inc. • Engineered by Zack Djurich, Mike Malchicoff, William J. Sullivan, Andrew Dawson for Yeezy Sound and Noah Goldstein for Ark Productions, Inc. • Mixed By Mike Dean #MWA and Jess Jackson for Yeezy Sound • Mix assistant: Sean Solymar for Yeezy Sound Mastered [... for Yeezy Sound
A1. Feel The Love
A2. Fire
A3. 4th Dimension
A4. Freeee (Ghost Town Pt. 2)
B1. Reborn
B2. Kids See Ghosts
B3. Cudi Montage
Barcode and Other Identifiers:
Barcode 6 02567 80048 4
Matrix / Runout B0028760-A 30981.1(3)... JN-H STERLING
Matrix / Runout B0028760-01B 30981.2(3)... JN-H STERLING
Rights Society ASCAP
Rights Society BMI
Rights Society GMR
Phonographic Copyright (p) Getting Out Our Dreams II, LLC
Distributed By Def Jam Recordings
Record Company UMG Recordings, Inc.
Copyright (c) Takashi Murakami
Copyright (c) Kaikai Kiki Co., Ltd.
Produced For Yeezy Sound
Published By Africa Kurian Music
Published By BMG Rights Management (US) LLC
Published By Brill Building Songs
Published By Chappell & Co.
Published By Elsie's Baby Boy Publishing
Published By EMI Blackwood Music Inc.
Published By Evan Mast Publishing
Published By Its Drugs Publishing
Published By Kobalt Publishing
Published By Kobalt Songs Music Publishing
Published By Neighborhood Pusha
Published By OWD Olorun
Published By Papa George Music
Published By Please Don't Forget To Pay Me
Published By Please Gimme My Publishing
Published By Primary Wave
Published By Songs By Defend Now Again
Published By Sony ATV
Published By Sony / ATV Music Publishing
Published By Sony/ATV Songs LLC
Published By Sound EQ Music
Published By Universal Music Corp.
Published By Warner-Tamerlane Publishing Corp.
Published By Way Above Music
Published By Wedon'tplayevenwhenwe'replayin! Songs LLC
Published By Yasiin Bey Publishing Designee
Lacquer Cut At Sterling Sound
Mastered At Record Technology Incorporated
Product listed via Disconnect
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4.5 ★★★★★
Based on 9 reviews
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Product Reviews
★★★★★ 5
Built Like a Tank… Maybe Too Big
This thing is solid. The build quality is exactly what you want when you’re hanging a PC under a desk—sturdy steel, secure mounting, and plenty of adjustability to fit larger cases. It definitely does its job of getting your tower off the floor and out of the way.
That said, size matters here—and this is built for big cases. If your setup is more compact, it is overkill. Definitely measure before you commit, because while the adjustability is nice, it’s clearly designed with larger towers in mind.
Pros:
Very sturdy, confidence-inspiring build
Adjustable to fit a wide range of larger PC cases
Keeps PC off the floor (less dust, more space)
Can mount under desk or on wall
Cons:
Oversized for smaller or mid-sized builds
Requires careful measuring before install
Bulkier than some alternative mounts
Bottom Line:
A heavy-duty mount that does exactly what it promises—just make sure your PC actually needs something this big before you commit.
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Reviewed in the United States on April 5, 2026
★★★★★ 5
My god
Build Quality
The steel construction is very solid and feels durable enough to support a desktop tower or similar device. The powder-coated finish also helps protect against scratches.
Comfort / Ergonomics
Mounting a PC under the desk helps free up floor space and improves overall desk organization. It also keeps the computer elevated away from dust and improves airflow.
Features
The adjustable frame allows it to fit a variety of PC sizes, which makes it versatile. The mounting brackets feel strong and secure once installed.
Ease of Use / Installation
Installation requires basic tools but is fairly simple. Once mounted, the adjustable brackets make it easy to secure the computer in place.
Cleaning / Maintenance
Keeping the PC off the floor makes cleaning around your desk easier and helps reduce dust buildup in the computer itself.
Overall Impression
This mount is a great solution for anyone wanting a cleaner desk setup. It’s sturdy, adjustable, and keeps your computer safely mounted under the desk. Excellent for improving workspace organization.
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Reviewed in the United States on March 13, 2026
★★★★★ 5
Rock Solid and Computer / Wall Safe! Last PC Mount you'll ever need.
This is the hardware that you want in your office: robust, no-nonsense, and able to boss you around its workload. I installed a full size PC case/server in it, and it is rock solid once you lock it in. The open-frame design also merits a mention here as it greatly improves airflow and allows you to access ports on the motherboards and other hardware on your rig should you want to during your gaming sessions without bringing too much heat inside and causing headaches. The width of the holder can be adjusted (approximately 7.7” through 11.8”) in width and (approximately 20” through 25.8”) in height so it fits a large variety of towers, so you don't have to worry whether it could fit your set-up or not. Smaller towers may have substantially more wiggle room though.
The mount's weight limit is no joke—up to 44 lbs—so you're not sacrificing stability just to save a few bucks. The shells are quite secure, although some people may have wished for a little more tightening bite; they still prevent your equipment from falling off if you accidentally bump on a wall, which is more important than you may think.
A little nitpick: the lower wall-mount bracket could have a couple of extra pilot holes to reduce twisting over time. Not a breaker, just a heads-up for all of you who are looking to the long term. Altogether, it's a reliable, solid fix that is well worth the cost, particularly if you're cramming space and airflow in a tight configuration.
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Reviewed in the United States on December 27, 2025
★★★★★ 4
Best for a large PC case, works on smaller towers with mods
This thing is solid! I strongly recommend setting your tower on it to get a feel for the orientation you want before attaching it to your desk or wall. I had to re-mount mine because I had it positioned too far back to be able to plug cables into the PC tower. When the ad says its for a large PC tower they are not joking. I would consider my PC case to be a fairly average size but the bottom clamp and side arms don't hold my case at all. Theres a z shaped bracket included to attach to the main support and let it contact the desk or wall surface behind it. I used this part to wedge between the bottom clamp snd my PC case to hold it in place. My mount is still very sturdy without that bracket in place. I cheated during install and stacked some books under it to bring it up to the height of the bottom of my desk, made easy work of it. I really want to give it 5 stars but unfortunately the fitment issue leaves me hanging, literally. Maybe I will update my rig and get a larger PC case down the road. What I love about this item is my tower used to be on my desktop. Now its tucked away neatly and I was able to separate my 2 monitors more. Feels like a whole new workspace with less clutter and more table space for projects. Good item.
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Reviewed in the United States on December 4, 2025
★★★★★ 5
Attractive design+color, slender profile, excellent functionality, budget price (8 outlet model)
Color: Black, Size: 8 Outlet, Style: Outlets Only, Color: Black, Size: 8 Outlet, Style: Outlets Only
This is exactly what I wanted. (It’s even better - slimmer, easier to handle cord, than the Belkin in this design style.) Perfect fit for the lower shelf of my night table. To charge my phone, iPad, Bluetooth headset, and the like (plug my lamp into it as well, for convenience-sake not surge protection). The 8 outlets are perfectly spaced/placed.
I briefly considered the model with the USB cord plugs directly into the unit, but for me, at this point, for this purpose the extra price didn’t seem worth-it. My USB charging adapters aren’t that bulky, and with this design they can be plugged side-by-side.
I do like the convenience of that design, with the USB plugs, and will likely get it in the future, and move this one to either my home-office, or dressing area. So, this “basic” one wouldn’t be wasted. And meanwhile it’s a great budget option that sacrifices none of the design, style, or function. It’s attractive, useful, well conceived/designed and executed. For well under $20. Nice color too.
Would be perfect anyplace. Though I’d think this more basic model isn’t intended for multiple multimedia devises all in one - looked like they had more suitable models for if you wanted to say plug in your TV, your game console, your streaming and/or cable - do they still call it that? - box/devise, your speakers with or without subwoofer, along with your modem and WiFi-router all into one. Someone, who works with high end electronics and/or an electrician/engineer correct me if I’m wrong. But I’d get a model - of this same device if there’s one of suitable capacity - which that’s meant to handle such a load for my entertainment center. I think another reviewer talked about joules and capacity, I think it was for this model. Or at least this manufacturer.
Though I don’t see it being convenient for travel - not sure about that question there, maybe more convenient than some other styles; certainly not anywhere that’s not 120V, and I doubt that at this level it’s sufficient protection for anywhere with radically irregular electrical/voltage supply, not just the occasional spike, like say - Malawi Africa for a random example out of personal experience, for something like that you’d actually have to spend money and get a proper UPC, not to mention bulky-bulky, but that’s not relevant here, for this, just this isn’t something like that. This is for use with stable electrical and voltage supply, should give perfectly adequate protection for the occasional spikes and surges such as those following a power outage, within the design specification.
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Reviewed in the United States on April 13, 2019