SKU: 28360830458

Bust to Boom: Documentary Photographs of Kansas, 1936-1949

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Bust to Boom: Documentary Photographs of Kansas, 1936-1949"I was supposed to be taking pictures to show that this was a great country and I was finding out it really was. . . . I didn't know it at the time, but I was having a last look at America as it used to be." John Vachon Kansans of the 1930s and 1940s lived through more sweeping changes than any other generation past or present. Destructive forces of nature, an economy gone awry, and a devastating and ironically, economically renewing war left the

"I was supposed to be taking pictures to show that this was a great country and I was finding out it really was. . . . I didn't know it at the time, but I was having a last look at America as it used to be."--John Vachon

Kansans of the 1930s and 1940s lived through more sweeping changes than any other generation past or present. Destructive forces of nature, an economy gone awry, and a devastating--and ironically, economically renewing--war left the world irrevocably altered. In this captivating collection, some of America's best-known documentary photographers provide a valuable glimpse into that tumultuous time.

Constance Schulz has brought together a diverse array of photographs from three extensive documentary projects: the Farm Security Administration, the Office of War Information, and Standard Oil of New Jersey. The result is a unique visual record of American life by photographers Arthur Rothstein, John Vachon, Russell Lee, Marion Post Wolcott, Jack Delano, Edwin and Louise Rosskam, and Charles Rotkin. Collectively, their work has immortalized the faces and emotions of FSA-aided farmers and the harsh lives of coal miners, dust-bowl debris and tumbleweeds, a failed bank and a thriving stockyard, locomotives and Mexican-American railroad workers, oil derricks, wheat country, black cavalry troops, and 4-H Club fairs.

In his enlightening introduction, environmental historian Donald Worster provides historical context for the images. Examining state, national, and international events from 1930 to 1950, he explores the agricultural, business, social, political, and environmental climates as well as the composition of the state's population and its inevitable shift away from rural life toward urbanization and industrialization. Schulz also supplies fundamental information on the photographers and the photographic projects.

Originally created as a means to promote government and business programs, the FSA, OWI, and Standard Oil photographs--most never before published--are an excellent source for individuals and communities searching for a visual record of their local heritage during two of the most crucial decades in American history.

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SKU: 28360830458

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Margaret Johnson
Massapequa, US
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Not 6 ft
Color: Grey, Size: 34" - 3 Panel
I bought this for filming my auditions. I am 5’4” .The height lists is 6 ft but the fabric only reaches 5’9 1/2 “! when I must film myself head to toe, the top bars are showing. It’s easy to set up. But when I film I must tilt my camera to keep the top bars out of frame which is not acceptable.
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Reviewed in the United States on May 1, 2026
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andrea cicalo
Natrona Heights, US
★★★★★ 4
Perfect for what I needed - getting a 2nd one.
Color: Black, Size: 22" - 4 Panel
Putting it together was a BEE-OTCH!! Yes, one of the tubes had the top cap installed at the wrong end (& getting it off required tools), and yes, stretching the fabric to get the screws in was incredibly hard...but am I buying another one? YES! After all is said and done, this is a great room divider. I opted out of installing the paddle feet & it still works perfect. It won't filter light all that great and even though it stands on its own, it can be blown over easily - but for the price? Excellent. If I wanted a heavy duty, thicker, more expensive one, I would've bought one. The 2nd one is on the way. Perfect height, no weird smell, nice and light and easy to move around.
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Reviewed in the United States on September 30, 2025
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Diana Walls
Los Angeles, US
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WHERE HAVE YOU BEEN 😊
Color: Grey, Size: 34" - 3 Panel
I purchased RANTILA 3 Panel Room Divider, 6 Ft Tall Folding Privacy Screen Freestanding Room Partition Wall Dividers, 102''W x 20''D x 71''H, Grey. For outdoor use on my patio is perfect . PRIVACY!!! YAY! It was packaged very carefully. There were no missing parts. Instructions were there but I still had to use the video visually. A few screws would not screw in. So I used a hammer with a few good taps that helped using the screw driver. 😊 It was easy putting it together following the directions. Everything is well made. Love the height, functionality and it’s definitely light it works. Thank you
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Ellen W.
San Leandro, US
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I am happy with the room divider. It does what I intended.
Color: Beige, Size: 34" - 3 Panel
Use a power screwdriver.
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Michele Parkinson
Waukegan, US
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It’s really pretty decent except for one thing.
Color: Grey, Size: 34" - 4 Panel, Color: Grey, Size: 34" - 4 Panel
I bought two of these for my basement and they do look great. They were easy to assemble and I’m happy with them. The problem is that the stitching on the fabric panels are almost the size of a machine basting stitch (which for non sewers means large temporary stitches). Because the panels are tight by design, the stitches had already started to come undone before I could finish assembling everything. Fortunately I can sew and I reinforced all the panels. I had to take the first ones back off the poles to do them but I did the second set before assembling. It’s really not a bad product for the money. It’s quality fabric and the design itself looks great. The stitching looks fine but it’s just not substantial enough for the purpose it is supposed to serve. I can’t imagine why it be sewn so insufficiently. I was able to resolve my issue because I can sew. I wasn’t planning on sewing nor did I really have the time. I could have made it myself but I didn’t want to and that is why I purchased this. I ended up using valuable time. The really unfortunate thing is, I have no other complaints. This is a manufacturing problem.
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Reviewed in the United States on February 3, 2023

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