SKU: 34959457357

Ida Applebroog | Last Bird (2017)

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Description

Ida Applebroog | Last Bird (2017)[[specs start]] Photogravure printed on Gampi chine coll and Somerset textured white papers 76. 2 x 99 cm [30 x 39 inches] Edition of 30, signed and numbered recto. [[specs end]] [[work start]] About the work Ida Applebroog's edition for the Whitechapel Gallery, relates to a painting made by the artist in the 80s, depicting a solitary bird in a landscape. Entitled Last Bird this photogravure etching will form part of a completely new body of work by

[[specs start]]

Photogravure printed on Gampi chine collé and Somerset textured white papers
76.2 x 99 cm [30 x 39 inches]
Edition of 30, signed and numbered recto.

[[specs end]]

[[work start]] 

About the work

Ida Applebroog's edition for the Whitechapel Gallery, relates to a painting made by the artist in the ‘80s, depicting a solitary bird in a landscape. Entitled Last Bird this photogravure etching will form part of a completely new body of work by the artist, Angry Birds of America.  

Angry Birds of America revisits John James Audubon’s famous series Birds of America. The 19th century American ornithologist, naturalist, and painter, Audubon was notable for his extensive studies documenting all types of American birds and for his detailed illustrations and prints that depicted the birds in their natural habitats.

A life-time admirer of Audubon, Applebroog refers to a moment of realisation that these are actually depictions of dead birds, a fact which fascinated and angered the artist. Audubon would first shoot and kill every bird he painted and arrange into lifelike poses, propping up his intricate compositions using wires and splints.

Last Bird, 2017 is created as a photogravure etching with chine-collé; a collage technique used to press one delicate paper onto another. Printmaking has formed an integral part of Applebroog's practice for over five decades and we are delighted to be able to offer this work, which has been generously donated by the artist.

This edition was published to accompany Ida Applebroog's work featured in the ISelf Collection displays at Whitechapel Gallery 2017, which explored the concept of self.

[[work end]]

[[artist start]] 

About the artist

Over the past five decades, in her painting, drawings, prints and illustrations, Applebroog has been exploring subjects informed by feminism, power and violence, women's sexuality and the domestic space using images stylistically reminiscent of comics, at once beguiling and disturbing. Her instantly recognisable style features simplified human forms with bold outlines inspired by cartoons, and her works are often installed in theatrical scenarios.

[[artist end]]

[[exhibitions start]]

Selected Exhibitions

Recent solo exhibitions include Hauser & Wirth, ‘Ida Applebroog. Mercy Hospital’, London, England (2017); Karma, ‘Ida Applebroog. Mercy Hospital’, New York NY (2017); Institute of Contemporary Art, ‘Ida Applebroog’, Miami FL (2016); Hauser & Wirth, ‘Ida Applebroog. The Ethics of Desire’, New York NY (2015); MAC/VAL – Musée d’Art Contemporain du Val-de-Marne, ‘Ida Applebroog’, Vitry-sur-Seine, France (2014); Hauser & Wirth London, ‘Ida Applebroog’, London, England (2011); Hauser & Wirth New York, ‘Monalisa’, New York NY (2010). Recent group exhibitions include Whitechapel Gallery, ‘Other Faces’, London, England (2017); Jane Voorhees Zimmerli Art Museum, Rutgers University, ‘Guerrilla (And Other) Girls: Art/Activism/Attitude’, New Brunswick NJ (2017); Museum of Modern Art, ‘Back in Time-based Works: Books at Franklin Furnace, 1976-1980’, New York NY (2016); CCS Bard Hessel Museum, ‘Inventing Downtown’, Annandale-on-Hudson NY (2016); Montclair Art Museum, ‘Work and Leisure in American Art’, Montclair NJ (2016); Wadsworth Atheneum, ‘The End of Innocence: Childhood Torments in the Contemporary Art Collection.’, Hartford CT (2016).

Ida Applebroog (b. 1929, the Bronx, NY US) lives and works in New York, NY, US.

[[exhibitions end]]

Whitechapel Gallery editions are generously donated by the artists. All proceeds from the sale of these works directly support our exhibition and education programmes. As is traditional in editions publishing, prices will rise as an edition starts to sell out. 

For UK Customers, VAT is included in the price shown. 

The purchase of this edition is subject to resale restrictions. See Terms and Conditions at point of sale. 

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SKU: 34959457357

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Interloper
Birmingham, US
★★★★★ 1
You Get What You Pay For! A Piece Of Junk!
Size: 1 Panel
Flimsy and a piece of junk. Don’t waste your money. Assembly is a pain because it is so flimsy. Divider is thin. You can see right through it. Very wobbly.
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Reviewed in the United States on February 25, 2026
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JAMES HAYES
Belleville, US
★★★★★ 4
Instructions are useless
Size: 1 Panel
The instructions are poorly written and not very helpful. The divider itself is easy to assemble, and honestly, it would’ve been quicker if I had skipped the directions altogether. Once put together, though, it works as intended.
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Reviewed in the United States on February 20, 2026
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Platinum Motif
Lowell, US
★★★★★ 5
This was the best
Size: 1 Panel
This divider is great for creating a little privacy or separating a small area without taking up much space. The fabric is thick enough to block visual clutter, and the frame is lightweight but stable once it’s opened. It folds flat for storage, which is convenient if you only need it occasionally. Assembly was straightforward, and it was the perfect size. It’s a practical piece for apartments, studios, or home offices where you want a quick, temporary partition.
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Reviewed in the United States on April 14, 2026
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John M.
Belleville, US
★★★★★ 5
Good privacy screen
Size: 1 Panel, Size: 1 Panel
This is a good privacy screen that's easy to assemble and looks nice. Be a little careful moving it, as the corners can twist. It's sturdy once in place, and the thick material is completely opaque. If the folds bother you, you might want to iron it, but I'm happy with it as is.
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Reviewed in the United States on March 30, 2026
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Dan & Stacey
Port Orchard, US
★★★★★ 3
Lightweight divider that works well for video call backgrounds
Size: 1 Panel
This divider works fine for what it is, but it’s definitely on the lightweight side. Setup was very easy and only took a few minutes. The frame is fairly light, so it’s easy to move around or reposition if needed. That said, the tradeoff is that it’s not especially sturdy. It stands fine on its own but I wouldn’t expect it to handle much bumping or movement. I mainly bought it to use as a background for Zoom calls when I’m working from my den, and for that purpose it works great. The fabric panel blocks the room behind me and gives a cleaner background on camera. It’s not huge though. To keep the camera from seeing around it, I have to position it directly behind my chair. If you’re expecting it to divide a large room or create a big privacy barrier, it may feel a bit small. Overall, it does the job and works well for temporary setups or video call backgrounds, but the lightweight frame keeps it from feeling like a premium divider. The product description and photos are accurate.
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Reviewed in the United States on March 12, 2026

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