SKU: 37132344781

DeVore Fidelity O/Reference Speakers (Pair)

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Description

DeVore Fidelity O/Reference Speakers (Pair)CALL FOR INFORMATION DeVore Fidelity O Reference Speaker System at Vinyl Sound Toronto Canada The O Reference is a four piece flagship speaker system from DeVore Fidelity (Brooklyn, New York, USA), available at Vinyl Sound in Toronto, Canada. Representing the pinnacle of the Orangutan Series, this statement system delivers an eleven octave bandwidth from 15Hz to 50kHz, a 98 dB W m sensitivity, and a 12 ohm impedance that makes it exceptionally easy to

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DeVore Fidelity O/Reference Speaker System at Vinyl Sound Toronto Canada

The O/Reference is a four-piece flagship speaker system from DeVore Fidelity (Brooklyn, New York, USA), available at Vinyl Sound in Toronto, Canada. Representing the pinnacle of the Orangutan Series, this statement system delivers an eleven-octave bandwidth from 15Hz to 50kHz, a 98 dB/W/m sensitivity, and a 12-ohm impedance that makes it exceptionally easy to drive with virtually any amplifier. Developed over nearly a decade by designer John DeVore, the O/Reference integrates cast and machined bronze driver chassis and horns, pure AlNiCo magnets, and a dedicated 700-watt Bassmachine per channel into a system that competes with the most ambitious loudspeakers in the world.

O/Reference A: The Main Speakers

Each O/Reference A cabinet is a three-way design built around a 10-inch paper-cone woofer mounted in a cast bronze chassis. The woofer motor has been entirely redesigned around a pure AlNiCo (Aluminum Nickel Cobalt) magnet, copper Faraday rings positioned both above and below the gap, a titanium former, and a machined bronze phase plug. Together these elements deliver markedly better magnetic and inductive linearity, increased sensitivity, and distortion that is an order of magnitude lower throughout most of the frequency range compared to conventional motor designs. Above the woofer, a 1-inch silk dome tweeter is loaded by a cast and machined bronze horn, driven by a new motor with a large rare-earth magnet and an underhung voice-coil that improves linearity at lower treble frequencies. A 0.75-inch silk dome super-tweeter, also horn-loaded with a cast and machined bronze horn and rare-earth magnet, extends the top end to 50kHz. Solid machined bronze port tubes and a machined brass input plate are mechanically decoupled from the cabinet to minimize vibration coloration.

O/Reference B: The Bassmachine

Each O/Reference B Bassmachine is an active bass module engineered to reproduce the lowest octave below 20Hz without equalization or porting artifacts. An 11-inch reinforced aluminum woofer with an entirely new motor system capable of 2.25-inch peak excursion works in concert with an 11-inch reinforced aluminum passive radiator, naturally tuned in-cabinet to below 20Hz. The rigid two-inch thick birch plywood front baffle and machined brass input plate are decoupled to control vibration. A dedicated 700-watt state-of-the-art amplifier drives the Bassmachine, fed from a fully analog signal path that includes an adjustable low-pass crossover, variable phase, subsonic filter, and equalization at both 20Hz and 35Hz. The Bassmachine takes its input signal from the same amplifier chain driving the O/Reference A speakers, ensuring a unified tonal signature and texture across the entire frequency range.

Key Features

  • AlNiCo Woofer Motor: The 10-inch woofer uses a pure AlNiCo magnet, copper Faraday rings above and below the gap, a titanium former, and a machined bronze phase plug for dramatically reduced harmonic distortion throughout the midrange and improved magnetic linearity.
  • Cast and Machined Bronze Driver Chassis: All main driver chassis, horn bodies, and port tubes are cast in Indiana and machined in Virginia from bronze alloy, reducing resonance while adding structural rigidity and a distinctive aesthetic character.
  • Three-Way Main Speaker Design: Each O/Reference A cabinet combines a 10-inch paper-cone woofer, a 1-inch silk dome tweeter with bronze horn, and a 0.75-inch silk dome super-tweeter with bronze horn for seamless coverage from 40Hz to 50kHz.
  • Passive Radiator Bass Loading: The Bassmachine uses an 11-inch aluminum passive radiator naturally tuned below 20Hz in-cabinet, avoiding the dynamic limitations and colorations of ported enclosure tuning at very low frequencies.
  • 700-Watt Analog-Controlled Amplifier: Each Bassmachine includes a dedicated 700-watt class-D amplifier with a fully analog control circuit providing adjustable low-pass crossover, variable phase, subsonic filter, and two-band EQ at 20Hz and 35Hz.
  • 98 dB Sensitivity: The O/Reference A's 98 dB/W/m sensitivity enables exceptional performance with low-power amplifiers, including single-ended triode designs, while maintaining full dynamic authority at all volumes.
  • Eleven-Octave Bandwidth: The complete O/Reference system covers 15Hz to 50kHz, capturing the full spectrum of musical information on any source.
  • Vibration-Isolated Hardware: Bronze port tubes and brass input plates on both cabinet types are mechanically decoupled from the enclosure to prevent vibration from coloring the sound.
  • Flexible Room Installation: The four-piece configuration can be adapted to nearly any room size, and the system is also available in a three-piece configuration using a single Bassmachine summed to mono for smaller spaces.
  • Handbuilt in Brooklyn, New York: Every O/Reference system is assembled by hand at the DeVore Fidelity workshop at the Brooklyn Navy Yard.

Technical Specifications

System Configuration Four-piece (two O/Reference A main speakers, two O/Reference B Bassmachines)
Bandwidth 15Hz to 50kHz
Sensitivity (O/Reference A) 98 dB/W/m
Impedance (O/Reference A) 12 Ohms
O/Reference A Woofer 10-inch paper cone, cast bronze chassis, AlNiCo motor, copper Faraday rings, titanium former, bronze phase plug
O/Reference A Tweeter 1-inch silk dome, cast and machined bronze horn, large rare-earth magnet, underhung voice-coil
O/Reference A Super-Tweeter 0.75-inch silk dome, cast and machined bronze horn, rare-earth magnet
O/Reference A Dimensions (W x H x D) 18 x 35.5 x 12 inches (including stands)
O/Reference B Woofer 11-inch reinforced aluminum, new motor system, 2.25-inch maximum excursion
O/Reference B Passive Radiator 11-inch reinforced aluminum, naturally tuned below 20Hz in-cabinet
O/Reference B Amplifier 700 watts, class-D, fully analog control path
O/Reference B Crossover Controls Adjustable low-pass crossover, variable phase, subsonic filter, EQ at 20Hz and 35Hz
O/Reference B Baffle 2-inch thick birch plywood, machined brass input plate
Port Tubes Solid machined bronze, vibration-decoupled from cabinet
Origin Handbuilt at DeVore Fidelity, Brooklyn Navy Yard, New York, USA
Bronze Casting Cast in Indiana, machined in Virginia
Finish Options Multiple wood veneers and custom finishes available

Press and Critical Recognition

  • Myles Astor, Audio Nirvana: "John DeVore unveiled his first attack on state-of-the-art sound and hit out of the park. An immersive musical experience rarely experienced with most audio systems. Extraordinary dynamic ease."
  • Michael Lavorgna, Twittering Machines: "The level of refinement and power embodied in the O/Ref System is a thing to behold."
  • Waldemar Nowa, Info Audio: "O/Reference: heaven on earth. If you're done chasing the rabbit and want to finally catch it, you've come to the right place."
  • Jack Roberts, The Audio Beatnik: "They take up a whole lot less space than any of the other statement systems I know of, but don't think for a minute that the DeVore Fidelity's Orangutan Reference Speaker System isn't in that league. I promise you they compete with any speaker system."
  • Rafe Arnott, Audiostream: "In the end this was a showstopper of a room where time and space seemed at odds and had me low-whistling a few times at what I was hearing."

Frequently Asked Questions

What is the DeVore Fidelity O/Reference?

The DeVore Fidelity O/Reference is a four-piece flagship loudspeaker system, handbuilt in Brooklyn, New York, and representing the absolute top of the Orangutan Series. The complete system consists of two O/Reference A three-way main speakers with a 98 dB/W/m sensitivity and a 12-ohm impedance, paired with two O/Reference B Bassmachines each housing an 11-inch aluminum woofer, a matching passive radiator, and a 700-watt dedicated amplifier. Together the system achieves an eleven-octave bandwidth of 15Hz to 50kHz.

How does the O/Reference compare to the Wilson Audio Alexx V or the Magico M9?

The DeVore Fidelity O/Reference takes a fundamentally different approach to reference-level performance than competitors such as the Wilson Audio Alexx V or the Magico M9. Where those designs use rigid metal enclosures and beryllium or carbon-fiber drivers in sealed or ported configurations, the O/Reference prioritizes naturally tuned enclosures, cast bronze chassis, AlNiCo magnets, and a passive-radiator Bassmachine tuned below 20Hz without equalization. The 98 dB/W/m sensitivity of the O/Reference A also sets it apart: it can be driven to its full potential by low-power tube amplifiers, including single-ended triode designs, which is not practical with the much lower sensitivity of either the Alexx V or M9.

Can the O/Reference be driven by a low-power tube amplifier?

Yes, the O/Reference A is well suited to low-power tube amplifiers. Its 98 dB/W/m sensitivity and 12-ohm impedance make it one of the most amplifier-friendly speaker designs at reference level, compatible with single-ended triode amplifiers using output tubes such as the 300B or 845. The Bassmachine handles the lowest octave independently with its own 700-watt amplifier, so the main amplifier driving the O/Reference A is relieved entirely of deep bass duty.

What is an AlNiCo magnet and why does DeVore Fidelity use it?

AlNiCo is an alloy of Aluminum, Nickel, and Cobalt used to make high-performance permanent magnets for loudspeaker motors. AlNiCo magnets were the industry standard in audio for decades before lower-cost ferrite magnets became dominant. DeVore Fidelity specifies AlNiCo in the O/Reference A woofer motor because it produces significantly lower harmonic distortion through the midrange compared to ferrite alternatives. Unlike ferrite magnets, AlNiCo magnets for the O/Reference must be manufactured to order, and all steel motor parts are individually machined rather than mass-stamped, contributing to the system's extended development timeline and elevated craftsmanship.

Where can I buy the DeVore Fidelity O/Reference in Toronto or Canada?

Vinyl Sound in Toronto, Canada is an authorised dealer for DeVore Fidelity and carries the O/Reference system. Located in Toronto, Ontario, Vinyl Sound provides expert consultation, in-store listening opportunities, and full after-sales support for the O/Reference and the complete DeVore Fidelity Orangutan and Gibbon speaker lines.

Why does the O/Reference use four separate cabinets?

The four-cabinet layout was chosen by John DeVore to resolve an engineering conflict between transparency and bass extension. Separating the lowest octave into a dedicated Bassmachine cabinet allows the 10-inch main woofer in the O/Reference A to be optimized specifically for 40Hz and upward, dramatically reducing cabinet vibration and driver excursion in the main enclosure. The Bassmachine is then free to be optimized entirely for infrasonic bass reproduction below 20Hz. This division also allows the Bassmachine's 700-watt amplifier to match the 98 dB/W/m sensitivity of the main speakers without any dynamic compression.

What amplifier does the O/Reference Bassmachine use to receive its signal?

The O/Reference B Bassmachine receives its input signal from the same amplifier that drives the O/Reference A main speakers, not from a preamplifier output or a separate source. This means the Bassmachine's internal 700-watt amplifier and analog control circuitry process a signal that has already passed through the same components as the midrange and treble, preserving a unified tonal quality, texture, and color across the entire frequency range from 15Hz to 50kHz.

Is a three-piece version of the O/Reference available?

Yes, a three-piece configuration is available using both O/Reference A main speakers paired with a single O/Reference B Bassmachine summed to mono for the lowest octave. This option is suited to smaller rooms or installations where a full four-piece setup is impractical, and it retains the fundamental character and most of the performance of the full system. The four-piece version adds benefits including improved ambience retrieval, greater low-bass dynamic impact, and more flexible room response optimization through independent left and right Bassmachine adjustment.

 

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SKU: 37132344781

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WU.
Natrona Heights, US
★★★★★ 4
Good overview of the leading Agentic Framework. Will become outdated quickly.
Format: Paperback
3.5 Stars rounded up. Not a bad place to start if you need to get up to speed fast with Claude Code, understand its vast feature set, how it works under the hood, best practices, and the various agent primitives and how to get the most out of them. Agentic frameworks (Claude Code in particular) are quickly becoming table stakes for anyone working in tech, so it's best to start now. I appreciated the author's ability to flesh out areas where Anthropic's documentation is lacking in depth and nuance, and for some not already working with Claude in their own repos, the fact that he provides "toy" repos where one can experiment with the tools without fear of consequence. Where the book falls short is that most of the stuff in here is already covered pretty well already in Anthropic's docs, or even better so in their free "Skilljar" courses. What's more, some areas are given a bit of a shallow treatment, while others are a bit better done. So it's a bit inconsistent in that sense. Also, I can see how this book will quickly lose its currency in a few months at the pace things are going. Ultimately, for me, the price of this book was a bit rich for my liking given the criticisms above. Still, I feel like I got valuable info that rounded up what I already knew from working with this agentic framework. Recommended.
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Reviewed in the United States on May 28, 2026
B
Brahmananda Reddy
Draper, US
★★★★★ 5
Practical AI Engineering Beyond Prompts — One of the Better Books on Agentic Coding
Format: Paperback
This book is not another “AI coding hype” book. A lot of books talk about agents at a very high level. This one actually explains how things work when you try to use them inside real development workflows. That was the biggest difference for me. What I liked most was the focus on context engineering, memory, MCP, hooks, subagents, and workflow orchestration instead of just “prompt better.” The author spends time explaining why long-running agent systems fail, how context grows over time, and why most AI coding setups become messy without structure. The examples also feel practical — The HookHub project, Next.js setup, GitHub workflows, Claude memory files, and MCP integrations make it easier to connect theory with actual implementation. From my retail domain experience perspective, I could immediately connect this to forecasting and pricing workflows. For example: * agents helping analysts generate specs before model development * automated code review for promo forecasting pipelines * isolated subagents for pricing, promotions, assortment * persistent memory for business rules across teams * MCP integrations to pull context from internal systems safely The section around context isolation and subagents especially stood out because that is very similar to how enterprise forecasting teams already operate in reality. Different teams own different decision spaces. One thing I appreciated: the author does not oversell AI. There is a strong focus on constraints, context pollution, hallucinations, performance degradation, and workflow reliability. That makes the book feel grounded instead of marketing-heavy. This is not for complete beginners though. If someone has never worked with Git, APIs, coding agents, or LLM workflows, parts of the book may feel overwhelming early on. The author clearly says this is not beginner-level content. Overall, probably one of the more practical books I have read recently on agentic coding systems. Good for: * software engineers * AI engineers * enterprise architecture teams * technical product teams * analytics leaders trying to operationalize AI development workflows Especially useful if your organization is trying to move from “AI demos” into actual production workflows.
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Reviewed in the United States on May 20, 2026
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UA
Boise, US
★★★★★ 5
A Good Reality Check on How AI Agents Actually Work in Enterprise Systems
Format: Paperback
Most AI books stop at prompts. This one goes deeper into how agent systems actually behave once you try to use them inside large workflows with memory, tools, permissions, automation, and multiple agents working together. That part felt very relevant for healthcare and enterprise environments. The book does a good job explaining why context engineering matters and how poor context handling creates hallucinations, inconsistent outputs, and degraded performance over time. Honestly, that is one of the biggest problems organizations underestimate right now. In healthcare workflows, context matters a lot: * prior interactions * business rules * auditability * escalation logic * safety constraints * tool permissions * workflow boundaries The sections on persistent memory, scoped context, subagents, and structured workflows connected strongly to that reality. I work in enterprise analytics, and while reading this book I kept thinking about use cases like: * pharmacy workflow automation * prior authorization support systems * coding assistants for healthcare engineering teams * AI copilots for operational analytics * agent-based escalation systems * claims and workflow orchestration The MCP chapters were also useful because they explain integration challenges clearly instead of treating tooling as magic. What made this book stand out for me was the balance between implementation and architecture. The author explains: * why long contexts fail * how context poisoning happens * why isolation matters * when parallel agents help * when they actually create more complexity That level of honesty is missing in many AI books right now. Another thing: the examples are not overly academic — The Next.js project setup, GitHub automation, Claude desktop workflows, memory systems, hooks, and subagents make the learning process feel practical and hands-on. One limitation: this book assumes technical background. Someone completely new to coding agents, LLMs, Git, or development workflows may struggle in the first few chapters. But for engineers, AI teams, enterprise architects, and technical leaders trying to understand where agentic coding is actually going, this book is worth reading. Especially for organizations trying to operationalize AI safely instead of just experimenting with chatbots.
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Reviewed in the United States on May 20, 2026
C
Christopher West
Phoenix, US
★★★★★ 5
Great book! Practical and for developers that already use AI!
Format: Paperback
I purchased "Agentic Coding" by Claude Code due to my desire for an alternative to generic "Prompt Template" type resources related to AI-based development. This book accomplishes just that. As opposed to merely viewing Claude Code as a "magic box", the author has explained how to utilize it in conjunction with other actual development processes. The authors' emphasis on "context engineering" (i.e., structuring data/information; managing knowledge in a project; guiding an AI agent to produce consistent results vs. producing random/unknown results) represents the strongest component of the book. It should be noted that the book appears to be intended primarily for experienced developers with prior experience in software development and/or familiarity with AI-based development tools. Should you be familiar with Git, the command-line interface, and/or modern development processes, you may find this resource very helpful. Conversely, I did appreciate the fact that there were no novice-oriented descriptions provided throughout the book. The aspect of the book that I found most valuable, however, is the extremely pragmatic nature of the material contained within. The examples illustrated through developing/maintaining CLAUDE.md files; utilizing Claude Code in combination with GitHub Workflows; employing MCP Servers; and creating multi-agent or sub-agent workflows all seemed to reflect a clear focus on "real world usage" rather than theoretical constructs. In addition, each chapter builds upon previous chapters in such a manner as to provide a logical progression through which the reader can easily understand and ultimately implement the concepts learned. I also appreciated that the author included guidance on responsible utilization of the tool(s), as well as maintaining control over what changes are made by the agent. While numerous books regarding AI focus solely on what AI tools can accomplish, this book addresses both how to utilize these tools effectively in a real codebase, as well as responsibility and safety considerations. In summary, this is not a book for individuals completely inexperienced in either programming or generative AI. However, if you are currently experimenting with tools such as Claude, Cursor, GitHub Actions, or MCP, this is likely one of the more useful and practical books available on the subject. Recommended for software engineers seeking to transition from simply "prompting an AI" into establishing a repeatable/professional workflow process surrounding agentic coding.
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Reviewed in the United States on April 11, 2026
P
Paul Pollock
Phoenix, US
★★★★★ 4
⭐⭐⭐⭐ (so far)
Format: Paperback
I'm maybe a third of the way through this and already rethinking how I talk to coding agents. The reframe from "prompt engineering" to "context engineering" sounds like semantics until Marco walks you through why context poisoning, context clash, the Goldilocks zone for system prompts. That chapter alone reorganized something in my head. I keep going back to the line about garbage in, garbage out being the real reason agentic systems underperform. The hands-on stuff lands well too. Building the HookHub project from scratch, wiring up Playwright MCP, watching Claude generate a CLAUDE.md file and then not automatically loading a memory file you just created — that moment where you expect magic and get silence instead? That's the kind of honest teaching I appreciate. It made the "why" behind memory hierarchies click.
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Reviewed in the United States on May 12, 2026

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