SKU: 38573461707

Chris Hein Winds Complete (2024)

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Description

Chris Hein Winds Complete (2024)30 . Experience the Complete Diversity of Wind Instruments! Discover the Chris Hein Orchestral Winds Complete Bundle, which offers you the full range of sonic beauty and flexibility. This comprehensive package combines the Chris Hein Winds Solo Vol. 1 5 with the Chris Hein Winds Ensemble, providing you with an unbeatable tool for your music production. Ideal for composers, arrangers, and music producers seeking authentic and powerful sounds. Whats

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Experience the Complete Diversity of Wind Instruments!

Discover the Chris Hein Orchestral Winds Complete Bundle, which offers you the full range of sonic beauty and flexibility. This comprehensive package combines the Chris Hein Winds Solo Vol. 1-5 with the Chris Hein Winds Ensemble, providing you with an unbeatable tool for your music production. Ideal for composers, arrangers, and music producers seeking authentic and powerful sounds.

What’s included in the Bundle?

The bundle includes the Chris Hein Winds Solo Vol. 1-5, which offers an exquisite collection of flutes, clarinets, oboes, bassoons, and deep flutes. These instruments are characterized by their authentic sounds and a variety of articulations that bring your musical ideas to life. The bundle is complemented by the Chris Hein Winds Ensemble, which provides you with a powerful orchestral experience. With this ensemble, you can emulate the dynamics and richness of a full wind orchestra in your compositions.

  • Combine the flexibility of solo instruments with the power of an ensemble to create stunning orchestral sounds.

  • Each sample has been recorded with state-of-the-art technology to deliver a lively and authentic sound.

  • All instruments integrate seamlessly into your preferred DAW, allowing you to start composing right away.

With the Chris Hein Orchestral Winds Complete Bundle, you not only receive an impressive collection of wind instruments but also a powerful tool for your music production. Whether you are an experienced composer or a passionate musician, this bundle provides you with everything you need to bring your musical visions to life.

Orchestral woodwinds for your computer in unheard perfection!

Chris Hein – Winds is an extensive woodwind library meeting the highest expectations regarding sound, quality, expression and usability. The library's instruments are based on painstakingly recorded and edited multisamples, with numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought thirty years of sampling experience into this masterpiece, giving the user maximum flexibility and a high level of customization, while maintaining the ease of use.

Version 2 now features the following improvements:

  • improved tuning of almost all samples
  • improved phase-aligned samples
  • drastically reduced resource demand
  • improved legato transitions
  • optimised transition speed function
  • glide mode-slur for more realistic runs
  • optimised Touch OSC MIDI remote control
  • minor bug fixes

Registered users of the first version will find a free download of version 2 in their Best Service account!

Chris Hein – Winds consists of four individual volumes, also being available separately or combined in a bundled complete version. The library contains a total of 13 instruments: four transverse flutes, three clarinets, three oboes and three bassoons.

Vol. 1 - Flute

  • Flute Piccolo
  • C-Flute 1
  • C-Flute 2
  • Alto-Flute

Vol. 2 - Clarinet

  • Eb-Clarinet
  • Bb-Clarinet
  • Bass-Clarinet

Vol. 3 - Oboe

  • Oboe  
  • Oboe D´Amore
  • English Horn

Vol. 4 - Bassoon

  • Basson
  • Bassoon Barock
  • Contra Bassoon

Chris Hein – Winds focuses on orchestral woodwind sounds maximum flexibility, while maintaining the ease of use.

The library is arbitrarily configurable to embrace individual workflow techniques and demands of different producers. The available options and solutions take care of almost every practical application, leaving almost nothing to be desired – everything has been thought of! The extensive amount of samples is handled by Native Instruments´ powerful sample-engine, Kontakt Player. Expect a custom tailored user-interface and extensive scripting to meet the specific requirements of these instruments.

Chris Hein – Winds lives up to the expectations of both woodwind lovers and specialists demanding outstanding samples, comprehensive details, an elaborate selection of articulations and a versatile adaption to specific workflows.

The instruments can be loaded as full sample-sets, offering all articulations ready to be played on the keyboard. Thanks to the library´s modular concept, you can also call up significantly reduced versions to keep loading-times fast and memory usage low. In clean-start configuration, only a sustain-set is loaded into memory. Whenever needed, you can add further articulations and functions with a single click. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.

Chris Hein – Winds offers orchestral woodwind sounds tailored to perfection. Both the high quality gear such as selected Neumann microphones and the musician's significant performaces drive the sound aesthetics. Unlike the award-winning Chris Hein – Horns, this library takes advantage of the renowned WDR Symphonic Orchestra.

For this library, dry close mic´ing was an intentional decision. All instruments were recorded individually avoiding any crosstalk. Despite that CH Winds incorporated the inevitable interaction of an orchestra. Therefore, the participating musicians used headphone monitoring, to complement each other. Consequently, time-dependent articulations such as Dynamic Expression receive an especially coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.

Due to the sample-engine’s dual convolution reverbs and the intentionally dry sound of Chris Hein - Winds, you can easily adapt the instruments to various situations. The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creating any spatial environment, ranging from close intimacy to large orchestral halls. This makes Chris Hein – Winds significantly different to many competitors and their fixed spatial characteristics. It makes this library greatly variable and, additionally, combinable with almost any other library available.

Unique functions

Perfect dynamic transitions thanks to phase alignment

Over a research-period of six months, all samples were fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.

Unique combination of short and long notes

The combination of long and short notes is a major problem in sample-libraries, that often fails to deliver authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein – Winds addresses these aspects by its „Note Head Designer“. For each sustain, you can call up short, adjusted sample variations, so called shorts, via the controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.

True Legato

The instruments of Chris Hein – Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine picks the perfect note-transition out of more than 2,200 samples, resulting in unheard legato-realism. At the same time, it is possible to combine these realistic combinations with additional artificially inserted legatos.

Library extend

The library´s performance-data directly reflects the immense investment of recordings and configuration possibilities. Each instrument builds upon almost 10,000 single samples, 14 articulations and up to eight dynamic layers. This makes Chris Hein – Winds the most in-depth-library of orchestral woodwinds currently available. The custom-tailored user-interface of the Kontakt Player not only offers numerous functions to adapt the library´s sound character and articulations but also offers immense configuration choices to live up to specific demands and workflows. At the same time, you can effectively play the library without any deep edits. 26 pre-programmed key-switch-presets at the lower part of the keyboard (A-1 to A#1) allow fast tryouts of all available types.

Thanks to four "Dynamic Modes", the "Note-Head Designer", "Key-Vibrato", "Hot-Keys" and the revolutionary concept of articulation-presets, the user-interface will give you the impression of actually playing these instruments live.

Main Features

  • 13 Orchestral Woodwind Instruments, 50 GB Content, 130.000 Samples, 13 Articulations

  • Up to 8 Dynamic Layers

  • Unique Phase-Align Technique, 4 Dynamic Modes, Dynamic Expression Sustains

  • Note-Head Designer, Hot-Keys, Intelligent Legato, Glide-Mode to play realistic runs

  • 10 built in DSP-Effects, 2 independent Convolution Reverbs, 63 high class impulse responses

  • Attack- & Release controls, Special Noise Controls

  • Ensemble Maker, Micro-Tuner, Adjustable Fader Settings in the UI

  • Intelligent LFO-Vibrato including EQ, Customizable Auto-Vibrato, Key-Vibrato

Free Kontakt Player included (version 5.5.0 or higher required)

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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SKU: 38573461707

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4.4 ★★★★★
Based on 16 reviews
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pepe
Massapequa, US
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process. The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual. Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life. HIghly recommended, one of the most interesting learning experiences i have had in a long while!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 5, 2013
C
Verified Purchase
Charles H. Hooker Jr.
Boise, US
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
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Reviewed in the United States on July 4, 2023
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Donald Walker
Los Angeles, US
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
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Reviewed in the United States on April 30, 2012
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Verified Purchase
Judith R. Hert
Charlottesville, US
★★★★★ 5
Wise and Complete
Format: Paperback
I've read a lot of books, too many, on creativity, and this is by far the best, the most complete, the most interesting. The idea that creativity comes out of immersion in a domain or field seems absolutely right and the idea missed by so many other writers. I'm a writer and a painter and I've learned that I'm not going to be any better than the work I've come to know and love, that I have to live in that work. If you want to be a better string player, play with a better ensemble. In many ways a creative person is someone who is in a conversation with what has come before, with work that excites her, teaches her, challenges her. This book makes that plain. But he has other insights as well, especially about the creative personality, the interesting dichotomies. Just read the book.
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Reviewed in the United States on February 22, 2015
C
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Common Arts Farm
Bozeman, US
★★★★★ 4
Creativity which has the power to change the world
A few caveats to those who are generally interested in creativity studies: Csikszentmihalyi's analysis and discussion of creativity does not directly relate to those who are personally creative. People who enjoy engaging in creative activities are not demoted, in his terms, but are simply not a part of the study. It is unfortunate that his language makes it seem this way; he distinguishes between the two by saying that Creativity has the power to shape a domain or the world, while creativity applies to those who enjoy coming up with new recipes, who are engaged in research that may not change a domain, but may "tweak" it, etc. What he is trying to discover are the underlying principles and traits of creativity in those whose work has made a significant change. Think Albert Einstein, Eleanor Roosevelt, Mark Strand: people who are either widely known for their influence, or who have been influential within their area or domain. This book provides an interesting view into the minds and work habits of Creative individuals, and concludes by offering general advice to those who wish to make their own lives and work more creative. It is a useful book, but one which requires a great deal of supplemental reading, in order to truly engage in creativity studies.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 29, 2003

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