SKU: 38615283593

POISON RUIN – HYMNS FROM THE HILLS (INDIE EXCLUSIVE CHAINMAIL SILVER) - LP •

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POISON RUIN – HYMNS FROM THE HILLS (INDIE EXCLUSIVE CHAINMAIL SILVER) - LP •UPC: 781676564712 Label: RELAPSE Format: LP Release Date: April 3, 2026 In stock items ship within 48 hours POISON RUIN return with their highly anticipated sophomore LP, Hymns From the Hills. Building off the strengths of their existing oeuvre, the band has developed their signature approach to grim mythmaking and scythe swinging aggression in bold new directions, offering up a new body of songs that strike one as equal parts natural, undeniably of

UPC: 781676564712
Label: RELAPSE
Format: LP
Release Date: April 3, 2026
In stock items ship within 48 hours

POISON RUIN return with their highly anticipated sophomore LP, Hymns From the Hills. Building off the strengths of their existing oeuvre, the band has developed their signature approach to grim mythmaking and scythe-swinging aggression in bold new directions, offering up a new body of songs that strike one as equal parts natural, undeniably of this world, and phantasmal. The band's vision has grown substantially, pushing well past the tales of peasants and serfs that stood as allegories for contemporary alienation in their previous work: on this newest offering, Their previous stories of toil and dispossession are revealed to be but one chapter etched upon a bleaker tapestry, one populated by spirits traversing sunless deserts and wilted hillsides, demonic torture objects limning the edges of the psyche, bodies transfigured into Luciferian snakes, Sadean prisoners bound to the screaming silence of abandoned castle towers. The record is at once a forceful restatement of POISON RUIN's trademark sound and a departure from it, the crackling, cassette-dubbed darkness and crushing rhythms listeners have become accustomed to buttressed by a carefully sculpted mosaic of new textures, from flourishes of Killing Joke hacksaw primitivism and blast-beats worthy of the Relapse catalogue number to crisp analog synth lines and ambient serenades reminiscent of Scott Walker and The Durutti Column. Like a serpent moving ever outward with spiraling circularity, Hymns From the Hills expands POISON RUIN's sonic landscape in imaginative new directions while maintaining its center of gravity firmly in the band’s already established mythos. Hymns From the Hills is meticulously composed. Much like the rest of POISON RUIN's body of work, this LP was self-recorded without the use of professional studio equipment. To meet the greater sonic demands of Hymns From the Hills, however, mastermind Mac Kennedy relocated to a private practice space, retiring from his previous routine of squeezing in tracking sessions around the rare moments that the band’s shared practice space happened to be vacant. “Having added time to breathe and really get things right felt crucial this time,” he remarks. “The stress of having to work quickly and at chaotic intervals used to feel productive in a lot of ways, in that it instilled a sort of rough, energetic ethos into the recordings, but I also started to realize that those working habits were becoming an easy way to let myself off the hook from pursuing certain ideas that required a more measured, methodical approach.” To best serve the record’s grander ambitions, the band enlisted the mixing prowess of Jonah Falco (Fucked Up, Career Suicide) and the mastering of Arthur Rizk (Power Trip, Trapped Under Ice, Cavalera, Integrity), who helped to elevate the record’s teeming variety of sounds to new heights of self-assured fidelity. Kennedy lent a second hand to the mixing process, splicing in grittier tape recorded segments in order to maintain a certain tonal continuity with the band’s previous work, creating a rich structure of unconventional frictions, crystalline flashes of polish ripping through abysses of hissing low end only to shatter against the whipping sting of rusted chains moments later. Lyrically, Hymns From The Hills extends both the cynicism and the defiant bravado of POISON RUIN's established fantasy aesthetics. While the record continues POISON RUIN'S tradition of employing medieval-inflected fantasy imagery, Kennedy does not intend for these figures to be read as historically accurate: “I’m not interested in the actual facts of medieval culture, and I’m not trying to draw a sort of literal comparison between peasant life and the political realities of today. Rather, I think in order to really make sense of the present you have to get outside of history altogether, in a certain way—you have to find some sort of mythic language for talking about the spiritual damage that surrounds us, a mythology that can somehow escape the limits on imagination that are imposed upon us. For me, medieval imagery and fantasy aesthetics have always felt like a powerful starting point for creating that sort of mythology. If one is forced to be in Babylon, how can you find a way to live both through it and beyond it?” With Hymns From The Hills, POISON RUIN have accomplished a feat of creative labor which few have the courage to entertain, much less the capacity to execute so effectively. They have upped the ante: they have set out to make "The Record". Hymns From The Hills ambitiously rewrites the very rules of what punk is capable of achieving, pushing POISON RUIN's sound into expansive new terrains without sacrificing an ounce of the bleak symbolism and uncompromising aggression that first established them as an urgent new voice in the world of extreme music.

TRACK LIST:

1. Intro
2. Lily Of The Valley
3. Hymn From The Hills 
4. Eidolon 
5. Howls From The Citadel
6. Pilgrimage
7. Guts (Lay Your Self Aside)
8. Turn To Dust
9. Puzzle Box
10. Serpent's Curse
11. Sleeping Giant (Interlude)
12. Crescent Sun
13. The Standoff
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SKU: 38615283593

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Grantham, US
★★★★★ 5
Quality
Color: Black
This is by far the best frother I've used. Battery life is great. Its UX is excellent. Feels nice in the hand and has great power. Also like the on/off button as opposed to haveing to hold a switch down. Looking forward to getting their s3 scale.
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Reviewed in the United States on April 11, 2026
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Sonya the vet
Houston, US
★★★★★ 4
Overall good frother
Color: Black
Bought the Maestri and the Zulay frother to test which one is better since both had good reviews. Returned the Zulay (see Zulay review) and kept the Maestri. Been using it for a few days now and works well. Mixes chai and hot chocolate well. It has one speed that is a good speed to mix, but not so fast that it causes the drink to spill over the top as long as the cup is filled to about 80% full. Because I tend to use the tall 20 oz Contigo autoseal cups, it could benefit from offering longer attachments to reach the bottom of the cup (note: that I did not find any company that offers longer attachment arms).
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Reviewed in the United States on January 28, 2026
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SantaBGirl
San Leandro, US
★★★★★ 5
LOVE this frother and the creamy results!
Color: Black
I LOVE this gadget! And I'm not a gadget person. Since I got it a few days ago, I've switched from using my Nespresso coffee maker, which uses pods and which I really like, to using Starbucks instant coffee packets (cheaper and more environmentally friendly than pods). I put a packet of the coffee and two packets of Equal in a cup, add half and half, then use this frother to mix them. Within a few seconds -- no more than 5, if that -- I have a thick mound of creamy froth. Then I had the water to finish making the coffee. Fantastic. This thing is so easy and fun to use. This is not the cheapest frother available. I wanted a rechargeable unit that has sufficient power to make nice, creamy froth. Also, I didn't want to spend $10 and have the thing break and have to replace it. Reviews suggest the cheaper ones are fine if you don't regularly use a frother. I never used one before and didn't really think I would use it very often. But I like it so much, I've been using it twice a day. Also, I first saw one in use while traveling in India. Another guest at my small hotel had one, which she used to make a latte with rather than drink the rather tepid offering at the more tea-oriented hotel. That's when I decided to get one. I'll be taking it on future trips. Some come with travel containers; this one didn't. The only learning curve was making sure the cup or pitcher for the cream is deap enough not to splash out the cream. I think I'm actually using a little less cream than I used to because the volume increases so much. I use cold cream, not heated (I used to heat it in the microwave when I was using the NesPresso.) I find I like the initial contrast with the cold cream at the top, then I stir it down into the coffee. The Starbucks coffee is excellent. I've used it for iced lattes in the past, so I knew it was good. I can hardly wait for a heat wave to make them with this frother. I did try to beater attachment in eggs when I was making an omelet. Not worth the trouble -- first, the bowl I was using to beat the eggs was too shallow and egg got all over. Second, a fork works just as well. If I were whipping cream, I would definitely use it.
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Reviewed in the United States on March 7, 2026
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Amanda Gilmore
Lake Worth, US
★★★★★ 5
Best frother ever
Color: White
This brother is wickedly powerful you don't need to use it for very long to get phenomenal frothing results Incorporates ingredients quickly
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Reviewed in the United States on April 16, 2026
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GoGreen
Bozeman, US
★★★★★ 5
Works great and so much fun!
Color: Black
How did I live without this for so long? I love this little gadget! It gets used multiple times a day. It's not only great for frothing milk but it will whip eggs for a recipe and stir other ingredients as well. People who have complained that the stirring attachment was missing a piece did not read the description. The picture clearly shows there is no "boot" on that attachment, you don't want that one to spin like the frother. The Frother holds a charge for quite a while as well. I use mine multiple times a day and it is still holding a charge after weeks of daily use. Great item!
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Reviewed in the United States on February 15, 2026

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