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Description
Terminal ExposureThe first ever collection of comics and assorted artwork by Michael McMillannot only a legendary underground cartoonist, but also a sculptor, painter, printmaker, filmmaker, animator, poster designer, and an avid rock climber. Michael McMillan has said hes not really a cartoonist, but the evidence suggests otherwise. Born and raised in California, he studied architecture and design before a visit in 1969 to an exhibition of Chicagos Hairy Who and
The first-ever collection of comics and assorted artwork by Michael McMillan—not only a legendary underground cartoonist, but also a sculptor, painter, printmaker, filmmaker, animator, poster designer, and an avid rock climber.
Michael McMillan has said he’s “not really a cartoonist,” but the evidence suggests otherwise. Born and raised in California, he studied architecture and design before a visit in 1969 to an exhibition of Chicago’s Hairy Who and encounters with the bourgeoning San Francisco underground comix scene convinced McMillan to make his own comics.
He plunged in, drawing for legendary publications like Weirdo, Young Lust, Lemme Out Here, Arcade, and eventually his own one-issue wonder, Terminal. Over the following decades, McMillian kept playing with the form of comics. He reimagined the kind of stories single-panel, two-panel, and many-panel strips could tell, blending favorite genres from his childhood (horror, swords and sandals, science fiction) with more mature themes (autobiography, dating, sex) into new and striking forms.
In Terminal Exposure, McMillan’s comics are collected for the first time, alongside a selection of his electrifying sculptures, eye-popping paintings, and stunning pages from the journals he kept during his years rock climbing in California’s Sierra Nevada. With an introduction by Dan Nadel, this volume offers a first-time portrait of the great “not really a cartoonist” cartoonist.
He plunged in, drawing for legendary publications like Weirdo, Young Lust, Lemme Out Here, Arcade, and eventually his own one-issue wonder, Terminal. Over the following decades, McMillian kept playing with the form of comics. He reimagined the kind of stories single-panel, two-panel, and many-panel strips could tell, blending favorite genres from his childhood (horror, swords and sandals, science fiction) with more mature themes (autobiography, dating, sex) into new and striking forms.
In Terminal Exposure, McMillan’s comics are collected for the first time, alongside a selection of his electrifying sculptures, eye-popping paintings, and stunning pages from the journals he kept during his years rock climbing in California’s Sierra Nevada. With an introduction by Dan Nadel, this volume offers a first-time portrait of the great “not really a cartoonist” cartoonist.
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4.2 ★★★★★
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Product Reviews
★★★★★ 3
DIY fit
Eventually I got one of em to fit but overall too limited on options.
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Reviewed in the United States on April 26, 2025
★★★★★ 5
Worked
Worked for exactly what I needed it for. Fit perfect once I found the right one. Held my headlight in tight just like the original
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Reviewed in the United States on January 26, 2025
★★★★★ 4
Good
As advertised
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Reviewed in the United States on April 8, 2025
★★★★★ 1
Does not fit 330i , xenon headlights clips
Bottom length isn't wide enough, not for 330i ,xenon retainer. I went to the junkyard got 4 clips for a dollar. Im going to see I can return them.
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Reviewed in the United States on June 18, 2023
★★★★★ 5
Everything I expected
Shift quick right parts
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Reviewed in the United States on January 20, 2025