OperAria Baritone - Volume 1

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Description

OperAria is the ideal "vocal coach" for all voice types. The books address all singers and are conceived above all for training and auditions. in addition, through their careful selection, they offer valuable inspiration for opera recitals.

Repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias.

• information on the composer, the librettist, the work,the range and of versions or casting
• a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot
• an evaluation from the singer's point of view

It also features a CD: - with a "phonetic assistant" – aria texts in the original language spoken by native speakers as an audio file (mp3) - with aria texts in German and English translations as a text file (pdf)

1. Christoph Willibald Gluck: Je t'ai donné la mort / Dieux! qui me poursuivez (Oreste – Iphigénie en Tauride)
2. Wolfgang Amadeus Mozart: Nur mutig, mein Herze (Allazim – Zaide)
3. Wolfgang Amadeus Mozart: Hai gia vinta la causa / Vedrò mentre io sospiro (Il Conte Almaviva – Le nozze di Figaro)
4. Wolfgang Amadeus Mozart: Rivolgete a lui lo sguardo (Guglielmo – Così fan tutte)
5. Wolfgang Amadeus Mozart: Fin ch' han dal vino (Don Giovanni – Don Giovanni)
6. Wolfgang Amadeus Mozart: Deh vieni alla finestra (Don Giovanni – Don Giovanni)
7. Wolfgang Amadeus Mozart: Ein Mädchen or Weibchen (Papageno – Die Zauberflöte)
8. Conradin Kreutzer: Ein Schütz' bin ich (Jäger – Das Nachtlager in Granada)
9. Gioachino Rossini: Largo al factotum (Figaro – Il barbiere di Siviglia)
10. Gioachino Rossini: Sois immobile (Tell – Guillaume Tell)
11. Gaetano Donizetti: Bella siccome un angelo (Dottor Malatesta – Don Pasquale)
12. Albert Lortzing: Sonst spielt' ich mit Zepter, mit Krone and Stern (Zar Peter – Zar and Zimmermann)
13. Albert Lortzing: Nicht Reichtum macht das Leben schön (Hans Sachs – Hans Sachs)
14. Albert Lortzing: Wie freundlich strahlt/Heiterkeit and Fröhlichkeit (Graf von Eberbach – Der Wildschütz)
15. Ambroise Thomas: Ô vin, dissipe la tristesse (Hamlet – Hamlet)
16. Richard Wagner: Blick' ich umher (Wolfram von Eschenbach – Tannhäuser)
17. Richard Wagner: Wie Todesahnung / O du mein holder Abendstern (Wolfram von Eschenbach – Tannhäuser)
18. Charles Gounod: Ô sainte médaille / Avant de quitter ces lieux (Valentin – Faust)
19. Charles Gounod: Mab, la reine des mensonges (Mercutio – Roméo et Juliette)
20. Camille Saint-Saëns: Qui donc commande (Henry – Henry VIII)
21. Georges Bizet: L'orage s'est calmé / Ô Nadir (Zurga – Les pêcheurs de perles)
22. Pyotr Ilyich Tchaikovsky: Ja vas ljublju (Jeletzki – Pique Dame)
23. Jules Massenet: Aux troupes du Sultan / Promesse de mon avenir (Scindia – Le Roi de Lahore)
24. Ruggero Leoncavallo: E fra quest'ansie / Decidi il mio destin (Silvio – I Pagliacci)
25. Giacomo Puccini: Questo amor, vergogna mia (Frank – Edgar)
26. Richard Strauss: Lieben, Hassen, Hoffen, Zagen (Harlekin – Ariadne auf Naxos)
27. Erich Wolfgang Korngold: Mein Sehnen, mein Wähnen (Fritz – Die tote Stadt)
28. Viktor Ullmann: Von allem, was geschieht (Der Kaiser – Der Kaiser von Atlantis)
29. Benjamin Britten: Look! Through the port comes the moonshine astray! (Billy Budd – Billy Budd)