SKU: 41668624981

Moldavit Prstan - Luna Posrebrena

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Moldavit Prstan - Luna PosrebrenaMoldavit je eden energetsko monejih kamnov, katerega spremlja ena bolj zanimivih zgodb nastanka. Nastal je skoraj 15 milijonov let nazaj, ko je na zemljo priletel ogromen meteorit in padel na obmoje dananje Bavarske. Zaradi izjemnega pritiska in vroine ter prisotnosti naravnih mineralnih delcev so se formirali prav posebni kristali, ki jim danes reemo Moldavit. Ime izhaja iz imena Moldau, ki je drugo ime za reko Vltavo na obmoju eke, kjer so odkrili

Moldavit je eden energetsko močnejših kamnov, katerega spremlja ena bolj zanimivih zgodb nastanka.

Nastal je skoraj 15 milijonov let nazaj, ko je na zemljo priletel ogromen meteorit in padel na območje današnje Bavarske. Zaradi izjemnega pritiska in vročine ter prisotnosti naravnih mineralnih delcev so se formirali prav posebni kristali, ki jim danes rečemo Moldavit.

Ime izhaja iz imena “Moldau”, ki je drugo ime za reko Vltavo na območju Češke, kjer so odkrili prve kose tega posebnega kristala.

Moldavit je kristal z izjemno močno energijo. Že na prvi dotik večina ljudi začuti neverjetno toploto, ki jo oddaja. Ta pojav je tako poznan, da so zanj iznašli tudi ime: “Moldavite Flush”.

Večina ljudi v roki najprej začuti nežne mravljince, ki jih spremlja toplota v dlani. Človeku, ki se prvič sreča z moldavitom, lahko hitro postane izjemno toplo, obraz pa postane rdeč.

Priporočamo postopno uporabo moldavita, saj lahko zaradi izjemne energije uporabo spremlja tudi omotica ali glavoboli.

Metafizične značilnosti Moldavita:

  • Kamen močne življenjske in spiritualne transformacije,
  • V naše življenje prikliče dobre in pozitivno transformativne dogodke,
  • Idealen za vse, ki želijo poglobiti svojo spiritualno pot,
  • Odpira tretje oko človeka, ki ga uporablja,
  • Dvigne naše samozavedanje na višji nivo.

    Lastnosti izdelka:

    • Prstan je izdelan iz posrebrene medenine, ob stiku z vodo ne rjavi, a lahko včasih na koži (odvisno od posameznika) pusti bledo zelen madež,
    • Prstan je delno prilagodljiv - najožja velikost je približno 50, najbolj raztegnjen lahko meri do približno 56,
    • Kristali so naravni, zato lahko mere, teža, barve in oblika rahlo odstopajo od teh, ki so na fotografiji izdelka,
    • Kos, ki ti ga bomo poslali po pošti, bo izbran naključno.

    Vodič po izbiri velikosti:

     PREMER
    VELIKOST
     14,9 mm
     46
     15,1 mm
     47
     15, 3 mm   48 
     15, 6 mm   49
     15, 9 mm  50
     16, 2 mm   51
     16, 5 mm  52
     16, 8 mm  53
     17, 2 mm
     54
     17, 5 mm  55
     17, 8 mm  56
     18, 0 mm  57
     18, 4 mm  58
     18, 8 mm  59
     19, 1 mm  60
     19, 4 mm  61
     19, 7 mm  62
     20, 1 mm  63
     20, 3 mm  64
     20, 7 mm  65
     21, 0 mm 66
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    SKU: 41668624981

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    4.9 ★★★★★
    Based on 8 reviews
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    A
    Verified Purchase
    AlanWarner
    Louisville, US
    ★★★★★ 5
    WHITE MOB JUSTICE
    Format: Paperback
    More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on July 6, 2015
    C
    Verified Purchase
    Carole T Emberton
    Bozeman, US
    ★★★★★ 5
    A fresh take on lynching and its place in American culture.
    Format: Paperback
    A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on April 17, 2018
    P
    Verified Purchase
    pat delzell
    Grantham, US
    ★★★★★ 5
    Great book ...disturbing subjet
    Format: Paperback
    This book explained the rationale for lynching! It was just what I needed for my graduate course!!
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on July 14, 2019
    B
    Verified Purchase
    B. Kirzner
    Massapequa, US
    ★★★★★ 4
    Lynchers Were Worse Than I Thought,
    Format: Kindle
    It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on November 8, 2021
    V
    Verified Purchase
    V. Young
    Louisville, US
    ★★★★★ 5
    great book
    Format: Paperback
    This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 3, 2014

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