SKU: 51940284389

U Shine Vase - Kartell

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Description

U Shine Vase - KartellA collection of decorative vases composed of a vase and a table centre, distinctive for their elegant geometry and art deco inspiration. PRODUCT INFORMATION Material: Transparent or coloured PMMA mass dyed Dimensions 14cm x 29cm x 15cm (Height x Width x Depth) Weight: 1. 05kg *Wipe clean with a damp cloth. Do not use wire or metallic bristles to avoid scratching. ABOUT THE DESIGNER Eugeni Quitllet is a Catalan designer. Born the 17th April 1972. He

A collection of decorative vases composed of a vase and a table centre, distinctive for their elegant geometry and art deco inspiration.

PRODUCT INFORMATION

Material: Transparent or coloured PMMA mass-dyed
Dimensions 14cm x 29cm x 15cm (Height x Width x Depth)
Weight: 1.05kg

*Wipe clean with a damp cloth. Do not use wire or metallic bristles to avoid scratching.

ABOUT THE DESIGNER

Eugeni Quitllet is a Catalan designer. Born the 17th April 1972. He uses industrial design and creativity to shape new realities and an optimistic idea of the Future. He synthetize form and function with an explosive elegance and sinuosity, to create best sellers for Eugeni, future is the optimistic state of imagination. From the object to Space, he puts his eye on the world to make us rediscover it. His visionary idea of the future aim at bringing to life that which doesn’t exist yet. His design practice is exceptionally diverse, making him a multifaceted creator: a Renaissance man from the future.


ABOUT KARTELL

Founded by Giulio Castelli in 1949, in the early years Kartell took its first steps to produce the distinctive design that would come to epitomise the 'Made in Italy’ label. In 1988 the company was acquired by Claudio Luti, the son-in-law of Giulio and Anna Castelli who had a background in fashion. With a love for perfection and tasteful design, this heralded a new start for the brand. Luti sought collaborations with designers and architects like Philippe Starck, Ron Arad, Antonio Citterio, Ferruccio Laviani, Piero Lissoni, Patricia Urquiola, Mario Bellini, Alberto Meda and Vico Magistretti, who were responsible for those products that soon came to symbolise the brand. The fresh approach to materials dictated the new direction and brought real turning points for Kartell.

In 1999 Kartell became the first company in the world to use polycarbonate to produce furnishing items. The result was La Marie, a completely transparent chair with modern, minimalist design which paved the way for Louis Ghost, still one of Kartell’s best sellers today. From this moment on, the company developed and explored the theme of transparency that has made it unique and original, continuing its research into the study of surfaces and shapes, that have made it possible to create products like nothing ever created before.

Today, Kartell is the perfect synthesis of its past and its ongoing projection into the future, combining the great heritage of corporate culture with the desire to explore new paths and engage in new experiences dominated by an intense passion for creation.

Kartell is known for its industrial production of the finest quality design objects, with remarkable technological content, Made in Italy. From the choice of innovative and certified materials, to the use of advanced technologies, Kartell is able to guarantee users of its products a collection in which technology, quality, resistance and durability are part of its DNA.

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SKU: 51940284389

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Sandy
Cuba, US
★★★★★ 5
Great No Fuss Service
Format: Hardcover
Product as advertised and on time.
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Reviewed in the United States on May 10, 2026
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JackiBlue
Lexington, US
★★★★★ 5
Compelling - Beautifully done
Format: Kindle
I was surprised how much I enjoyed reading this. Ms Beaton has done an amazing job of storytelling. So thankful for the recommendation from John Warner - The “BibliOracle” of the Chicago Tribune. Several male members of my family worked in the Tar Sands projects over the last 30 years - mostly on Oil Exploration and the crew management side. But rumors about the rough environment were confirmed in this book. Reading this explains why one important family marriage failed from the “Wild West” behavior that took place there. As Ms Beaton acknowledged, this work provided important income for those who worked the Tar Sands projects. My family included. But the harm to the First Nations People and the environment are just terribly, horribly sad.
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Reviewed in the United States on December 17, 2022
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Amazon Customer
Fort Morgan, US
★★★★★ 5
A human story of how our society operates
Format: Kindle
There's a lot of terms you could use to describe the themes in this book. Capitalism, patriarchy, settler-colonialism, climate change but the book doesn't need to throw these terms around. It just shows them through the eyes of a person who experienced them. There's also a feeling of "there but by the grace of god go I" having been tempted by the possibility of oil work myself during the Great Recession. The story of how our drive for oil eats at our humanity is vital and helps show the cost of how we've structured our society at a personal level. At times funny, heartwarming, and tragic, a fantastically written and drawn work that I have to highly recommend!
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Reviewed in the United States on February 18, 2023
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Stuck in Nova
Dallas, US
★★★★★ 5
An amazing, if sometimes dark, memoir of work, solitude, and taking a pragmatic path in life.
Format: Hardcover
What do you do, when your only viable financial prospects are to move to even more remote, cold, dark and desolate land where you are part of a corporate mining operation dredging sands for valuable resources, living onsite in a company owned dormitory? Beaton recalls all this in her memoir of her post-university time, where she was faced with this decision to either live and work the oil sands, or face a life of financial bondage trying to pay back student loans, a decision we see many of her own countrymen face as their only viable means to survive. If you are familiar with Beaton's comic strip work, you'll see familiar reference to the genesis of it here, but Ducks is a far more serious graphic novel. Both engaging and often times bleak, Ducks gives a wonderful window into the reality of Canada's oil industry, and the humanity of the people, who are nothing more than cogs in a machine, that run it.
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Reviewed in the United States on December 7, 2023
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Agy Wilson
San Leandro, US
★★★★★ 5
What is NOT to love about Lynda Barry?
Format: Paperback
I’ve been reading Lynda Barry since the 80s and am currently at work on a graphic novel, that I’m writing and illustrating. I have always believed in learning from the best and Barry has always been a favorite, from the creativity, recall and connections she makes with her work as well as with me (and I assume her other readers as well). This book delves into the connections of words and images, how to conjure and connect, especially with the whole creative vibe. She works with young people and the pipeline to that cerebral communication is appreciated and thought provoking as well, as my work will be geared to a younger audience. This is for anyone who interested in the process of sequential art, creating comics, characters, connecting with creative elements, it’s also a visually stunning book (again, the nerd in me, loved all the cross-references with the visual and other, using calligraphic and other historic, formal art elements along with the more personal character, visual creations and exercises. Thought-provoking and image inducing, indeed!
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Reviewed in the United States on September 2, 2020

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