![Ned Collette - Our Other History LP [Sophomore Lounge]](https://cdn.shopify.com/s/files/1/0299/7534/7333/files/a3071993321_16.jpg?v=1727204452)
Pay in installments of $6.25 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Aug 1 - Aug 6
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
Ned Collette - Our Other History LP [Sophomore Lounge]"'Our Other History' is a wonderful new LP by this wandering Berlin based Melbourne expat. Ned's last album, 'AfternoonDusk' was an avant instrumental trio outing with James Rushford and Joe Talia, but 'Our Other History' is a return to delicate, sophisticated song craft of his 2018 masterpiece, 'Old Chestnut.' Ned's approach to lyrics, vocals and music shares a melancholic beauty that is both haunted and haunting. His words are often more
"'Our Other History' is a wonderful new LP by this wandering Berlin-based Melbourne expat. Ned's last album, 'Afternoon—Dusk' was an avant instrumental trio outing with James Rushford and Joe Talia, but 'Our Other History' is a return to delicate, sophisticated song craft of his 2018 masterpiece, 'Old Chestnut.'
Ned's approach to lyrics, vocals and music shares a melancholic beauty that is both haunted and haunting. His words are often more impressionistic than overt in their storytelling, but his vocals carry hints that recall those of the legendary Roy Harper. But where Harper's attack was often Dionysian, Collette's approach is Apollonian, and the tracks often have a compositional feel with a distinct taste of Canterbury.
The players this time include old hands, like drummer Steve Heather and pianist Chris Abrahams (of The Necks), but there are a bunch of new players on hand, including Melbourne mates, Jim White and Mick Turner (of Dirty 3 fame) and the folksinger, Leah Senior.
Ned's approach to lyrics, vocals and music shares a melancholic beauty that is both haunted and haunting. His words are often more impressionistic than overt in their storytelling, but his vocals carry hints that recall those of the legendary Roy Harper. But where Harper's attack was often Dionysian, Collette's approach is Apollonian, and the tracks often have a compositional feel with a distinct taste of Canterbury.
The players this time include old hands, like drummer Steve Heather and pianist Chris Abrahams (of The Necks), but there are a bunch of new players on hand, including Melbourne mates, Jim White and Mick Turner (of Dirty 3 fame) and the folksinger, Leah Senior.
All these elements (and more) are fitted together with elegance and allowed space to breathe.
Collette's music is hard to classify. It exists inside a dynamic flux made up of equal parts post-rock, folk, jazz and avant prog, but it manages to remain plain-spoken and uncluttered regardless of how complex its structure can be when you start parsing it. But why bother? With a record as throughly lovely as 'Our Other History', the best idea is to just relax and let the music flow. Beautifully."
– Byron Coley 2024
* * * * * * * * * * * * * * *
"I don’t really know Ned Collette. That’s about to change, and I am energized with anticipation. Last summer, I saw Ned in performance here in my hometown of Louisville, KY, accompanied by Elisabeth Fuchsia who had recently become a hero-friend. And it was ‘magical’, ‘alchemical’, engaging and illuminating and inspiring; I witnessed Ned’s and Fuchsia’s almost overpowering fluency with music and with music’s ability to act simultaneously as the medium for communication between performers and with audience.
I’m bouncing back and forth with how I refer to Ned Collette in this writing. If I always called him “Collette” it might disguise the fact that, should I wish to, I could reach him now, easily, on the telephone or over email, and that our acquaintance continues to grow and just about resembles something I’ve learned can be called friendship. If I only referred to him as “Ned”, though, it would belie the fact that I am humbled by his ability.
These are songs. They are also sound-pieces, artful constructions of dynamic arrangement. 'Our Other History' is a dreamworld unto itself and, where each song stands on its own, this is one of those increasingly rare beasts: a full-length record to to experience and behold and live in for a while as a whole thing. The contributors’ voices (including the human voice in the cases of Leah Senior and Judith Hamann) bring such significant impact that it is beyond what we think of as musical parameters, getting deeper into the drama and tone of each piece. I would call it “Lyric Music” because the lyric carries much of the weight (not to say burden) of what is communicated. The word dominates, and here the word rewards. When Mick Turner’s guitar enters the scene, I am overwhelmed with joy; and Jim White’s drum playing has never felt more natural and powerful and appropriately modifying than it does here. And then I begin to notice Steve Heather’s drumming everywhere else and am floored by its dusty elegance. But isn’t fair to single out players; I’m being fully subjective, and my perspective changes with each listen. The record as a whole is directed in ways that we understand a movie director oversees the identity of her or his film.
Ryan Davis and I were driving around the United States not long ago and he played this record in the van. I couldn’t believe that something so fine was also new. But it could only be new; it wears its modernity subtly and surely and is as rewarding a listening experience as I’ve come across in recent times."
– Will Oldham 2024
(an extended version of this text is included with the vinyl release)
Collette's music is hard to classify. It exists inside a dynamic flux made up of equal parts post-rock, folk, jazz and avant prog, but it manages to remain plain-spoken and uncluttered regardless of how complex its structure can be when you start parsing it. But why bother? With a record as throughly lovely as 'Our Other History', the best idea is to just relax and let the music flow. Beautifully."
– Byron Coley 2024
* * * * * * * * * * * * * * *
"I don’t really know Ned Collette. That’s about to change, and I am energized with anticipation. Last summer, I saw Ned in performance here in my hometown of Louisville, KY, accompanied by Elisabeth Fuchsia who had recently become a hero-friend. And it was ‘magical’, ‘alchemical’, engaging and illuminating and inspiring; I witnessed Ned’s and Fuchsia’s almost overpowering fluency with music and with music’s ability to act simultaneously as the medium for communication between performers and with audience.
I’m bouncing back and forth with how I refer to Ned Collette in this writing. If I always called him “Collette” it might disguise the fact that, should I wish to, I could reach him now, easily, on the telephone or over email, and that our acquaintance continues to grow and just about resembles something I’ve learned can be called friendship. If I only referred to him as “Ned”, though, it would belie the fact that I am humbled by his ability.
These are songs. They are also sound-pieces, artful constructions of dynamic arrangement. 'Our Other History' is a dreamworld unto itself and, where each song stands on its own, this is one of those increasingly rare beasts: a full-length record to to experience and behold and live in for a while as a whole thing. The contributors’ voices (including the human voice in the cases of Leah Senior and Judith Hamann) bring such significant impact that it is beyond what we think of as musical parameters, getting deeper into the drama and tone of each piece. I would call it “Lyric Music” because the lyric carries much of the weight (not to say burden) of what is communicated. The word dominates, and here the word rewards. When Mick Turner’s guitar enters the scene, I am overwhelmed with joy; and Jim White’s drum playing has never felt more natural and powerful and appropriately modifying than it does here. And then I begin to notice Steve Heather’s drumming everywhere else and am floored by its dusty elegance. But isn’t fair to single out players; I’m being fully subjective, and my perspective changes with each listen. The record as a whole is directed in ways that we understand a movie director oversees the identity of her or his film.
Ryan Davis and I were driving around the United States not long ago and he played this record in the van. I couldn’t believe that something so fine was also new. But it could only be new; it wears its modernity subtly and surely and is as rewarding a listening experience as I’ve come across in recent times."
– Will Oldham 2024
(an extended version of this text is included with the vinyl release)
released September 6, 2024
NED COLLETTE – guitar, voice, bass, drums, piano, electric guitar, synth, organ, percussion
LEAH SENIOR – voice
STEVE HEATHER – drums/percussion
ELISABETH FUCHSIA – viola
MICK TURNER – electric guitar
MIKE MAJKOWSKI – double bass
JOE TALIA – drums
EAMON MCNELIS – trumpet
JUDITH HAMANN – voice
JIM WHITE – drums
CHRIS ABRAHAMS – piano/organ
FREDRIK KINBOM – electric bass
Recorded by Ned Collette in Berlin
Additional recording on Blue Rooms by Robert Pachaly & Maximilian R. Schneider
Mixed by Ned Collette & Joe Talia
Heeded advice from Jim Marlowe
Mastered by Rashad Becker
Art and design by Dan Davis
NED COLLETTE – guitar, voice, bass, drums, piano, electric guitar, synth, organ, percussion
LEAH SENIOR – voice
STEVE HEATHER – drums/percussion
ELISABETH FUCHSIA – viola
MICK TURNER – electric guitar
MIKE MAJKOWSKI – double bass
JOE TALIA – drums
EAMON MCNELIS – trumpet
JUDITH HAMANN – voice
JIM WHITE – drums
CHRIS ABRAHAMS – piano/organ
FREDRIK KINBOM – electric bass
Recorded by Ned Collette in Berlin
Additional recording on Blue Rooms by Robert Pachaly & Maximilian R. Schneider
Mixed by Ned Collette & Joe Talia
Heeded advice from Jim Marlowe
Mastered by Rashad Becker
Art and design by Dan Davis
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.0 ★★★★★
Based on 25 reviews
Sort
Product Reviews
★★★★★ 5
Durable, Perfect Size, and Glows
Color: A) 2-Pack (2.5" Balls)
I bought these for my 23 pound Bojack (Boston Terrier/Jack Russel) mix and he absolutely loves them. He’s an aggressive chewer that has destroyed Kong toys. This ball has just enough flex or give in it that he can’t tear it apart as it compresses in on itself. After about 6 months it started to wear down and tear a bit by the hole so I just tossed it and gave him the other one. I’ll be buying more of these as they wear out over time.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 14, 2026
★★★★★ 5
A Must for Nighttime Fetch!!
Color: A) 2-Pack (2.5" Balls)
These are an absolute Must!! We have an ESS who is nearly 2yo and destroys Every toy he has. For some reason, he doesn't try to annihilate these glow balls. If he chomps on them, it's just for a moment while he is bringing it back to you. Has just a little weight to them so it goes far enough when thrown and a nice bounce when we have to play in the house, due to weather. Wish the bright 'glow' held a little longer but stays dim for quite some time and overall, just Awesome! Also purchased the 'chuck it' brand and sent them back because these were so much better. Will be buying more, if ever needed, but haven't had to because they are So Durable.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 12, 2026
★★★★★ 5
Awesome quality glow balls
Color: I) 8-Pack (2.5" Balls)
I have bought every glow ball on amazon many times over for my german shepherds. My longest lasting balls have been the chuck-it, they seem to glow longer and not get destroyed but are expensive. These glow balls are our new favorite and not only because of the low price. They hold a good glow longer are heavy duty and fit the chuck-it thrower perfectly. I am stocking up on these. Shipping was also next day so it's 100% buy on these.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 8, 2026
★★★★★ 3
Glow in the Dark Balls
Color: 2-Pack (3" Balls)
These balls are ok, not great. The reason they didn’t receive 5 stars is because they are hard/stiff, harder to throw & heavier than the the “Chuck It” glow in the dark balls. They did not hold up to heavy chewers as well as the aforementioned balls.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 15, 2026
★★★★★ 5
Bulky
I was a little disappointed in how bulky these were and seemed hard to get on. If you can get past this they do seem to work good. Hands do seem softer and a bit healthier.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2024