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Description
Audio-Technica AT-LPA2 Acrylic TurntablePrecision Built Audiophile Turntable for Pure Analog Playback The AT LPA2 is a full redesign of Audio Technica's LP2022 anniversary turntable, now engineered without limits and available to more listeners. Featuring a precision machined acrylic plinth, external motor control unit, and a carbon fiber tonearm, this is a high end turntable made for true analog enthusiasts. Production is limited to small waves of a few hundred units. This is not a limited
Precision-Built Audiophile Turntable for Pure Analog Playback
The AT-LPA2 is a full redesign of Audio-Technica's LP2022 anniversary turntable, now engineered without limits and available to more listeners. Featuring a precision-machined acrylic plinth, external motor control unit, and a carbon fiber tonearm, this is a high end turntable made for true analog enthusiasts.
Production is limited to small waves of a few hundred units. This is not a limited edition, but demand and build complexity keep supply tight. If you want one, act quickly.
Key Features
- Transparent acrylic plinth and 20mm platter for vibration damping and resonance control
- Outboard motor control unit for noise isolation and precision speed stability
- Static-balanced carbon fiber tonearm with tracking force adjustability up to 3.0g
- Includes Audio-Technica AT-OC9XEN MC cartridge with nude elliptical stylus
- Two counterweights (light and heavy) for broad cartridge compatibility
- Belt drive system with 33⅓ and 45 RPM playback
- Signal-to-noise ratio > 60 dB, wow and flutter < 0.12%
Designed for Serious Vinyl Enthusiasts
The AT-LPA2 offers a pure analog experience. It has no USB port, no built-in phono stage, and no streaming features — because none are needed. What it offers instead is elite vinyl playback performance with simple, thoughtful execution.
The included AT-OC9XEN cartridge is a moving coil design with a nude elliptical stylus, delivering stunning clarity and spatial realism. The carbon fiber tonearm is ultra-responsive, mechanically stable, and completely manual. This is a true audiophile turntable made to be enjoyed and adjusted by hand.
What’s in the Box
- AT-LPA2 Turntable with acrylic platter and dust cover
- External motor control unit and cables
- Pre-mounted AT-OC9XEN MC cartridge
- Light and heavy counterweights
- Anti-skate weight, RCA cables, ground wire, hex wrench, gloves, 45 RPM adapter
Specifications
Turntable Specifications
| Motor | DC servo |
| Driving Method | Belt drive |
| Speeds | 33-1/3 RPM or 45 RPM |
| Turntable Platter | 20 mm-thick, acrylic platter |
| Wow and Flutter | < 0.12% WRM (33 RPM) |
| Signal-to-Noise Ratio | > 60 dB |
Tonearm Specifications
| Type | Static balanced straight carbon tonearm |
| Effective Length | 223.6 mm |
| Overhang | 18.6 mm |
| Maximum Tracking Error Angle | Less than 2.0° |
| Stylus Pressure Adjustment Range | 0 to 3.0 g |
| Applicable Cartridge Weight Range (light counterweight) | 6.1 to 9.2 g |
| Applicable Cartridge Weight Range (heavy counterweight) | 9.2 to 13.9 g |
| Tonearm Height Adjustment Range | -1.5 mm to +7 mm (with included cartridge) |
| Anti-Skate Mechanism | Thread-suspended type |
| Anti-Skate Adjustment Range | Equivalent to 1.3 g to 3.0 g stylus pressure |
Cartridge and Headshell Specifications
| Cartridge Model | AT-OC9XEN |
| Cartridge Type | MC (Moving Coil) |
| Recommended Load Resistance | ≥ 100 ohms (when head amplifier connected) |
| Frequency Response | 20 to 30,000 Hz |
| Output Voltage | 0.35 mV (1 kHz, 5 cm/sec.) |
| Stylus | 0.3 x 0.7 mil elliptical nude stylus |
| Cantilever | Aluminum pipe |
| Tracking Force Range | 1.8 to 2.2 g (standard 2.0 g) |
| Cartridge Weight | Approx. 7.6 g (0.27 oz) |
| Headshell Weight (with lead wires) | Approx. 11.0 g (0.39 oz) |
| Headshell Weight (excluding lead wires) | Approx. 10.2 g (0.36 oz) |
| Headshell Overhang Adjustment Range | -2.5 mm to +2.5 mm (with AT-OC9XEN) |
General Specifications
| Dimensions (Turntable Body) | 420 mm (17") × 340 mm (13") × 135 mm (5.3") |
| Dimensions (Control Unit) | 133 mm (5.2") × 228 mm (9.0") × 50 mm (2.0") |
| Weight (Turntable Body) | Approx. 8.4 kg (19 lbs) |
| Weight (Control Unit) | Approx. 1.1 kg (2.4 lbs) |
| Power Supply Requirements | 100 to 240 V, 50/60 Hz |
| Power Consumption | 6 W |
In-Store Demo Available
We have one on display and ready to demo. Come by and experience the build quality and sonics firsthand, or order online while this batch is still in stock.
This is one of the best audiophile turntable options available today. It’s a leap forward in clarity, control, and presence. Don’t miss it.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.8 ★★★★★
Based on 19 reviews
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Product Reviews
★★★★★ 5
Beautiful Book
Format: Hardcover
I love this book and it’s so pretty!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 13, 2023
★★★★★ 5
Beautiful Book!
Format: Hardcover
A beautiful edition of one of my childhood favorites!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 22, 2023
★★★★★ 5
You can get this online free, but I bought it. Let Fanon turn your brain inside out.
I actually like the idea of supporting a press that is publishing Fanon.
When I was growing up with my dad working with the SCLC and Dr. Martin Luther King, Jr., as part of the night security crew for the summer marches, I was probably more aware than most Americans -- certainly most Americans outside of the black community -- of how much permeability there was between the nonviolent SCLC, and the Black Panther movement, for which Fanon was a seed influence.
Youth in the SNCC organization, the youth group associated with the SCLC, often went back and forth between SNCC and the Panthers as they developed their activist identity and their ideas of how justice might be achieved.
The phrase "by any means necessary" used by the Panthers often scared the bejeezus out of the white community. But when I sat down with my father -- who was an adherent of formal nonviolence -- he handed me Fanon to read, and told me that it was a valid investigation as to whether violence should be considered if nonviolent means were not entertained by the state.
To my dad, who was a peaceful but fiercely justice-oriented man (for those of you who know the idiom "fire of Amos" he had it), he considered that without the counterpoint of the Panthers, MLK would never have gotten a hearing in Washington DC.
Just the idea that there were revolutionaries in American society looking at American "apartheid" and saying, "We are willing to take care of our own if you separate us. We see our situation as that of a post-colonial slavery society and use the model of African liberation as our model. We are willing to be peaceful if we are given justice in peace, but we do not believe that you are acting in good faith and will use whatever means necessary to see you follow your own promises of justice and see justice for our own people if you will not see that done."
That was actually a step down from Fanon. That was actually optimism.
But all white Americans heard out of any of that was: "...by any means necessary." They didn't think of how they were creating the circumstances that might precipitate violence. That whites had created a system that instituted violence to keep slaves, and later free blacks, contained and preserve power and privilege for the white majority.
It is hard for most Americans to even realize that America -- although we became independent from England -- continued as a colonial nation and economy on our own continent and territory. That all the institutions of the repression and destruction of indigenous and imported-slave cultures that happened "over there" in countries that Europeans colonized far from home, we did at home as a break-away colony, and the Europeans who conquered America never relented, compromised, or acknowledged that colonial reality in the way that the Spanish, Dutch, Portuguese, Italian, French, and British Empires did in their colonial domains.
So Fanon is someone worth reading, not only for Africans, or for African-Americans, but for any American or anyone else in the world who wants to better ponder white privilege in America and how it became so very different from colonial privilege as that faded in Africa, through the lens of this Algerian revolutionary philosopher, who so influenced our Panthers.
I remain committed to nonviolence personally, but I understand intensely how MLK and Malcolm balance each other. And how that can actually lead to better peaceful solutions, in a social justice conflict where the status quo has been preserved by judicial and extrajudicial violence by a superior force.
This is still relevant in puppet regimes all over the world. In client states of capitalist powers and of Russia and China. In the conflicts surrounding Israel, and the conflicts throughout the Middle East and Central Asia that are often couched in sectarian terms or sectarian vs secular terms.
It is vital to understanding countries like Zimbabwe or South Africa, where the dynamics of early black leadership as colonial-wannabes are creating environments of corruption and scandal, and robbing their own people.
Everyone should read Fanon. If you can't afford the book here, you can find it online free. This book, and Black Skin, White Masks, both highly recommended.
If you don't like Marxist/Socialist politics, try to suspend disbelief a bit. The philosophy, sociology, and psychology is amazing.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 28, 2019
★★★★★ 5
The destruction of racism
Format: Paperback
This is a very open and candid view of racism in the early 19th century
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 22, 2026
★★★★★ 5
good read
Format: Paperback
classic work on imperialism
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 11, 2026
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