Transcription

TranscriptionNamed a Best Book of the Year (So Far) by The New York Times From "the most talented writer of his generation" (The New York Times Magazine), a lightning flash of a novel that is at once a gripping emotional drama and a brilliant examination of the devices, digital and literary, we use to store or to erase our memories. The narrator of Ben Lerner's new novel has traveled to Providence, Rhode Island, where he is to conduct what will be the final

Named a Best Book of the Year (So Far) by The New York Times

From "the most talented writer of his generation" (The New York Times Magazine), a lightning flash of a novel that is at once a gripping emotional drama and a brilliant examination of the devices, digital and literary, we use to store--or to erase--our memories.

The narrator of Ben Lerner's new novel has traveled to Providence, Rhode Island, where he is to conduct what will be the final published interview with Thomas, his ninety-year-old mentor and the father of his college friend Max. Thomas is a giant in the arts who seems to hail from the future and the past simultaneously and who reenchants the air when he speaks. But the narrator drops his smartphone in the hotel sink. He arrives at Thomas's house with no recording device, a fact he is mysteriously unable to confess.

What unfolds from this dreamlike circumstance is the unforgettable story of the triangle formed by Thomas, Max, and the narrator, and an exploration of fathers and sons, male friendship and rivalry, and the challenges of parenting in a burning world. One of the first great novels about the early days of Covid, it is also a brilliant meditation on those technologies that enrich or impoverish our connection to one another, that store or obliterate memory. Full of startling insight, but summoning the intensity of a s