"Christian Dior And I" 1957 DIOR, Christian (SOLD)

"Christian Dior And I" 1957 DIOR, Christian (SOLD)DIOR, Christian [251] pp. E. P. Dutton & Company, Inc. 1957 First Edition 8 1 2" x 5 7 8" VG VG Scroll Down for (10) Additional Scans: First edition of Diors fascinating personal account of his impressive fashion career. Octavo, original half cloth, illustrated endpapers, illustrated with photographs. VG in a VG dust jacket. Translated from the French by Antonia Fraser. Photograph of Dior by Andre Ostier. In 1946 Marcel Boussac, a successful

DIOR, Christian

[251] pp.

E.P. Dutton & Company, Inc.

1957

First Edition

8 1/2" x 5 7/8"

VG/ VG

Scroll Down for (10) Additional Scans:

First edition of Dior’s fascinating personal account of his impressive fashion career. Octavo, original half cloth, illustrated endpapers, illustrated with photographs. VG in a VG dust jacket. Translated from the French by Antonia Fraser. Photograph of Dior by Andre Ostier.

In 1946 Marcel Boussac, a successful entrepreneur invited Christian Dior to design for Philippe et Gaston, a Paris fashion house launched in 1925. Dior refused, wishing to make a fresh start under his own name rather than reviving an old brand. On 8 December 1946, with Boussac's backing, Dior founded his fashion house. The actual name of the line of his first collection, presented on 12 February 1947, was Corolle (literally the botanical term corolla or circlet of flower petals in English), but the phrase New Look was coined for it by Carmel Snow, the editor-in-chief of Harper's Bazaar. Dior's designs were more voluptuous than the boxy, fabric-conserving shapes of the recent World War II styles, influenced by the rations on fabric. He was a master at creating shapes and silhouettes; Dior is quoted as saying "I have designed flower women." His look employed fabrics lined predominantly with percale, boned, bustier-style bodices, hip padding, wasp-waisted corsets and petticoats that made his dresses flare out from the waist, giving his models a very curvaceous form. Initially, women protested because his designs covered up their legs, which they had been unused to because of the previous limitations on fabric. There was also some backlash to Dior's designs due to the amount of fabrics used in a single dress or suit. During one photo shoot in a Paris market, the models were attacked by female vendors over this profligacy, but opposition ceased as the wartime shortages ended. The "New Look" revolutionized women's dress and reestablished Paris as the center of the fashion world after World War II.