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Description
Grado Timbre Series The Reference 3 CartridgeGrado Timbre Series The Reference 3 Cartridge Body: Australian Jarrah Wood Cantileaver: Machined Boron Diamond Tip Output: High 4. 0mV @5 CMV (45) Low 1. 0mV @5 CMV (45) Inductance: High Output 55mH Low Output 6mH Resistance: High Output 660 ohms Low Output 70 ohms Input Load: 10k 47k ohms Cartridge Weight: 10 grams Tracking Force: 1. 6 1. 9 grams Compliance 20m mN Channel Separation: Average 30db 10 30k Hz Controlled Frequency Response: 10 60 KHz Non
Grado Timbre Series The Reference 3 Cartridge
- Body: Australian Jarrah Wood
- Cantileaver: Machined Boron / Diamond Tip
- Output:
High 4.0mV @5 CMV (45)
Low 1.0mV @5 CMV (45) - Inductance:
High Output 55mH
Low Output 6mH - Resistance:
High Output 660 ohms
Low Output 70 ohms
- Input Load: 10k-47k ohms
- Cartridge Weight: 10 grams
- Tracking Force: 1.6-1.9 grams
- Compliance 20μm/mN
- Channel Separation: Average 30db - 10-30k Hz
- Controlled Frequency Response: 10-60 KHz
- Non-Sensative to Capacitive Load
- Builds: High Output, Low Output, Mono
Into the Woods
Achieving fantastic accuracy and control, the Reference3 does everything the Master3 can do - but does it better thanks to specialized intricate processes while being crafted.
Last Stop Before Lineage
Top of the Timbre
While similar to its younger sibling in a few aspects, the Reference3 has a much longer build time since it undergoes extremely unique processes only a few of our cartridges go through. This longer, more intricate practice produces a more colorful and deeper sound. When working in tandem with the special curing process and individual calibrations, we have the best cartridge in the Timbre Series.
Small Necessities.
The Materials
To make the Timbre Series work as a whole, we created a way for Jarrah, diamonds, and a twin magnet system to integrate with our Flux-Bridge™. We modified our four piece OTL cantilever technology to achieve a 5% tip mass reduction over the Prestige Series and use ultra-high purity long crystal (UHPLC) oxygen free copper wire in the coils. The Reference3 uses a specially Grado designed true ellipsoid diamond.
In the Details.
Extreme Precision
Grado has combined newly developed coil winding techniques with decades-old disciplines. A new two-step shielding process brings not only exact unison between the four coils but an unobstructed path for a cleaner signal. The music is allowed to travel undistorted through the coils, greatly reducing mechanical noise while improving tracking. There is an extreme clarity over the full frequency range, with absolutely no stridency or shrillness. Precisely hand tipped with a diamond, a great amount of care go into each cartridge we build.
The Sound of Wood.
Built from Jarrah
After the Reference3 cartridge is crafted, it is then placed inside a Australian Jarrah housing. Jarrah is necessary for the majority of Timbre Series with its ability to produce surgically precise clarity without losing any depth. Through a variation of thermal aging processes, the housing gains the ability to better dampen and control the resonant frequencies.
With Love.
Hand-Built in Brooklyn
Each Reference3 is hand-built by our team in Brooklyn, as it has been for decades. After a specialized process that brings it to life, they are fine tuned for everything from entry-level turntables up to the highest-end stereo systems, the solid mass of the wood helps keep the Sonata3 steady and producing the Grado signature sound. We started building cartridges on a kitchen table in 1953, and every experience since then has led to the creation of the Reference3.
"The arrival of a cured mahogany cartridge identical to the one I already owned found me unprepared for the next vaulting leap in my listening education. Within a week of auditioning the 0.5 mv Statement Reference, I began to believe that both my new and vintage vinyl had received a rite of purification, cleansed and made better than new. It was also as though the tiny hairs in my inner ear had been degunked, and in a stroke my hearing was perfectly clear."
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Exchange/Return Notes
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4.5 ★★★★★
Based on 30 reviews
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Product Reviews
★★★★★ 5
Valuable perspective; moving; beautiful
Format: Hardcover
I loved this book. I devoured the entire thing in one sitting on a Sunday afternoon. It's a beautiful and tragic and warm story all at the same time. I feel like a lot of times when we hear about the Vietnam war in the United States, it's told from the perspective of American soldiers rather than the Southern Vietnamese who lost their home land. Really refreshing to see this diverse and nuanced perspective. I look forward to Thi Bui's future works.
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Reviewed in the United States on August 23, 2022
★★★★★ 5
This book healed me
Format: Paperback
Beautifully written and illustrated. Although Thi Bui and I have astronomically different life experiences, I still found I could relate on a deeply personal level. This book taught me empathy and forgiveness at a time in my life where I struggled to have it. Bui nailed the complicated feelings and emotions that comes with confronting abuse, abusers (who happen to be your parents), and the painful impact of generational trauma on both the parent and child.
Highly recommend this book to anyone who is on a path of healing their own broken heart.
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Reviewed in the United States on June 16, 2023
★★★★★ 4
Powerful Family History
Format: Paperback
After the birth of her son, Thi Bui feels an increased sense of urgency about learning the stories of her own parents. Like all but her youngest sibling, she was born in Vietnam, though the children came of age in the United States. While the war itself haunts all of them, was the reason they left their homeland, the wounds her parents bear go far beyond the military conflict. This was only the second graphic novel I’ve ever read (both have been memoirs), and like the first was also selected by my book club. I feel like the limitations of the format mean it will always be a less preferred one for me, because I found myself wanting more words, more depth to the writing itself. But the story is deeply compelling, detailing her father’s brutal childhood, her mother’s much softer one, how they came together, and how the Vietnam War disrupted the future they thought they might have. It’s not as straightforward as “Americans bad”, and Bui is not afraid of the moral ambiguity of that time and place, where the best interests of the majority of the Vietnamese people was an open question for larger forces that seemed to have little room for consideration of what might have actually made regular lives easier to lead. And apart from the larger geopolitical machinations around them, the family had their own share of tragedy, including the death of their first child and a later stillbirth. But three living children and another on the way was enough for her parents to make frantic arrangements to leave, finally succeeding and eventually making their way to the United States. But of course, that was not the end of their story, just the beginning of a new chapter. Bui’s childhood as she depicts it makes it clear that it wasn’t the stuff dreams are made of, but what shines through is her tremendous empathy for her parents and how they became the people she experienced them as. Overarching the narrative is a meditation on parenthood, as it is the birth of her own child that inspires her to ask her parents more. They might have made major mistakes, but it is clear that they loved their children and did what they thought was best for them, making countless sacrifices to give them the best opportunities possible, even if that love was not always shown the way that they wanted and needed to feel it. Vietnamese perspectives on the war in their country were not something I was exposed to growing up (honestly the Vietnam War itself wasn’t something I remember being taught with particular rigor in high school apart from its connection to electoral politics), and I appreciated learning more about the history of the country and how the people who actually lived through the conflict thought about it. Even though this is not my preferred format, I think Bui uses it well to engage in some non-linear storytelling and to very literally illustrate what she’s trying to get it, like the way she parallels the way her relatively rural parents must have felt seeing Saigon for the first time with the way she felt when she first moved to New York, a sense of awe and possibility. It’s a powerful, moving work and I would recommend picking it up!
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Reviewed in the United States on February 3, 2026
★★★★★ 5
Truly, the best we could do
Format: Kindle
An excerpt from my analysis essay I submitted for my literature course: By revisiting her family’s past from before, during, and after the Vietnam War, she gained a deeper understanding of the emotional burdens her parents carried and the sacrifices they made that defined the entirety of their lives. Bui’s illustrated graphic memoir reveals that trauma does not simply disappear over time; instead, it becomes inherited, processed, and transformed. Through this process, Thi Bui is able to move toward empathy for her parents, acceptance of who they are, and a more complete sense of self.
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Reviewed in the United States on April 21, 2026
★★★★★ 5
Phenomenal. A must-read!
Format: Paperback
I first learned about this book only a week ago when visiting my sister for Thanksgiving in Eugene, Oregon. We went to the Jordan Schnitzer Museum of Art where I saw some work on display by the author, and there was a copy of her book available to look at, so I perused through and decided to buy it and read it. I'm so glad that I did! This is an incredible, poetic story that spans four generations, multiple wars and conflicts, and examines the fragility of the author's relationship with her parents and with her sense of place and motherhood. This book is one of the best I've read in a long time, and the art is moving and beautiful. It gave me new insight into the struggles of refugee life, and created a truly relatable narrative. I devoured this story in one Saturday. I highly recommend it.
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Reviewed in the United States on December 2, 2018