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Description
S2 カバードタイプ 11.5j 19インチ ノーマルリム ピアノ ブラック ホイール 1本 シェブロンレーシングCHEVLON RACING S2 19 11. 5j 1 (BILLET CLEAR) 1 1 1 1 (SL 03) 1 1NUT 3 ========================= ========================= PCD mm 1 mm SKYLINE BNR32 ========================= ========================= 11. 5j 13 710 23 7
■商品名CHEVLON RACING / シェブロンレーシング
S2 / エスツー
■カラー
ピアノ ブラック
■サイズ
19インチ × 11.5j
■付属品
センターキャップ / 1個 (BILLET CLEAR)
キャップレンチ / 1個
センタープレート / 1個
レーシングピン / 1個
バルブ / 1個 (SL-03)
貫通ナット / 1セット（ボルト車除く）
アダプターレンチ / 1個（国産NUT車のみ）
ピアスボルト / クローム
■リム形状 / フィニッシュ
ノーマルリム / ノーマル光輝リム
■構造
3ピース、サンドイッチ工法
カバードタイプ
=========================
以下の項目を決めてください。
=========================
■数量
ほしいホイールの本数を入力してください。
■仕様
ほしいホイールの仕様を選んでください。
穴数 - PCD
■インセット（mm単位）
具体的なインセットを記入してください。
カートに進んで「ご注文にメッセージを追加する」に記入。
例）1本 〇〇mm SKYLINE BNR32
※国産車か輸入車によって付属品が異なります。履かせる車両名も記入してください。
=========================
追加の説明は以下になります。
=========================
■インセットについて
以下の11.5jの行からインセットを選んで記入してください。
■注意
カバー下の逃げは輸入車のボルト頭のサイズ、または国産車でお手持ちのナットをつける際にカバーに干渉しないかをご確認いただくためのものです。輸入車の場合ボルトは付属しませんがボルトの頭が長い物を使う際はご注意ください。国産車の場合はナットが付属するので、付属のナットを使う場合は気にしなくて結構です。
■掲載写真について
1枚目の写真はリバースリムのオープンタイプです（本商品はノーマルリムのカバードタイプです）。リムは3枚目からの写真を参考にしてください。センターキャップは下記の商品概要をご覧ください。
■メーカー詳細
商品の概要はこちら。
サイズスペックはこちら。
オプションカラーはこちら。
■ホイールのカスタムオーダー
こちらのセットは、アームロッカーズがカーショーやカスタムトレンドを元にセレクトしたおすすめセットになります。 こちらのセット以外にホイールのカスタムを希望の方はお問い合わせからご相談ください。
■車体とホイールのマッチング
フェンダー、タイヤ、ホイールのマッチングを調べるならフェンダリストカタログが参考になります！
カーショーに展示されている様々な車両の足元が掲載されています。
■送料
送料無料（離島を除く）
北海道、沖縄は送料がかかります。
■納期
メーカーに材料がある場合は7日〜10日の発送（休日を除く）。
※2ピース、3ピースの場合は材料があっても組立に上記の日数が必要です。
材料切れの場合はメールにてご連絡します。
※お急ぎの場合は、購入前にお問い合わせください。
■注意事項
・商品画像はイメージ画像です、実際の製品とは異なる場合がありますので参考として御覧ください。
・選んだ色、インセット（リムの深さ）、形状、ピアスボルト、センターキャップで商品画像と異なる場合があります。
・適合車種等は必ずご自身でお調べになった上ご購入ください。
・流用に関しましてはお客様ご自身がお調べの上、自己責任でご購入ください。
・取り付けのサポートは行っておりません、必ず専門知識のある業者にてお取り付けください。
・取り付けに関する工賃等はお客様負担になります、いかなる理由があっても工賃等の保証は出来ません。
・本商品により生じた事故、不具合、損害等も当方では責任を負えませんので予めご了承ください。
・初期不良の交換は商品到着後から7日以内にメールにてご連絡ください。
・お客様のご都合によるキャンセルは受け付けておりません、予めご了承ください。
・撮影環境、閲覧デバイスにより、画像と商品の色合いが異なる場合がございますので予めご了承ください。
・保管、梱包には十分に注意しておりますが、梱包、運送時に擦り傷、小傷等が付く場合がございますので予めご了承ください。
・スタッフのレビューはスタッフによる感想や意見です。その効果を保証するものではありません。
・スタッフのレビュー内容は個人差がありますのであくまで目安としてください。
・製品の性質、機能をよく理解した上でご購入ください。
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.2 ★★★★★
Based on 28 reviews
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Product Reviews
★★★★★ 5
Convenient Accessibility
It's great to have a company card that my employees can have access to for office supplies and other purchases. Thank you Amazon 🙏
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Reviewed in the United States on May 13, 2026
★★★★★ 5
The Christmas movie no TV stations ever seem to show during the holidays
Since Amazon lumps the reviews for all the various releases of this movie together, I want to be clear that this review is for the single disc, 132 minute blu-ray version with the cover picture of smiling man made of bricks with the word "Brazil" flying out of the top of his head.
For those who don't know the history of this movie - there are at least three different versions. It was originally released in Europe as a nearly two and half hour long film. The studio who financed it didn't like that version because it A. was too long, B. was too uncommercial and C. had a dark, depressing ending. The contract they had with Gilliam stipulated that the movie had to be less than 2 hours and 15 minutes, so it could have multiple prime-time showings in theaters. They suggested he cut the ending.
Gilliam refused, so the studio took it upon themselves to create the "Love Conquers All" version, which chopped out almost an hour of footage - they only kept the parts that showed the main character Sam in a heroic light, anything that contributed to the Sam/Jill love story and anything that featured Robert DiNero. And, of course, the ending was changed to a happy ending by removing the final scene. Also, to make the plot easier to follow, they used some alternate takes, some deleted footage and hired voice actors to overdub dialog.
Unsurprisingly, Gilliam didn't want that version released, so he finally edited the movie down to 2 hours and 12 minutes, kept the dark ending and made a few other minor changes and the studio was contractually obligated to release that version to theaters in the United States.
It's this US version that appears on the blu-ray, with absolutely no additional features (not even the Gilliam commentary that's included on most other releases of the film). Annoyingly, they also added advertisements for other movies to the main menu screen. But I'm still happy to have this version, because it's the first time I've seen the "US edit" since originally seeing the film in a theater on the campus of Penn State back in my college days.
I can't really write an unbiased review of the movie itself, because from that first viewing I became obsessed with both Brazil and Terry Gilliam's films in general. I bought all his movies on VHS as soon as they came out and eventually replaced them with DVDs. I bought the 3-DVD Criterion "Final Cut" version of Brazil back when it was an expensive new release. I was surprised that it included scenes I'd never seen before - I think it's based mostly on the European version, with some additional tweaks by Gilliam. It also included the "Love Conquers All" version of the movie and a ton of bonus features. Sadly though, it wasn't animorphic, so on my widescreen TV it put black letterboxing bars on all four sides, shrinking the picture down to about 60% of the screen.
This blu-ray was exactly what I was looking for. While it's missing a few (non-essential) scenes, it's the version of the movie that I "grew up" with and is presented in full 16X9 animorphic widescreen. It's the best looking version I've seen since originally seeing it in the theater. For example, I never really noticed the makeup on Katherine Hellmond at the beginning of the movie to make her look older (pre-surgery), but it's clearly visible on the blu-ray. I've always felt bad for one actress during the explosion scene in the restaurant because it looks like she really does get hit by some of the flying debris - the blu-ray is maybe a little too clear there, because now I can tell it's just a dressed-up mannequin.
As for the movie itself - it's one of those films you'll either love or hate. Its alternate-reality, retro-futuristic look makes it seem nearly as fresh and amazing today as it did when it first came out. And the background plot of a government bureaucracy turning a country into a surveillance state in response to a perceived terrorist threat - I know it was based on things happening in England at the time, but it's like Gilliam had a crystal ball and looked 30 years into the United States' future. The alternating between "reality" and dream sequences and the general Gilliam quirkiness will probably put a lot of people off, but it's what drew me to this movie in the first place.
If you become fanatical about the movie like I am, you'll need both this blu-ray and the Criterion release. To fully experience the film you need to see every version (even the Love Conquers All version) because each one includes bits that aren't in any of the others.
If you do decide to watch Brazil and find that you like it, give some of Gilliam's more recent movies a try, like The Imaginarium of Dr. Parnassis and The Zero Theorem. Really, if you like odd, out-of-the-mainstream movies that you'll be thinking about for days after you see them, you can't go wrong with pretty much any Terry Gilliam film.
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Reviewed in the United States on January 11, 2016
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
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Reviewed in the United States on May 3, 2026
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork.
The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable.
Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere.
This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching.
The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography.
Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist).
Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really.
While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
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