SKU: 7646556160

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IGThanks for partnering with us! Please review your order summary below before checking out: Order Date: May 15th, 2026 Item 1: Odolina Metal: 14k Yellow Gold Finger Size: 5. 5 Finish: Polished Due Date: About 8 weeks production Custom Design? Yes All custom work is non returnable or refundable final sale. Cost: $4,350 Center Stone type: Lab Grown Diamond Client provided? Yes, loose stone dropped off 5 20 w cert Shape: Pear Weight Size: 2. 07ct Color:

Thanks for partnering with us!  Please review your order summary below before checking out:

Order Date: May 15th, 2026

Item 1: Odolina

Metal: 14k Yellow Gold 

Finger Size: 5.5

Finish: Polished 

Due Date: About 8 weeks production

Custom Design? Yes

All custom work is non-returnable or refundable - final sale.

Cost: $4,350 


Center Stone type: Lab Grown Diamond

Client provided? Yes, loose stone dropped off 5/20 w cert

Shape: Pear

Weight/Size: 2.07ct 

Color: Fancy Vivid Green

Clarity: VVS2

Cert: LG779609130

Cost: $500 resetting 


Client names: Izzy Gouse

Sales Rep: Cara

Order Sub-Total: $4,850 

Sales Tax: Yes, if picking up/shipping within NY state 

Applicable Freight: Yes, if shipping 

Total: $4,850 + tax/shipping

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**This quote expires after 24 hours 

We take great pride in our craftsmanship and often feature our custom creations in marketing, promotional, and sales materials. By commissioning a custom piece, you acknowledge and agree that your design may be photographed, and potentially offered for commission as part of our collection or as a made-to-order item.

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SKU: 7646556160

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4.6 ★★★★★
Based on 25 reviews
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Verified Purchase
William
Alexandria, US
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book. What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 6, 2017
G
Verified Purchase
G. Fisher
Grantham, US
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 11, 2025
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Verified Purchase
Artie Anzaldua
Grantham, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
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Reviewed in the United States on March 19, 2026
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Verified Purchase
Here
Draper, US
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides. I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people! To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome. Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
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Reviewed in the United States on January 5, 2013
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Verified Purchase
Joel K. Williams
Cuba, US
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try. This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem? My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another. Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft. He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author. Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
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Reviewed in the United States on July 11, 2010

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