SKU: 78056259609

Comp Cams CB STREET & MARINE LIFTERS

Sale price$375.57 Regular price$417.30
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Description

Comp Cams CB STREET & MARINE LIFTERSEndure X Solid Roller Lifters: Chevrolet V8 396 454 (1965 96) With a . 300" taller body designed for street and marine applications, these Solid Roller Lifters from COMP Cams are engineered to withstand the demands of aggressive cam lobe designs and increased RPM ranges. They feature a wear resistant tool steel axle, precision sorted needle bearings and EDM Oil InjectionT Technology that guarantees the bearing assembly receives a constant flow of oil.

Endure-X Solid Roller Lifters: Chevrolet V8 396-454 (1965-96)

With a .300" taller body designed for street and marine applications, these Solid Roller Lifters from COMP Cams® are engineered to withstand the demands of aggressive cam lobe designs and increased RPM ranges. They feature a wear resistant tool steel axle, precision sorted needle bearings and EDM Oil InjectionT Technology that guarantees the bearing assembly receives a constant flow of oil. Endure-XT Solid Roller Lifters are heat treated, machined to ultra-high tolerances and fully rebuildable.

  • Patented link bar assembly combines the benefits of a removable link bar with the safety of a captured link bar
  • EDM Oil Injection Technology guarantees that the bearing assembly receives constant, pressurized oil flow via precision hole aimed at the bearings
  • Needle bearings are precision sorted by size to evenly distribute loads, which prevents premature wear and failure
  • Durable axle is made from wear resistant tool steel to prolong the life of the roller assembly, especially in high RPM applications


Vehicle Fitments:

Year Make Model Submodel
1975 Buick Apollo SR, Base
1977 Buick Century Base, Special, Custom
1976 - 1979 Buick Electra 225
1975 Buick Electra Custom
1980 - 1987 Buick Electra Estate Wagon
1975 - 1987 Buick Electra Limited
1978 - 1987 Buick Electra Park Avenue
1985 - 1987 Buick Electra T-Type
1975 - 1983 Buick Estate Wagon Base
1985 Buick LeSabre Collector's Edition
1977 Buick LeSabre Custom Sport
1975 - 1990 Buick LeSabre Custom, Base
1985 - 1990 Buick LeSabre Estate Wagon
1979 - 1990 Buick LeSabre Limited
1982 Buick LeSabre Limited Edition F/E
1978 - 1981 Buick LeSabre Sport
1987 Buick LeSabre T-Type
1977 - 1987 Buick Regal Base
1987 Buick Regal GNX
1986 - 1987 Buick Regal Limited, Grand National
1977 Buick Regal SR
1986 Buick Regal T-Type
1975 - 1985 Buick Riviera Base
1975 Buick Riviera GS
1982 Buick Riviera Limited Edition
1983 - 1985 Buick Riviera Luxury
1978 Buick Riviera LXXV Anniversary Edition
1979 - 1980 Buick Riviera S
1976 Buick Riviera SR, Sport
1981 - 1985 Buick Riviera T-Type
1983 Buick Riviera XX Anniversary Edition
1976 - 1977 Buick Skylark S
1975 - 1977 Buick Skylark SR, Base
1987 - 1990 Cadillac Brougham d'Elegance, Base
1986 Cadillac Fleetwood Brougham d'Elegance, Base, Brougham Commercial Chassis, Brougham, 75, 75 Formal
1996 - 2000 Chevrolet C2500 Base
1996 - 1998 Chevrolet C2500 Cheyenne, Silverado
1999 - 2000 Chevrolet C2500 LS
1998 Chevrolet C2500 WT
1996 - 1999 Chevrolet C2500 Suburban Base, LS
1996 - 1997 Chevrolet C2500 Suburban LT
1996 - 2000 Chevrolet C3500 Base
1996 - 1998 Chevrolet C3500 Cheyenne, Silverado
1999 - 2000 Chevrolet C3500 LS
1987 - 1990 Chevrolet Caprice Classic LS Brougham
1986 - 1990 Chevrolet Caprice Classic, Base, Classic Brougham
1996 - 2000 Chevrolet Express 3500 Base, LS
1996 Chevrolet G30 Hi-Cube, Sportvan, Chevy Van, Beauville
1996 - 2000 Chevrolet K2500 Base
1999 - 2000 Chevrolet K2500 LS
1996 - 1998 Chevrolet K2500 Silverado, Cheyenne
1998 Chevrolet K2500 WT
1996 - 1999 Chevrolet K2500 Suburban LS, Base
1996 - 1997 Chevrolet K2500 Suburban LT
1996 - 2000 Chevrolet K3500 Base
1999 - 2000 Chevrolet K3500 LS
1996 - 1998 Chevrolet K3500 Silverado, Cheyenne
1996 GMC C2500 Sierra SLE, Sierra SL, Sierra SLT
1996 GMC C2500 Suburban SLT, Base, SLE
1996 GMC C3500 Sierra SL, Sierra SLT, Sierra SLE
1996 GMC G3500 Rally, Rally Camper Special, Vandura, Rally STX, Magnavan, Vandura Special
1996 GMC K2500 Sierra SLE, Sierra SL, Sierra SLT
1996 GMC K2500 Suburban SLT, SLE, Base
1996 GMC K3500 Sierra SL, Sierra SLE, Sierra SLT
1996 GMC Savana 3500 SLE, Base
1967 - 1971 Oldsmobile 442 Base
1967 - 1974 Oldsmobile 98 Base
1967 Oldsmobile 98 Holiday
1975 - 1981 Oldsmobile 98 Luxury
1973 - 1984 Oldsmobile 98 Regency
1982 - 1984 Oldsmobile 98 Regency Brougham
1971 - 1990 Oldsmobile Custom Cruiser Base
1975 - 1976 Oldsmobile Custom Cruiser Panel
1975 - 1977 Oldsmobile Cutlass 442
1967 - 1980 Oldsmobile Cutlass Base
1977 Oldsmobile Cutlass Colonnade
1976 - 1977 Oldsmobile Cutlass Colonnade S
1972 Oldsmobile Cutlass Cruiser
1967 Oldsmobile Cutlass Holiday, Turnpike Cruiser
1980 - 1981 Oldsmobile Cutlass LS, Brougham
1968 - 1977 Oldsmobile Cutlass S
1981 Oldsmobile Cutlass Supreme
1976 - 1979 Oldsmobile Cutlass Vista Cruiser
1979 Oldsmobile Cutlass Vista Cruiser Brougham
1978 - 1984 Oldsmobile Cutlass Calais Base
1983 - 1984 Oldsmobile Cutlass Calais Hurst
1980 - 1983 Oldsmobile Cutlass Cruiser Base
1980 - 1981 Oldsmobile Cutlass Cruiser Brougham
1978 - 1986 Oldsmobile Cutlass Salon 442
1975 - 1987 Oldsmobile Cutlass Salon Base
1978 - 1980 Oldsmobile Cutlass Salon Brougham
1979 Oldsmobile Cutlass Salon Hurst
1987 Oldsmobile Cutlass Supreme 442
1967 - 1988 Oldsmobile Cutlass Supreme Base
1977 - 1987 Oldsmobile Cutlass Supreme Brougham
1976 - 1977 Oldsmobile Cutlass Supreme Colonnade
1974 - 1975 Oldsmobile Cutlass Supreme Cruiser
1975 Oldsmobile Cutlass Supreme Hurst
1988 Oldsmobile Cutlass Supreme International, SL, Classic Brougham, Indy 500 Pace Car, Classic
1981 - 1985 Oldsmobile Cutlass Supreme LS
1976 Oldsmobile Cutlass Tiara Base
1967 - 1968 Oldsmobile Delmont 88 Base
1967 Oldsmobile Delmont 88 Holiday
1967 - 1983 Oldsmobile Delta 88 Base
1967 - 1971 Oldsmobile Delta 88 Custom
1967 - 1981 Oldsmobile Delta 88 Holiday
1969 - 1985 Oldsmobile Delta 88 Royale
1980 - 1985 Oldsmobile Delta 88 Royale Brougham
1984 - 1985 Oldsmobile Delta 88 Royale Brougham LS
1967 - 1972 Oldsmobile F85 Base
1975 - 1977 Oldsmobile Omega Base
1976 - 1977 Oldsmobile Omega Brougham, SX, F85
1977 Oldsmobile Omega Deluxe
1975 Oldsmobile Omega Salon
1967 - 1974 Oldsmobile Toronado Base
1971 - 1985 Oldsmobile Toronado Brougham
1985 Oldsmobile Toronado Caliente
1968 - 1976 Oldsmobile Toronado Custom
1967 Oldsmobile Toronado Deluxe
1977 Oldsmobile Toronado XS
1980 - 1981 Oldsmobile Toronado XSC
1977 - 1979 Oldsmobile Toronado XSR
1967 - 1975 Oldsmobile Vista Cruiser Base
1967 Oldsmobile Vista Cruiser Custom
1977 - 1981 Pontiac Bonneville Base, Brougham
1978 - 1981 Pontiac Bonneville Safari
1977 - 1981 Pontiac Catalina Base, Safari
1977 - 1979 Pontiac Firebird Esprit, Base, Trans Am, Formula
1976 - 1977 Pontiac Grand LeMans Base, LE
1976 Pontiac Grand LeMans BR
1977 Pontiac Grand LeMans Safari
1977 Pontiac Grand Prix Base, SJ, LJ
1977 - 1978 Pontiac Grand Safari Base
1977 Pontiac LeMans Safari
1976 - 1977 Pontiac LeMans Sport Coupe, Base, Sport
1986 Pontiac Parisienne Base, Brougham
1977 Pontiac Phoenix Base
1987 - 1989 Pontiac Safari Base
1975 - 1977 Pontiac Ventura Base, SJ
1975 Pontiac Ventura Custom, S
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SKU: 78056259609

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4.5 ★★★★★
Based on 16 reviews
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Product Reviews
P
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pepe
Whiting, US
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process. The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual. Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life. HIghly recommended, one of the most interesting learning experiences i have had in a long while!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 5, 2013
C
Verified Purchase
Charles H. Hooker Jr.
Lake Worth, US
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
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Reviewed in the United States on July 4, 2023
D
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Donald Walker
Lowell, US
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
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Reviewed in the United States on April 30, 2012
J
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Judith R. Hert
Port Orchard, US
★★★★★ 5
Wise and Complete
Format: Paperback
I've read a lot of books, too many, on creativity, and this is by far the best, the most complete, the most interesting. The idea that creativity comes out of immersion in a domain or field seems absolutely right and the idea missed by so many other writers. I'm a writer and a painter and I've learned that I'm not going to be any better than the work I've come to know and love, that I have to live in that work. If you want to be a better string player, play with a better ensemble. In many ways a creative person is someone who is in a conversation with what has come before, with work that excites her, teaches her, challenges her. This book makes that plain. But he has other insights as well, especially about the creative personality, the interesting dichotomies. Just read the book.
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Reviewed in the United States on February 22, 2015
C
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Common Arts Farm
Houston, US
★★★★★ 4
Creativity which has the power to change the world
A few caveats to those who are generally interested in creativity studies: Csikszentmihalyi's analysis and discussion of creativity does not directly relate to those who are personally creative. People who enjoy engaging in creative activities are not demoted, in his terms, but are simply not a part of the study. It is unfortunate that his language makes it seem this way; he distinguishes between the two by saying that Creativity has the power to shape a domain or the world, while creativity applies to those who enjoy coming up with new recipes, who are engaged in research that may not change a domain, but may "tweak" it, etc. What he is trying to discover are the underlying principles and traits of creativity in those whose work has made a significant change. Think Albert Einstein, Eleanor Roosevelt, Mark Strand: people who are either widely known for their influence, or who have been influential within their area or domain. This book provides an interesting view into the minds and work habits of Creative individuals, and concludes by offering general advice to those who wish to make their own lives and work more creative. It is a useful book, but one which requires a great deal of supplemental reading, in order to truly engage in creativity studies.
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Reviewed in the United States on January 29, 2003

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