SKU: 81178422731

Zeiss Milvus 1.4/50 ZE - Canon Mount

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Description

Zeiss Milvus 1.4/50 ZE - Canon MountZeiss Milvus 1. 4 50 ZE Canon Mount Zeiss SKU: 000000 2096 557 Helix SKU: ZS2096557 Overview This focal length is the ideal tool for imaging real life situations whether it is the hustle and bustle of a busy road, the intimacy of a portrait or the wonders of nature. It is always in quest of those real and unadulterated perspectives. The ZEISS Milvus 1. 4 50 is a versatile focal length that meets even the highest standards. The redesigned ZEISS Milvus

Zeiss Milvus 1.4/50 ZE - Canon Mount

Zeiss SKU: 000000-2096-557 | Helix SKU: ZS2096557

Overview

This focal length is the ideal tool for imaging real-life situations – whether it is the hustle and bustle of a busy road, the intimacy of a portrait or the wonders of nature. It is always in quest of those real and unadulterated perspectives. The ZEISS Milvus 1.4/50 is a versatile focal length that meets even the highest standards.

The redesigned ZEISS Milvus 1.4/50 corresponds to the perspective of the human eye on full-frame cameras and can therefore be used for many different purposes. In other words, it is a lens of many talents. Realistic imaging of three-dimensional objects is guaranteed at all times. Despite its high speed, the advanced ZEISS Distagon optical design ensures outstanding imagery across the entire image field – even at full aperture.

All lenses features a T*® antireflective coating from ZEISS. Outstanding stray light reduction is achieved by combining a number of optimally matched measures. In addition to the ZEISS T* coating, all lens edges are provided with a special pitch-black lacquer in a complex manual process. Light traps in mechanical components and specially designed surfaces are integrated to prevent the occurrence of reflections. Each focal length has its own individual optical design with the use of special types of glass displaying anomalous partial dispersion. This reduces the occurrence of color fringes at high-contrast edges of subjects to an absolute minimum.

The excellent image performance of the ZEISS Milvus Lenses is sharply focused on the requirements of current and future high-performance digital cameras. Thanks to the low level of stray light allowed by the lens design, high-contrast images are also possible with increasing high dynamic ranges of the sensors (HDR). The minimization of coma, astigmatism and spherical aberrations enables constantly high resolution over the entire image field. The optics are designed to ensure full utilization of the performance provided by high-resolution camera systems. Regardless of what the future holds – with the Milvus Lenses from ZEISS you are optimally equipped any time, any place.

Manually focusing a lens means controlling and therefore actively composing an image gently and precisely from your fingertips. Here, a good ergonomic design makes all the difference. ZEISS Milvus Lenses feature a large rotation angle which enables pinpoint focusing. The top-quality focusing mechanism moves smoothly without backlash, optimally supporting the photographer's creative interplay with the focal plane of high-speed fixed focal lengths. Changes are immediately visible in the viewfinder or display. The engraving in meters and feet, and the focus scale provide additional support for manual focusing. The silent, continuous aperture setting (de-click function with ZF.2 mount) and the long focusing range lay optimal conditions for video photography.

An optimized ergonomic design enables fatigue-free photography and reduces camera shake. The all-metal housing makes every adjustment a haptic experience. The dynamic, precise barrel design sets new trends in the world of camera lenses. However, the ZEISS Milvus Lenses will impress you not only due to their visual and haptic excellence, but also thanks to their inner qualities. Special seals for protection against dust and splashes expand the photographer's creative potential by guaranteeing the system's functional reliability even in environmentally difficult situations.

State-of-the-art camera systems and high-resolution digital image sensors are now demanding more and more performance from the lenses. The Floating Elements Design permits constantly high image performance in the focal plane – from the minimum object distance to infinity. This is accomplished by changing the axial distance between individual lens elements or element groups. The adjustment of the element spacing is coupled to the distance setting so that it always results in the right correction. The mechanical design of the ZEISS Milvus Lenses is highly complex and the workmanship must be extremely exact – both specialties of ZEISS.

Originally developed for SLR cameras requiring a long back focal distance for short focal lengths because of the mirror box (the distance between the back lens element and the film plane must be considerably longer than the focal length), the Distagon lenses (retrofocus design) are also ideal for mirrorless system cameras thanks to their optimized ray path. Even with longer focal lengths, the high-performance Distagon optical design enables consistently good correction all the way to the corners of the image and very low field curvature.

Specifications

Performance Focal length 50 mm
Aperture range f/1.4 – f/16
Camera mount Canon EF-Mount* (ZE) | Nikon F-Mount* (ZF.2)
Format compatibility Full Frame
Focusing range 0,45 m (17.7") - ∞
Free working distance 0,34 m (13.4") - ∞
Angular field** (diag. | horiz. | vert.) 46° / 39° / 26°
Diameter of image field 43 mm (1.69")
Coverage at close range (MOD)** 245 x 162 mm (9.65 x 6.38")
Image ratio at minimum object distance 1 : 6.7
Lens elements | groups 10 / 8
Flange focal distance ZE: 44 mm (1.73") | ZF.2: 46 mm (1.83")
Entrance pupil position (front of image plane) 80 mm (3.16")
Features Autofocus
Image Stabilization
Physical Filter thread M67 x 0.75
Rotation angle of focusing ring 225°
Diameter max. ZE: 83 mm (3.25") | ZF.2: 83 mm (3.25")
Diameter of focusing ring ZE: 80 mm (3.13") | ZF.2: 80 mm (3.13")
Length (with lens caps) ZE: 109 mm (4.29") | ZF.2: 106 mm (4.19")
Length (without lens caps) ZE: 98 mm (3.84") | ZF.2: 94 mm (3.70")
Weight ZE: 922 g (32.52 oz) | ZF.2: 875 g (30.86 oz)

*) Canon is a trademark or registered trademark of Canon Inc. and/or other members of the Canon Group. Nikon is a registered trademark of Nikon Corporation. Sony is a registered trademark of Sony Corporation. Fujifilm is a registered trademark of Fujifilm Corporation. Leica is a registered trademark of Leica Microsystems IR GmbH.

**) Referring to 24x36 mm format

***) Referring to APS-C format

 

 

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SKU: 81178422731

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4.5 ★★★★★
Based on 24 reviews
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Verified Purchase
Sarah M
Chelsea, US
★★★★★ 5
Avatar is about reflecting real world issues, and this comic does not disappoint
Format: Paperback
I will admit that at first, I was disappointed that Turf Wars portrayed homophobia in the Avatar verse. My thought was that if this is a fictional world, why not just have homophobia not exist. But Avatar has always been about reflecting real world issues, and this comic handles those issues in a way that felt honest and close to home. It didn't feel like it was using homophobia to exploit the LGBT characters for drama. As a lesbian, I felt that I could relate deeply to the obstacles that Korra and Asami face while entering their relationship, and dealing with coming out. My girlfriend and I both come from conservative families, so it was important early on to communicate coming out boundaries with each other. When Asami hesitates toward immediately coming out to Korra's parents, this isn't portrayed as a negative thing, just that it's important for Korra and Asami to communicate about this. Another thing I loved was the look that Kya gives Korra and Asami, and how she's immediately able to recognize that they're in a relationship. I love that she becomes a support for them, and they have an LGBT mentor in their lives. That's what makes this comic special, to me. This doesn't just realistically portray an LGBT romantic relationship, it also portrays LGBT community, which I find is far rarer in media. It's virtually non-existent in children's media. The only other example I can think of is an episode of Danger & Eggs which features a pride parade. The media landscape is starved for healthy, realistic, and nuanced portrayals of LGBT couples, but what I hardly ever see is LBGT community and culture shown on top of that. I believe there is room in media for both fiction where homophobia doesn't exists, and fiction where it's portrayed with realism without exploitation. In these cases, it's important to show LGBT characters facing these struggles by finding community with each other. Connection through community is powerful. I don't know who I'd be if I didn't grow up without LGBT friends supporting me and guiding me throughout my coming out process. Seeing a comic portray that process is beautiful, and I hope that's the direction the creative world continues to go in. The art is gorgeous, and the story feels like a natural continuation of the television series. When I read the dialogue, I can hear the character's voices in my mind as if I were watching another episode. I'm excited to learn more about the Avatar universe, and watch Korra, Asami, and all the other characters continue to grow and develop with each other.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 9, 2017
M
Verified Purchase
Ms. Buttercup
Natrona Heights, US
★★★★★ 5
I expected it to be good, but instead it's great.
Format: Paperback
A surprisingly re-readable little book. I really look forward to part 2! WRITING: Feels like a true continuation of the show. The characters and the world are just like a Season 5, Episode 1 might have been. Mako and Bolin were great together. Korra and Asami were great together. Of the supporting characters, I was glad to see Tenzin and Lin, and a little sad not to see Varrick or Wu. (Maybe they will fit naturally into the plot somewhere in book 2 or 3 of this series? If not, that's okay. It's better for writing to make sense than to have cameos.) ART: Wow. Just the right amount of additional detail for the comic format. I love the clarity of these panels and the camera shots chosen for them. How each character feels shows in their face and body. How a fight scene unfolds can be seen--you can actually tell what the characters do when they fight. It's wonderful. (I'm a bit of a fight scene enthusiast.) Also, the spirit world was whimsical and gorgeous to behold. Nice variety of lush color palettes for each scene. The new characters have distinctive faces, and the new villain has very cool-looking weapons.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 20, 2017
A
Verified Purchase
Angela
Houston, US
★★★★★ 5
It's been three years.
Format: Paperback
This was a great read! It felt like I was actually watching an episode of Korra while flipping through this. Michael DiMartino did a good job at making the dialougue sound like it could've been part of a Korra script. Of course the plot isn't going to be too dramatic since poor Korra already dealt with most of the worst situations ever in the show. The tone is much calmer, with much of the comic's focus being on Korra and Asami's budding relationship and a realistic conflict involving a greedy businessman wanting to turn the spirit portal into a tourist attraction. This comic is very much a suitable continuation of the show. Irene Koh's art is so beautiful!! I love how it's not the typical children's comic cartoony style. I've heard that people have actually been complaining about how it's so different from the show's original style, but I personally think it's fitting and very charming. It gives it a more mature feel. My main complaint is that it's too short. It took nearly three years after the finale for this comic to be released and it's only 80 pages! And the next part isn't going to be released until January! I guess me and other Korra fans are just going to have to stay patient for another 6 months or so.
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Reviewed in the United States on August 8, 2017
C
Verified Purchase
Chloe
Birmingham, US
★★★★★ 5
I just finished reading Part One and can safely say that I was not at all disappointed. Reading this story felt like being welcomed home ...
Format: Paperback
To say that I was excited for this comic to be released is an understatement. I was waiting all day for it to be delivered and immediately ripped the package open once I got my hands on it. I just finished reading Part One and can safely say that I was not at all disappointed. Reading this story felt like being welcomed home into a world that I grew up in. I started watching the Avatar series when it first aired when I was nine years old. I grew up with those younger characters in ATLA and then spent my teenage years alongside the characters of The Legend of Korra. I was figuring myself out at the same time that Korra was. The finale when Korra and Asami got together came at the perfect time for me as I was still wrestling with my attraction towards multiple genders, especially to women, so to see two female characters (both of whom are also women of color) find comfort in one another and embark on a romantic journey together was everything to me. This comic continued from that point beautifully. We see the infamous Korrasami vacation and it is absolutely stunning. The artwork in this comic jumps of the page. It fits in wonderfully with that of the animated series while still maintaining its own identity. The story itself acts as a set-up for what's to come, but we got another layer of world-building for this wonderful universe and the characters are still the people I remember from the end of the series. I adore every bit of it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 8, 2017
S
Verified Purchase
Sana
Bozeman, US
★★★★★ 5
The best ever continuation of the TV show!
Format: Kindle
'Ultimately, your story is yours to tell. You'll know when the time is right to share the news.' THIS VOLUME IS BASICALLY HERE'S A BI, THERE'S A BI, EVERYWHERE'S A BI AND I'M LIVING FOR IT. I been knew Kya is gay but Avatar Kyoshi being bi is too good of a reveal, ahhhh (also, so much more excited to read The Rise of Kyoshi now). The best part is how it starts right where the show ends like this is what dreams are made of and then the juxtaposition of Korrasami becoming a couple and whatever is now happening in the Republic City is done so well like, they definitely nailed the pace and I was into all of it. The nuances of Korrasami coming out to their family and friends (Mako's reaction, though LOL PERFECT), what different nations think about queer relationships and whether Korrasami want to reveal it to the public just yet, so many feels. I just want to yell about Korrasami in love, though. I'm crying. 😭😭 THEIR CONFESSIONS FREAKING SLAYED ME. Korra feeling like she was always too intense (one of the things I love about her, LBR) but now feels like she doesn't have to hold herself back in front of Asami. 😭😭 VULNERABLE KORRA IS FREAKING PRECIOUS AND NEEDS TO BE PROTECTED AT ALL COSTS. By the way, shoutout to Lin Beifong being the badass-est of all. Besides Korra, she's easily my favorite. As for the art, it's fantastic! Irene Koh definitely channeled the original art but she also brought her own style into it and the result is great. It honestly felt like I was watching the show since it was so easy to give voices to characters' dialogues and to follow the action sequences (which translate so well in this form !!).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 28, 2024

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