1971 DATSUN 510/1600
JOHN MORTON

1971 DATSUN 510/1600 <br /> JOHN MORTONThe 1971 DATSUN 510 or otherwise known as the Datsun 1600, designed by Terri Uchino, was a model of the Bluebird sold from 1968 to 1973. These cars were inspired by the 1966 BMW 1600 on a technology level and were eventually famous for their rallying success outside of Japan. In the US the car had 96 hp (72 kW), and a claimed top speed of 100mph, front disk brakes, independent suspension, and a solid live axle with leaf springs in the back. Two door,

The 1971 DATSUN 510 or otherwise known as the Datsun 1600, designed by Terri Uchino, was a model of the ‘Bluebird’ sold from 1968 to 1973. These cars were inspired by the 1966 BMW 1600 on a technology level and were eventually famous for their rallying success outside of Japan. In the US the car had 96 hp (72 kW), and a claimed top speed of 100mph, front disk brakes, independent suspension, and a solid live axle with leaf springs in the back. Two-door, four-door, and station wagon options were available. Best known in the US for winning the Trans Am Series under 2500cc class in ’71 &’72 with John Morton at the wheel, this car remains one of the most popular production cars in numerous classes of amateur racing.

AUTHENTICITY : Each drawing is limited to 10 signed and numbered prints regardless of size and comes together with a certificate & 10SERIE 'medallion'

PAPER : Professionally ink printed onto 350gsm Hahnemühle Museum Etching paper to achieve the best color & light fastness.

FRAME :

Profile : A 14 x 34mm (0,55 x 1.33inch) beveled profile made from Obeche (African Maple) which is depended upon for its stability and relative resistance to warping once machined. It is offered in either color black, white or our exotic African hardwood 'Kiaat'.

GLASS :

'Museum Glass' is 'non-reflective' and absorbs damaging UV light to allow over 98% transmission allowing only the best vibrant colors to translate and is advised for all the limited & signed prints.

'Standard' picture framing glass is a 2mm clear float glass. It is inexpensive and will protect your artwork from dust and physical damage.

BACKING :

Full archival acid-free board with 10mm deep-sunk (spacer) in same to create depth and set the artwork back off the glass.