SKU: 93270111351

Rega Couple 3 Interconnect

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Description

Rega Couple 3 InterconnectRega Couple 3 Interconnect Available at Vinyl Sound in Toronto, Canada, the Rega Couple 3 is a high quality RCA interconnect cable hand assembled in the UK at Rega's factory in Southend on Sea. Its conductor and dielectric specification originates from the cable developed for use inside Rega's award winning reference Aura phono stage one of the highest accoladed phono preamplifiers Rega has ever produced. This lineage gives the Couple 3 a

Rega Couple 3 Interconnect

Available at Vinyl Sound in Toronto, Canada, the Rega Couple 3 is a high-quality RCA interconnect cable hand-assembled in the UK at Rega's factory in Southend-on-Sea. Its conductor and dielectric specification originates from the cable developed for use inside Rega's award-winning reference Aura phono stage — one of the highest-accoladed phono preamplifiers Rega has ever produced. This lineage gives the Couple 3 a specification optimised for analogue audio signals, particularly phono-stage-to-amplifier connections. It carries Rega's lifetime warranty against manufacturing defects.

80pF Capacitance — Matched to Rega Tonearm Cables

The Couple 3's most technically meaningful specification is its 80pF capacitance — deliberately matched to the capacitance of Rega's own custom tonearm cables used throughout the Rega turntable range. Cable capacitance directly affects the frequency response of a moving magnet cartridge: too high a total capacitance (tonearm cable + interconnect + phono stage input) causes a rising high-frequency response and ultimately a resonant peak that colours the sound. By specifying the Couple 3 at 80pF, Rega ensures the total system capacitance remains within the optimal range when the Couple 3 is used between a Rega phono stage and amplifier in a complete Rega system. This is a deliberate systems engineering decision, not a coincidence.

OFC Conductor — Derived from the Aura Phono Stage

The Couple 3 uses oxygen-free copper (OFC) conductors in an ultra-flexible jacket — the same cable construction developed as a critical internal component inside the Aura phono stage. OFC copper removes the dissolved oxygen present in standard electrolytic copper, reducing grain boundaries in the conductor and improving long-term corrosion resistance. The ultra-flexible jacket minimises mechanical stress on the conductor when the cable is routed and dressed, reducing microphonic pickup and ensuring the cable does not pull on or stress the connectors over time.

Neutrik RCA Plugs with Mechanical Strain Relief

The Couple 3 is terminated with Neutrik RCA plugs — an ergonomically designed, high-quality connector from one of the professional audio industry's most trusted connector manufacturers. Neutrik connectors feature a machined body with robust internal geometry and, critically, a mechanical strain relief mechanism that protects the solder joint and conductor from accidental damage if the cable is pulled or bent at the connector. This is an often-overlooked engineering detail that directly affects long-term reliability.

Key Features

  • OFC (oxygen-free copper) conductors — same cable specified as internal wiring in Rega Aura phono stage
  • 80pF capacitance — matched to Rega tonearm cables for optimised phono system performance
  • Ultra-flexible jacket — minimises mechanical stress and microphonic pickup
  • Neutrik RCA plugs — professional-grade connectors with mechanical strain relief
  • Hand-assembled in the UK at Rega's factory
  • Rega lifetime warranty against manufacturing defects
  • Ideal for phono stage to amplifier or line-level source to amplifier connections

Frequently Asked Questions

Why does cable capacitance matter for a phono interconnect?

Moving magnet cartridges form a resonant circuit with the total capacitance seen at the phono stage input — the sum of the tonearm cable, the interconnect, and the phono stage's own input capacitance. If total capacitance is too high, it causes a rising treble response and an audible resonant peak, typically between 15–20kHz, which colours the sound. Rega specifies the Couple 3 at 80pF to complement their tonearm cables, keeping total system capacitance in the optimal range for Rega MM cartridges.

Is the Rega Couple 3 only suitable for Rega systems?

No. While the 80pF capacitance specification is optimised for Rega phono systems, the Couple 3 is a high-quality general-purpose interconnect suitable for any line-level connection — between a CD player and amplifier, DAC and amplifier, or phono stage and amplifier, regardless of brand. Its OFC construction and Neutrik termination make it a well-engineered cable at any level of system.

What does the Rega Aura phono stage have to do with the Couple 3?

The conductor and dielectric specification used in the Couple 3 was originally developed as an internal cable component inside Rega's Aura phono stage — Rega's reference-level, award-winning phono preamplifier. Rega identified this cable as performing particularly well in the signal path at the phono stage level and adapted it for use as an external interconnect in the Couple 3.

Does the Rega Couple 3 come with a lifetime warranty?

Yes. Like all Rega products, the Couple 3 is covered by Rega's lifetime warranty against manufacturing defects. This warranty covers confirmed defects in materials or workmanship and does not cover damage from misuse or accidental damage.

Where can I buy the Rega Couple 3 interconnect in Toronto, Canada?

The Rega Couple 3 interconnect is available at Vinyl Sound in Toronto, Canada. Contact us for current pricing and available lengths.

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SKU: 93270111351

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C. Tucker
Charlottesville, US
★★★★★ 5
Presentations with the audience in mind
Format: Paperback
I bought this hoping it would be a guide to creating Big-3 Consulting-style slides with fancy diagrams and eye-catching graphic design. That is not what this book is. Instead, this book is about how to tell a story with slides, using the framework of a five act drama. With this method forcing you to focus on who your audience is, what they need to know, and how much time you have to tell them (as opposed to trying to shoehorn everything you know about a subject into your pitch) you end up with a presentation that finishes on time for intelligent questions from an engaged audience. Since buying the book I have given several well-received presentations using precisely that technique. With no words on screen there is no temptation to just read the bullet points, and the audience cannot think ahead of you and must instead listen to what you're saying. You have to know your material to use this method, but when you succeed your audience will be impressed with your knowledge of the subject matter. (If you're working in a group project and want to Blue Falcon a non-contributing teammate, try giving them a few of these slides to speak to.) The recommended slide format is one picture and one headline per slide, with no bullet points at all. The book suggests creating Notes Pages with an outline of your talk as a handout, since the slides themselves don't stand alone. (And that's a good thing--visual aids are supposed to *augment* the presentation, not *be* the presentation.) In conclusion, this book might not be for everyone, but it was exactly what I needed.
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Reviewed in the United States on June 15, 2018
M
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mrliteral
Carnegie, US
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone. Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation. This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents. On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach. Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
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Reviewed in the United States on June 16, 2006
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Verified Purchase
Arthur E. Williams
San Leandro, US
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
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Reviewed in the United States on August 24, 2006
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Verified Purchase
db
Lake Worth, US
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
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Reviewed in the United States on March 14, 2007
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Verified Purchase
SteelBlue
Charlottesville, US
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
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Reviewed in the United States on December 2, 2005

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