SKU: 94327564356

Rode NTG3 RF-Bias Shotgun Microphone and Auray Fur Windshield Kit (Silver)

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Description

Rode NTG3 RF-Bias Shotgun Microphone and Auray Fur Windshield Kit (Silver)For Broadcast TV, Film, and Video Silver NTG3 Shotgun Condenser Microphone Auray Fur Windshield for Shotgun Mics Includes Mic Clip Foam Windscreen Zip Case The silver Rode NTG3 RF Bias Shotgun Microphone and Auray Fur Windshield Kit from B&H is geared for capturing professional audio in outdoor environments. It is ideal for professional applications such as film, video, broadcast TV, and more. The B&H kit features a silver Rode NTG3 RF Bias condenser

  • For Broadcast TV, Film, and Video
  • Silver NTG3 Shotgun Condenser Microphone
  • Auray Fur Windshield for Shotgun Mics
  • Includes Mic Clip
  • Foam Windscreen
  • Zip Case

The silver Rode NTG3 RF-Bias Shotgun Microphone and Auray Fur Windshield Kit from B&H is geared for capturing professional audio in outdoor environments. It is ideal for professional applications such as film, video, broadcast TV, and more.

The B&H kit features a silver Rode NTG3 RF-Bias condenser shotgun microphone that is powered by 48V phantom power and the Auray WSS-2018 professional fur windshield that reduces wind noise up to 40 dB. Also included in the kit are a mic clip, a pop filter, an aluminum storage cylinder, and a padded zip case for transporting the microphone.

  • Rode NTG3 Precision RF-Biased Shotgun Microphone (Silver)

    The silver Rode NTG3 Shotgun Microphone is a professional shotgun microphone that delivers a few unique qualities in order to meet the demands of today's broadcast audio engineers and boom operators. The microphone features radio-frequency (RF) interference properties that avoid annoying noise and interference caused by nearby RF sources such as radio antennas, WIFI networks, internet devices, power lines, etc. The microphone is also built to withstand the rigors of adverse weather conditions.

    Of course special attention is paid to the accurate, directional pickup characteristics and its frequency response, sensitivity and low noise floor, which result in pristine audio quality. The NTG3 shotgun microphone is an ideal solution for outdoor ENG and studio applications.

    RF Rejection
    The microphone features radio-frequency (RF) interference properties that avoid annoying noise and interference caused by nearby RF sources such as radio antennas, WIFI networks, internet devices, power lines, etc.
    Withstands Adverse Conditions
    The microphone is constructed to withstand adverse weather conditions for more stable use outdoors.
    Supercardioid Line+Gradient Pickup
    The supercardioid, shotgun characteristics provide excellent off-axis rejection, focused pickup and longer range.
    UPC: 698813001194
  • Auray WSS-2018 Professional Windshield for Shotgun Microphones - (18cm)

    The Auray WSS Series Professional Windshields deliver superior 360° wind protection with acoustic transparency. They are engineered for dramatic reduction of unwanted broadband wind noise and vocal pops with very little high frequency loss, for exceptionally accurate recordings.

    This WSS-2018 Professional Windshield has an inside depth of 18cm and is designed for use with many shotgun microphones. It features a specially manufactured open-cell foam matrix surrounded by a layer of 25mm-thick simulated rabbit fur. This diffusion technology lowers wind velocity in a controlled air space around the microphone, thereby reducing wind noise without muffling the sound. It also features an airtight tapered rubber base that seals out wind from the rear of the microphone, greatly improving isolation and rear wind protection.

    When used on a shotgun microphone, this slip-on windshield is effective in minimizing wind noise and plosive sounds. It is most effective in light breeze to strong breeze conditions (4-25 mph) and users can generally expect a 24dB to 40dB reduction in wind noise with negligible dampening of high frequencies. For most applications, the negligible high frequency dampening is a worthwhile exchange for the dramatic wind noise reduction.

    In addition to superior 360° wind protection, the WSS-2018 helps prevent moisture and dirt from damaging your microphone. The windscreen is designed to fit microphones from Rode, Sennheiser, Sanken, Sony and others.

    The WSS-2018 Professional Windshield for Shotgun Microphones is an advanced solution for outstanding wind protection with acoustic transparency.

    Fits these and other similar sized microphones:
    AKG C 568 EB, CK 68 ULS C460B Red
    Azden SG(M)-1X
    BeyerDynamic MC 716, 726, 736, 836, MCE 86 II, 87vs
    ClockAudio C850E
    DPA 4017
    JVC DY-70U
    Røde NTG-3
    Sanken CS 3
    Sennheiser ME 66 K6, ME 80 K3U, MKH 416, 418
    Sony ECM 670, 678, 680S
    UPC: 847628552685
In the Box

Rode NTG3 specs

  • Rode NTG3 Precision RF-Biased Shotgun Microphone (Silver)
    Transducer Condenser
    Polar Pattern Line-Gradient Supercardioid
    Frequency Response 40Hz to 20kHz
    Dynamic Range (Typical) 117dB
    Signal-to-Noise Ratio 81dB SPL (A-weighted)
    Maximum Input Sound Level 130dB
    Power Requirements 48V Phantom Power
    Output Impedance Nominal: 25 ohms
    Output Connectors 3-pin XLR
    Pad No
    Low Frequency Roll-Off No
    Dimensions (LxDiameter) 10 x 0.74" (255 x 19mm)
    Weight 5.74oz (163g)
    Packaging Info
    Box Dimensions (LxWxH) 12.7 x 5.7 x 3.1"
  • Auray WSS-2018 Professional Windshield for Shotgun Microphones - (18cm)
    Inside Depth 7.1" (18 cm)
    Inside Diameter .75 - .9" (19 - 23 mm)
    Packaging Info
    Box Dimensions (LxWxH) 11.6 x 4.2 x 3.3"
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SKU: 94327564356

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4.9 ★★★★★
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C. Tucker
Massapequa, US
★★★★★ 5
Presentations with the audience in mind
Format: Paperback
I bought this hoping it would be a guide to creating Big-3 Consulting-style slides with fancy diagrams and eye-catching graphic design. That is not what this book is. Instead, this book is about how to tell a story with slides, using the framework of a five act drama. With this method forcing you to focus on who your audience is, what they need to know, and how much time you have to tell them (as opposed to trying to shoehorn everything you know about a subject into your pitch) you end up with a presentation that finishes on time for intelligent questions from an engaged audience. Since buying the book I have given several well-received presentations using precisely that technique. With no words on screen there is no temptation to just read the bullet points, and the audience cannot think ahead of you and must instead listen to what you're saying. You have to know your material to use this method, but when you succeed your audience will be impressed with your knowledge of the subject matter. (If you're working in a group project and want to Blue Falcon a non-contributing teammate, try giving them a few of these slides to speak to.) The recommended slide format is one picture and one headline per slide, with no bullet points at all. The book suggests creating Notes Pages with an outline of your talk as a handout, since the slides themselves don't stand alone. (And that's a good thing--visual aids are supposed to *augment* the presentation, not *be* the presentation.) In conclusion, this book might not be for everyone, but it was exactly what I needed.
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Reviewed in the United States on June 15, 2018
M
Verified Purchase
mrliteral
Birmingham, US
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone. Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation. This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents. On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach. Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
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Reviewed in the United States on June 16, 2006
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Verified Purchase
Arthur E. Williams
Chelsea, US
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 24, 2006
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Verified Purchase
db
Charlottesville, US
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
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Reviewed in the United States on March 14, 2007
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Verified Purchase
SteelBlue
Phoenix, US
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 2, 2005

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