SKU: 95648091768

PSB CS500 5.25" 2-Way Outdoor Speaker System (Pair)

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Description

PSB CS500 5.25" 2-Way Outdoor Speaker System (Pair)PSB CS500 5. 25" 2 Way Universal Indoor Outdoor Speaker System at Vinyl Sound Toronto Canada The CS500 is a compact 2 way universal indoor outdoor speaker system from PSB Speakers (Lenbrook Industries, Ontario, Canada), available at Vinyl Sound in Toronto, Canada. The smaller sibling to the PSB CS1000, the CS500 delivers PSB's signature true to nature sound quality in a more compact sealed acoustic suspension enclosure suited to residential patios,

PSB CS500 5.25" 2-Way Universal Indoor/Outdoor Speaker System at Vinyl Sound Toronto Canada

The CS500 is a compact 2-way universal indoor/outdoor speaker system from PSB Speakers (Lenbrook Industries, Ontario, Canada), available at Vinyl Sound in Toronto, Canada. The smaller sibling to the PSB CS1000, the CS500 delivers PSB's signature true-to-nature sound quality in a more compact sealed acoustic suspension enclosure suited to residential patios, balconies, pool decks, garages, and commercial environments where space is at a premium. It features a 5.25" clay/ceramic reinforced polypropylene cone woofer with rubber surround, a 1" titanium dome ferrofluid-cooled tweeter with neodymium magnet, and a verified frequency response of 63Hz to 23,000Hz (±3dB). Sold as a pair in Black or White with a dual-axis rotational wall-mount bracket included, the CS500 is designed and engineered in Canada and built to withstand extreme weather conditions throughout the Greater Toronto Area and beyond.

Compact Sealed Design with Audiophile-Grade Drivers

The CS500's acoustic suspension (sealed) enclosure is a deliberate design choice that distinguishes it from typical outdoor speakers. Where a ported enclosure trades low-frequency extension for placement sensitivity near walls and corners, the sealed CS500 maintains consistent, accurate bass response regardless of where it is mounted. The 5.25" (133mm) woofer uses a clay/ceramic reinforced injection-moulded polypropylene cone with a rubber surround, a rigid and weather-resistant cone material that delivers controlled, accurate bass response in an open outdoor acoustic environment. The 1" (25mm) titanium dome tweeter is ferrofluid-cooled for thermal stability during extended high-volume outdoor use and fitted with a neodymium magnet for high efficiency. A 1800Hz LR4 Linkwitz-Riley fourth-order crossover manages the handoff between woofer and tweeter with phase-coherent precision, ensuring a smooth and accurate tonal balance across the full frequency range. The total sealed internal volume of 0.2 cu ft (5L) keeps the enclosure compact while maintaining the acoustic integrity of the driver design.

Weatherproof Build and Dual-Axis Mounting Flexibility

PSB's Canadian engineering heritage is evident in the CS500's weatherproof construction. The thick-walled UV-resistant polypropylene cabinet resists fading, cracking, and warping across the full range of Canadian outdoor temperatures. The aluminium grille is corrosion-proof, and the five-way gold-plated binding posts are rustproof and protected by a fitted rubber cover when not in use. Both the enclosure and the aluminium grille are paintable, allowing the CS500 to be colour-matched to any exterior surface for a fully integrated installation finish. The included dual-axis rotational wall-mount bracket enables vertical or horizontal mounting with up to 90 degrees of rotation on one axis and 170 degrees on the other, providing precise speaker aiming in virtually any installation environment. An integrated wire management system routes speaker cable cleanly behind the bracket for a professional finished appearance. The CS500's compact footprint makes it particularly well suited to tight mounting spaces such as balconies, soffits, and narrow exterior walls where the larger CS1000 may not fit.

Key Features

  • 5.25" Clay/Ceramic Reinforced Polypropylene Woofer: Injection-moulded cone with rubber surround delivers accurate, controlled bass response in a compact sealed enclosure, with consistent performance regardless of wall and corner proximity.
  • 1" Titanium Dome Tweeter with Neodymium Magnet: Ferrofluid-cooled for thermal stability under sustained outdoor use, with high efficiency from the neodymium magnet and smooth high-frequency reproduction to 23,000Hz.
  • 1800Hz LR4 Crossover Network: Linkwitz-Riley fourth-order design provides phase-coherent driver integration and a flat summed acoustic response across the crossover region for accurate, balanced sound.
  • Sealed Acoustic Suspension Enclosure: Unlike ported outdoor speakers, the CS500's sealed cabinet delivers consistent bass accuracy regardless of mounting position, eliminating bass boominess in corner or wall-adjacent installations.
  • UV-Resistant Polypropylene Cabinet: Thick-walled enclosure resists UV degradation, temperature extremes, and moisture; both enclosure and aluminium grille are paintable for custom colour matching.
  • Dual-Axis Rotational Mounting Bracket Included: Metal bracket enables vertical or horizontal wall mounting with 90-degree rotation on one axis and 170-degree rotation on the other for precise speaker aiming in any installation environment.
  • Five-Way Gold-Plated Binding Posts: Rustproof terminals with rubber protective cover accept bare wire, spade lugs, banana plugs, and pin connectors for durable and flexible outdoor wiring connections.
  • Integrated Wire Management System: Routes speaker cable behind the mounting bracket for a clean, professional installation finish.
  • Compact Form Factor: At 7 7/8" x 10 1/2" x 8" (W x H x D), the CS500 fits in tight outdoor spaces such as balconies, soffits, and narrow exterior walls where the CS1000 cannot be accommodated.
  • Available in Black or White: Both paintable finishes suit residential and commercial installation environments; the grille and enclosure can be custom-painted to match any exterior wall colour.

Technical Specifications

Configuration 2-Way Sealed Acoustic Suspension, Universal Indoor/Outdoor
Woofer 5.25" (133mm) Clay/Ceramic Reinforced Polypropylene Cone, Rubber Surround
Tweeter 1" (25mm) Titanium Dome, Ferrofluid-Cooled, Neodymium Magnet
Frequency Response (±3dB, On-Axis) 63Hz to 23,000Hz
Frequency Response (±1.5dB, On-Axis) 65Hz to 20,000Hz
LF Cutoff (-10dB) 50Hz
Sensitivity (Anechoic) 85dB
Sensitivity (Listening Room) 87dB
Impedance (Nominal) 8 Ohms
Impedance (Minimum) 6 Ohms
Recommended Power 20 to 120 Watts
Program Power 120 Watts
Crossover Frequency 1800Hz, LR4 Design
Internal Volume 0.2 cu ft (5L)
Enclosure UV-Resistant Polypropylene, Paintable, Sealed
Grille Aluminium, Removable, Paintable
Speaker Terminals 5-Way Gold-Plated Binding Posts, Rustproof, Rubber Cover
Mounting Dual-Axis Rotational Wall-Mount Bracket Included (90° / 170° Rotation)
Gross Dimensions (W x H x D) 7 7/8" x 10 1/2" x 10" (200 x 267 x 254mm) Including Bracket
Cabinet Dimensions (W x H x D) 7 7/8" x 10 1/2" x 8" (200 x 267 x 203mm)
Weight 7 lb (3.2 kg) Each
Finish Options Black or White
Sold As Pair (2 Speakers)

Connections at a Glance

  • 5-Way Gold-Plated Binding Posts (per speaker): Accept bare wire, spade lugs, banana plugs (single and dual), and pin connectors
  • Rubber Terminal Cover: Protects connections from moisture and corrosion in outdoor and high-humidity environments
  • Integrated Wire Management: Routes cable behind the dual-axis mounting bracket for a clean installation finish

What's in the Box

  • PSB CS500 5.25" Indoor/Outdoor Speaker x 2 (Pair)
  • Dual-Axis Rotational Wall-Mount Brackets x 2
  • Mounting Hardware

Frequently Asked Questions

What is the PSB CS500?

The PSB CS500 is a compact 2-way universal indoor/outdoor speaker featuring a 5.25" clay/ceramic reinforced polypropylene woofer, a 1" titanium dome ferrofluid-cooled tweeter with neodymium magnet, a 1800Hz LR4 crossover, and a sealed acoustic suspension enclosure. It has a frequency response of 63Hz to 23,000Hz (±3dB) and is sold as a pair in Black or White with a dual-axis rotational wall-mount bracket included with each speaker.

What is the difference between the PSB CS500 and the PSB CS1000?

The PSB CS1000 is the larger flagship of PSB's outdoor speaker range, while the CS500 is the compact model. The CS1000 uses a 6.5" clay/ceramic woofer in a front-ported bass reflex enclosure, delivering a frequency response of 45Hz to 23,000Hz (±3dB) with a recommended power of 20 to 150W. The CS500 uses a 5.25" woofer in a sealed acoustic suspension enclosure, reaching 63Hz to 23,000Hz (±3dB) with a recommended power of 20 to 120W. The CS500's sealed design means its bass character is less sensitive to corner and wall placement than the CS1000's ported design, making it a better choice for tight or boundary-adjacent mounting locations. The CS1000 is the stronger performer in large open outdoor spaces requiring maximum bass extension and output; the CS500 suits balconies, covered patios, and commercial spaces where a compact footprint is the priority.

How does the PSB CS500 compare to the Polk Audio Atrium 5 or Yamaha NS-AW150?

The PSB CS500, Polk Audio Atrium 5, and Yamaha NS-AW150 all target the compact outdoor speaker category. The Polk Atrium 5 is a 5.25" ported outdoor speaker with a 0.75" tweeter, sold at a more accessible price point but with simpler driver and crossover construction than the CS500. The Yamaha NS-AW150 is a 3" two-way with limited bass extension suited to background music only. The CS500 differentiates through its titanium dome tweeter with neodymium magnet, 1800Hz LR4 Linkwitz-Riley crossover, and PSB's Canadian engineering heritage. HomeTheaterReview.com assessed the CS500 as delivering excellent price-to-performance value for outdoor use. For Toronto homeowners who want genuine PSB hi-fi performance outdoors in a compact format, the CS500 is the strongest choice in its size class.

Can the PSB CS500 be used indoors?

Yes, the CS500 is a universal speaker designed for both indoor and outdoor use. Its weatherproof sealed enclosure and aluminium grille make it equally suitable for indoor environments where moisture, humidity, or rugged conditions are a factor, including garages, pool houses, gyms, saunas, and commercial spaces such as restaurants, retail stores, and hotels. The dual-axis bracket and compact dimensions make it easy to integrate into almost any interior mounting location as well.

Does the PSB CS500 have a sealed or ported enclosure?

The CS500 uses a sealed acoustic suspension enclosure, unlike the larger CS1000 which uses a front-ported bass reflex design. A sealed enclosure rolls off bass more gradually and predictably than a ported design, and its low-frequency character is less affected by proximity to walls, corners, and other room boundaries. This makes the CS500 consistently accurate across a wide range of mounting positions without the bass reinforcement sensitivity that a ported outdoor speaker can exhibit in corner installations.

What amplifier is recommended for the PSB CS500?

PSB recommends 20 to 120 watts per channel for the CS500 into its 8-ohm nominal impedance (minimum 6 ohms). Its 85dB anechoic sensitivity (87dB in-room) is adequate for residential patio and balcony use with a standard multi-room streaming amplifier such as the Bluesound PowerNode or NAD Electronics C 316BEE V2. For larger outdoor coverage areas or commercial installations requiring higher volume levels, an amplifier in the 80 to 120W per channel range will provide the dynamic headroom needed for consistent performance in open-air acoustic environments.

Where can I buy the PSB CS500 in Toronto or Canada?

The PSB CS500 is available at Vinyl Sound, an authorized PSB dealer in Toronto, Canada. Vinyl Sound carries the full PSB outdoor speaker lineup and can advise on amplifier selection, multi-zone outdoor audio system design, speaker placement for residential patios and commercial spaces, and professional installation services throughout the Greater Toronto Area and across Canada.

Is the PSB CS500 sold as a pair or individually?

The CS500 is sold as a pair (2 speakers). Each speaker in the pair includes its own dual-axis rotational wall-mount bracket and mounting hardware. The pair is available in Black or White, with both finishes featuring paintable UV-resistant polypropylene enclosures and aluminium grilles.

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SKU: 95648091768

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4.0 ★★★★★
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Fnord Fjamily
Port Orchard, US
★★★★★ 5
Essential Commentary, I Use it Every Time
Format: Hardcover
I won't write an exhaustive review, but I can easily commend this commentary to any seminary student by saying this: it goes into my pile of reference books for nearly every paper I write, on any subject. It's always relevant. If I'm dealing with any New Testament text, it's worth looking up in this commentary to see if it has an OT basis, if it's an allusion, a quote, or something similar. This adds dimensionality and thoroughness to my treatment of the NT, putting it in perspective. There is a similar volume, which I use just as often, called 'Commentary on the Old Testament Use of the Old Testament.' For OT studies, I use it along with 'The Context of Scripture' (which is basically ANET with cross-indexed biblical passages and ancient texts). There have been a few times when I've followed the chain all the way from NT text -> NT use of OT -> OT text -> OT use of OT -> Context of Scripture. If you're a Bible nerd, you can imagine this is basically cause to run around the neighborhood six times shouting 'Hallelujah' while the neighbors scratch their heads or close their blinds. I use this book as much as NICNT for NT studies, which is to say, any time I study the NT. This commentary is amazing, it earns its footprint on my booksehelf. Absolutely recommend it.
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Reviewed in the United States on January 1, 2026
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Brian
Chelsea, US
★★★★★ 5
A much needed resource!
Format: Hardcover
A phenomenal and much needed resources for the church today! I am delighted that it is now part of my theological library.
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Reviewed in the United States on March 2, 2026
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InHisHand
Bozeman, US
★★★★★ 5
Pastoral Use of Beale's and Carson's Commentary
Format: Hardcover
This book was properly NOT entitled "Commentary on the New Testament Exegesis of the Old Testament." It is a well studied and scholarly look at how the New Testament writers made USE of the Old Testament Scriptures. And they did make use of those Scriptures is varied and instructive ways. Beale and Carson have compiled and edited articles from numerous trustworthy believing scholars which explain where, how, and why specific passages of Old Testament texts were employed by NT authors. These articles are careful to cite OT and NT contexts, predominant Middle Eastern scholastic thought prior to the 1st Century, and provide an analysis of what style was likely being used by the NT author (for example: typology, compare / contrast, poetic / emotive, prophetic fulfillment, simile, and at times even exegetical / interpretive). Such varied approaches by the NT authors to acquiring and working with OT passages begs the question of whether we ought to handle the OT in the same manner as did they. This commentary fairly well states that the answer is, "Yes...but." Yes, if we were to be as careful as they in understanding that we are not always merely quoting and interpreting the OT nor making absurd allegories of the OT texts but using them as instructive examples, poetic bursts of emotion, and historical typographic illustrations then we should indeed use the OT in the same way. Often the articles and entries in the commentary are long. This is not a dictionary and does not lend itself to quick reference lookups. Such attention to detail and depth enhances the experience of using this volume as it unearths elements and aspects of the Old Testament references that we rarely attempt to see from a 1st Century perspective today. Its overall format is rather straightforward. Identify a NT passage and look it up in the commentary in the passage's traditional Protestant biblical order. Generally only OT passages that are directly quoted, paraphrased, alluded to, or cited by the NT are expanded upon in the commentary. If an OT passage is merely somewhat similar to or has only surface resemblances with an OT passage (giving one the feeling that it is being brought to mind for evocative or emotive reasons alone) then the commentary may not touch on it. In general this is a very useful collection of articles. Its heart is not on being a commentary on the entire New Testament but is focused most narrowly on how the New Testament writers put the Old Testament to work to illustrate Jesus as the Christ, the evils of rebellion and sin, and the complex intricacies of God's epic sweeping salvific plan for humanity.
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Reviewed in the United States on September 28, 2012
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Shane
Los Angeles, US
★★★★★ 4
Good, But Realize Its Limits
Format: Hardcover
I agree with the other reviewers who spoke highly of this resource. It is a fine resource for NT studies. However, realize that it isn't really a commentary like most of us are used to (in my opinion, the title is a little misleading). Rather, it is only a commentary on the NT texts that clearly quote OT texts. The book does not comment on entire NT books, but only some select verses. For example, I used this book studying Mark and it only discussed around 30 phrases from the Gospel of Mark - those verses in Mark that are clear OT citations. I wasn't able to use it in Mark studies as much as I had hoped. I realize this is what the book is supposed to do, and it does it very well. Just remember it won't be useful for NT texts that aren't OT quotes. This isn't a critique, just an observation for those interested. You won't be able to use this resource all the time, but it's helpful for those NT texts where an OT citation is found. FYI, I gave it 4 stars instead of 5 because the citations in the articles are not footnotes, but contained in the articles themselves [It looks like this: (eg. R.P. Martin 1974: 97; O'Brien 1982: 151; Hubner 1997a: 91; Gnilka 1980: 168; Barth and Blanke 1994:357, etc.)]. Some citations are very lengthy, which makes it quite cumbersome to read at times. Also, this is subjective I suppose, but I didn't like the font at all (it seemed too tight). All in all, this is a good book for what it does - just realize what it does before you buy it and you won't be disappointed.
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Reviewed in the United States on May 22, 2013
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Eric Stampher
Omaha, US
★★★★★ 5
Can't ask for more, but I want more.
Format: Hardcover
Really, this is just a start. Any commentary is. But this is one of the best because it proceeds from a radical premise: the whole Bible is from God, giving His point of view and superceding that of the human author. Not that this is promoted self-consciously or consistently from each contributor. But the structure of the enterprise is such that they are sucked back into presenting how it is that the old testament is so thoroughly imbued in NT writings, including in ways which both OT and NT writers could not have intended. Treading down this path forces us to question all those teachings we've had where we were told: "Matthew (or Paul or John ...) here had in mind xyz." When Matthew wrote his gospel, we might now surmise that we can't be sure what he himself had in mind, because what we wrote was superintended to the degree that Matthew's sinful thoughts were NOT what ended up on parchment. God's thoughts are there, pure and untainted by Matthew's natural limitations and sin. Attempts to work from Matthew's sinful thoughts and culture to God's meaning miss the point that whatever Matthew was in his head was NOT the end product that flowed out his quill. Remember when Caiaphas spoke what he thought naturally about how it is better for one man to die rather than the whole nation take a hit? He meant it for evil, but God superintended it to be ultimate truth, regardless of that speaker's intent. Same with all holy writings. Yes, holy men of old spake as they were moved, but their holiness does not naturally come out in uncontaminated speech -- that takes a special work of God. This commentary allows for that premise. There's something way more than human going on that ties this whole Bible together in one theme from one Writer. Don't get me wrong, not all these contributors seem to subscribe to my radical conclusions above, although I think the editors do. And their prescribed structure for this commentary nudge the contributors into a path that I think leads to a more theocentric authorship. So this is a good start, but nothing beats trying to read the Bible itself from God's point of view, rather than the hallowed and misguided grammatial-historical human focused approach.
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Reviewed in the United States on April 6, 2008

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