SKU: 96269776107

AKHIR PERMAINAN

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Description

AKHIR PERMAINANTENTANG KARYA : Judul Karya: Akhir Permainan (2025) Ukuran Karya: 150 x 200 cm Material: Acrylic On Canvas Deskripsi: Karya ini menghadirkan sosok pemancing yang kembali dari perjuangan panjang, duduk di atas hasil tangkapan melimpah dengan tubuh letih namun hati lega. Warna warna cerah, atribut modern, dan suasana senja menegaskan peralihan antara penutup hari dan awal baru, sebuah simbol bahwa setiap akhir sesungguhnya adalah permulaan bagi

TENTANG KARYA :

Judul Karya: Akhir Permainan (2025)
Ukuran Karya: 150 x 200 cm
Material: Acrylic On Canvas

Deskripsi:
Karya ini menghadirkan sosok pemancing yang kembali dari perjuangan panjang, duduk di atas hasil tangkapan melimpah dengan tubuh letih namun hati lega. Warna-warna cerah, atribut modern, dan suasana senja menegaskan peralihan antara penutup hari dan awal baru, sebuah simbol bahwa setiap akhir sesungguhnya adalah permulaan bagi perjalanan berikutnya. Sebagai representasi Galeri Lowbrow Art Indonesia yang berani, lukisan ini merupakan salah satu koleksi unggulan di 2madison, sebuah Galeri Jakarta yang fokus pada narasi visual kontemporer di tingkat Galeri Asia Tenggara.

Description:
This artwork presents a fisherman returning from a long struggle, seated atop an abundant catch, his body weary, yet his heart at ease. Bright colors, modern elements, and the dusk setting emphasize the transition between the close of day and the beginning of something new, symbolizing that every ending is, in truth, the start of another journey. Curated by 2madison, this piece highlights the vibrant Lowbrow Art Indonesia gallery scene, establishing its place as a must-see in this Gallery Jakarta and a leading South East Asia gallery.


TENTANG SENIMAN :

Dadah Subagja lahir pada tahun 1972 di Tasikmalaya. Setelah lulus SMP, ia melanjutkan pendidikan di SMSR (Sekolah Menengah Seni Rupa) Yogyakarta pada tahun 1989. Saat ini, ia menetap di Yogyakarta. Dadah merupakan perupa yang aktif berkarya dan terlibat dalam sejumlah pameran.

Exhibition: 

2025

  • Pameran lukisan kembang jati 

  • Pameran  di hotel Aveeta

  • ⁠Pameran Gemah Ripah 2 di Padepokan Seni Bagong Kusudiharjo 

  • ⁠Pameran illuminated 2 di gallery  Madison 

  • Pameran di Suwung Art gallery

2024

  • Pameran Multiplicities di Yogya

  • ⁠Pameran  pawiyatan di Kumpeni Cafe 

  • Pameran Wiwitan Poso  ke 2 di Polda DIY

  • Pameran UUK ke 2 di Sonobudoyo Yogyakarta

2023 

  • Pameran di Pendopo Art Space ..Representasi Pahlawan Nasional

  • pameran Go Pageto di Kumpeni kafe

  • Pameran wiwitan poso di Polda DIY

  • Pameran UUK Keistimewaan Yogyakarta di museum Sonobudoyo


Artikel Seniman :

Menangkap Waktu, Menanam Harapan: Jejak Artistik Dadah Subagja

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SKU: 96269776107

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4.5 ★★★★★
Based on 15 reviews
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Sav
New York, US
★★★★★ 5
A well composed memoir
Format: Paperback
Full review on nguyentoread.com The Best We Could Do is Thi Bui's graphic memoir. Thi was born in Vietnam three months before the Vietnam War reached what we consider to be the end of the war. She came to America with her family in 1978. Bui's memoir spans multiple generations. In learning of her mother's and father's pasts, we learn the history of their parents. We see the struggles and pains of two people from very different walks of life trying to live during a time of war and chaos. We see glimpses of the agony everyone in the middle of the Vietnam War faced. Those who were not directly involved on either side but were caught in the middle of larger powers at war. This memoir more closely details the lives of her parents leading up to them arriving in America and making their life there. I was unsure if this memoir would focus largely on the experience of being a Vietnamese immigrant in America. There were parts that showed how it was for Bui's parents in a country where tensions were still high after the Vietnam War, where discrimination largely due to that was overt, and where degrees were not recognized and people who had spent their lives working and creating careers for themselves were not qualified for most work and had to hurdle multiple challenges to learn a language and complete education all over again if they wanted to provide a better life for their children. What Bui so beautifully captures in this memoir is the why behind how her parents were in raising her. Although Bui was born in Vietnam she was young when her family arrived in America. So I think her experience is one that many first generation Vietnamese-American people of my generation can understand and sympathize with. The wanting to know why their parents are the way they are but unable to ask because many have parents, like Bui's mother, who reluctantly share their stories and don't allow their children that glimpse that could help them better understand. In the panel which was most poignant to me, Bui draws her father as he looks over her work that would become The Best We Could Do. He says "You know how it was for me. And why later I wouldn't be... normal."
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 20, 2019
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Verified Purchase
Noah Beitzel
Chelsea, US
★★★★★ 5
This book made me love my parents more
Format: Kindle
I loved the raw depictions of vietnamese history and human emotions. I recommend this book to anyone experiencing intergenerational trauma. 5 stars, this book helped me understand my father and mother just a little more, and that is priceless
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2025
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Verified Purchase
Andres Hoyos
Chelsea, US
★★★★★ 5
Excellent customer service
Format: Paperback
Totally recommendable.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 26, 2019
A
Verified Purchase
Amazon Customer
Charlottesville, US
★★★★★ 5
Five Stars
Format: Paperback
This helped a lot for us to prepare for the SLATE exam.
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Reviewed in the United States on August 23, 2016
A
Verified Purchase
Amazon Customer
Port Orchard, US
★★★★★ 5
Good
Format: Paperback
This is great! I like this one.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 22, 2016

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