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Nahawa Doumbia: La Grande Cantatrice Malienne Vol. 1 - VINYL LPTitle: La Grande Cantatrice Malienne Vol. 1 Artist: Nahawa Doumbia Label: Awesome Tapes from Product Type: VINYL LP UPC: 843563115534 Genre: International Release Date: 2019 09 20 Number of Discs: 1 Nahawa Doumbia is one of Mali's defining vocalists of the last four decades. Her work journeys through progressive stages of musical evolution and sonic vogues, making it hard to summarize or even comprehend. She's played a part in popular music since the
Title: La Grande Cantatrice Malienne Vol. 1Artist: Nahawa Doumbia
Label: Awesome Tapes from
Product Type: VINYL LP
UPC: 843563115534
Genre: International
Release Date: 2019-09-20
Number of Discs: 1
Nahawa Doumbia is one of Mali's defining vocalists of the last four decades. Her work journeys through progressive stages of musical evolution and sonic vogues, making it hard to summarize or even comprehend. She's played a part in popular music since the late '70s, as her version of Wassoulou music developed from vocals-and-guitar duo into full-scale touring bands packing a bombastic, electrified punch. As Doumbia puts it, "My music has changed multiple times to this day... The more I progressed in my musical career, the more instruments I have had accompany my songs." Awesome Tapes From Africa will release Doumbia's debut recording La Grande Cantatrice Malienne Vol 1 this August, building on the success of the label's first-ever reissue back in 2011, Doumbia's La Grande Cantatrice Malienne Vol 3. This seminal classic, which is still sought-after in Mali today, will finally be available for the first time internationally with remastered audio on LP, CD, Tape and Digital formats. The recording looks back to the beginning of Doumbia's long career, when she was performing in a simple voice and acoustic guitar format. This was before she added bass and drums, and finally the electric guitar and synths for which she became known more recently. Released in 1981 by the excellent Côte d'Ivoire-based AS Records, the singer was barely 20 years old when it was recorded. She was accompanied by her future husband N'Gou Bagayoko on acoustic guitar, whose style echoes the nimble runs of traditional kamele n'goni players. The stark simplicity of this highly intimate recording- the audible room acoustics, the occasionally in-the-red vocals-do not obscure the mature strength of her voice. On Vol 1 Doumbia performs her songs with the tenacity and hunger of a young artist on the cusp. "When I think about it, first, I am reminded of how long ago it was. It's one of the albums that I love most because it reminds me of my youth. I was so young and my voice was light and joyful. I still listen to some of those songs today. I am really proud of that first album because that's where it all began. It shows me how far I've come in my personal and artistic life; it gives me the courage I need to keep going forward, and makes me appreciate all the years of dedication and hard work I put into my musical career." These early songs are rhythmically built around Bagayoko's sensitive guitar, as his fingers brush the fretboard and gently outline the melodies. Although this record predates the singer's use of percussion, the driving skeletal didadi rhythm is apparent in the songs. Later albums like Vol 3 further prioritize her hometown didadi beat and the result made her famous.
Tracks:
1.1 Kourouni
1.2 Tou Dibile
1.3 Tjefouroule
1.4 Djankonia
1.5 Nianimanjougou
1.6 Sokono Woulouni
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★★★★★ 5
A Bold, Pastoral Call to Decolonize the Gospel
Format: Paperback, Format: Paperback
When I began my journey of theological deconstruction, I quickly realized that shedding the harmful elements of conservative white evangelicalism wasn’t enough. The deeper I went, the more I saw how white Christianity remains entangled with colonial narratives that uphold social and sexual hierarchies and distort the liberating truth of the Gospel.
Rev. Joash Thomas’s *The Justice of Jesus* is the book I didn’t know I needed. His voice has profoundly shaped my theological imagination, and this work is a masterclass in liberation ecclesial theology. With clarity and courage, he names the perversion of white, colonialist, slaveholder theology and invites readers to confront its lingering presence in our churches, our pulpits, and our lives.
What sets this book apart is its balance of prophetic fire and pastoral tenderness. Rev. Joash never veers into cynicism or outrage for outrage’s sake. Instead, he offers practical, Spirit-led guidance for reclaiming the Gospel from the sin of colonialism and whiteness. He casts a vision of Eucharistic unity, a table wide enough to defy empire and deep enough to hold our collective liberation in Christ.
This book emboldened me to use my voice and privilege to pursue the decolonization of theological practice in my own context. I cannot recommend it highly enough to anyone seeking a Gospel that liberates, heals, and restores.
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Reviewed in the United States on October 3, 2025
★★★★★ 5
Un libro necesario para la iglesia hoy
Format: Paperback, Format: Paperback
As a believer from the Global South. As a child who first heard the liberating message of Jesus through integral mission in Latin America. Yet, over the years, I was also exposed to a highly colonized version of the gospel—one that increasingly abandoned the most vulnerable and aligned itself with a form of Christianity distant from real human needs. Reading this book restores my hope, not because change will come quickly or easily, but because it opens the space for the necessary conversations of reevaluation.
Joash, in a very direct way, lays out the causes and effects of inherently unjust colonizing systems that have broken entire societies, and shows how these systems have permeated the way we live out the gospel of Jesus. By bringing these to light in various areas, he challenges the Western church to reconsider its practices, to move alongside the oppressed, and to become aware of its own shortcomings. At the same time, he reminds us that hope remains, that we have much to learn from the Global South, and that there are many silenced voices that must urgently be heard.
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Reviewed in the United States on October 2, 2025
★★★★★ 5
Generous, inclusive, and deeply Christian.
Format: Paperback
What an amazing book this is! Joash Thomas challenges western Christians to sit in dialogue with global south brothers and sisters, and to be willing to learn from them. If justice means everyone having what God wants them to have, then why is justice not a priority for so many of us? Never scolding, and never despairing, Joash walks us through the lessons we could take away from such a meeting, and offers actual strategies for incorporating "justice work" into the lives of western churches. A MUST READ!
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Reviewed in the United States on October 3, 2025
★★★★★ 5
Bathroom complete
Color: Warm Gold
Perfect
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Reviewed in the United States on June 4, 2026
★★★★★ 5
Nice holder,
Color: Warm Gold
Nice and weighty. Color (old gold) works well in our kitchen,
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Reviewed in the United States on May 12, 2026