SKU: 16167873761

Pella 150 Series Replacement White Vinyl Low‑E Argon Double‑Hung Window with Full Screen, 31-1/2 in. x 53-1/2 in.

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Description

Pella 150 Series Replacement White Vinyl Low‑E Argon Double‑Hung Window with Full Screen, 31-1/2 in. x 53-1/2 in.Pella 150 Series LowE Argon Vinyl DoubleHung Replacement Window This Pella 150 Series double hung replacement window combines durable white vinyl frames with LowE argon doublepane glass for yearround efficiency. Both sashes tilt in for easy cleaning, and the included full screen maximizes airflow while keeping insects out. Key Features: Energy Efficient Glass: LowE argon doublepane glazing helps block heat and improve comfort yearround Durable Vinyl

Pella 150 Series Low‑E Argon Vinyl Double‑Hung Replacement Window

This Pella 150 Series double-hung replacement window combines durable white vinyl frames with Low‑E argon double‑pane glass for year‑round efficiency. Both sashes tilt in for easy cleaning, and the included full screen maximizes airflow while keeping insects out.


Key Features:

  • Energy-Efficient Glass: Low‑E argon double‑pane glazing helps block heat and improve comfort year‑round
  • Durable Vinyl Construction: Multi‑chambered, fade‑resistant frames resist warping and weathering
  • Easy Operation & Cleaning: Both top and bottom sashes open for ventilation and tilt in for quick cleaning
  • Enhanced Weather Protection: Exclusive weather‑repel system channels water away from the home
  • Quick Install Frame: Factory‑applied foam insulation helps reduce installation time

Specifications Table:

Specification Details
Series Name 150 Series
Frame Material Vinyl
Color/Finish Family White
Exterior Color/Finish White
Interior Color/Finish White
Hardware Color/Finish White
Actual Size (W x H) 31-1/2 in x 53-1/2 in
Common Size (W x H) 32 in x 54 in
Rough Opening Size (W x H) 32 in x 54 in
Jamb Depth 3-1/4 in
Clear Opening Size (W x H) 26-29/32 in x 21-5/64 in
Weight 38 lbs
Glazing Type Double pane
Glass Insulation Low‑E argon
Glass Strength Annealed
Argon Gas Insulated Yes
Balance System Constant force
Frame Profile Beveled
Grid Included No
High Altitude Rated No
Impact Resistant No
Insect Screen Included Full; fiberglass mesh
Lock Type Cam
Number of Locks 2
Obscure Glass No
Paintable No
Project Type Replacement
Screen Frame Type Roll‑form
Solar Heat Gain Coefficient (SHGC) 0.21
Tilt Mechanism Flush
Tilting Yes
Ventilation Latches Double
Wood Jamb Extension None
CA Residents: Prop 65 Warning(s) Yes
ENERGY STAR Certified Southern Zone Yes
ENERGY STAR Certified North/Central Zone No
ENERGY STAR Certified Northern Zone No
ENERGY STAR Certified South/Central Zone No
Florida Product Approved Yes
Hurricane Approved No
Meets CA Forced Entry Requirements Yes
Meets Title 24 No
Meets Wildland Urban Interface No
Miami Dade Approved No
Sound Transmission Control (STC) Rated Yes
Texas Department of Insurance Approved Yes
U‑Factor 0.30
Warranty Limited lifetime
UNSPSC 30171600

Frequently Asked Questions (FAQ):

Q: Does this window include a screen?
A: Yes, a high‑transparency full screen is included.


Q: What are the actual and rough opening sizes?
A: Actual size is 31‑1/2 in W x 53‑1/2 in H with a 3‑1/4 in jamb; rough opening/common size is 32 in W x 54 in H.


Q: Are both sashes operable and tilting?
A: Yes, top and bottom sashes open and tilt in for easy cleaning.


Q: Is it ENERGY STAR certified?
A: It is ENERGY STAR certified for the Southern zone only.


Q: What type of warranty is provided?
A: Backed by Pella’s limited lifetime warranty.


Crisp Lines, Quiet Comfort

This double‑hung window introduces a clean, architectural frame that brightens rooms with balanced proportions. The sleek vinyl profile and uninterrupted glass feel modern yet timeless, while the Low‑E glaze quietly elevates comfort. Dress it with airy linen drapery and matte black hardware for subtle contrast. It’s the kind of understated upgrade that signals everyday luxury.


Upgrade your view and efficiency with this Pella 150 Series window—order now to enjoy effortless operation and year‑round comfort.

Shipping Notes
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SKU: 16167873761

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4.6 ★★★★★
Based on 12 reviews
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A
A. Jimenez
Chelsea, US
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2012
T
Verified Purchase
Terry L.
Boise, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 15, 2015
G
Verified Purchase
George Vargas
Phoenix, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 26, 2017
H
Verified Purchase
Howard
Draper, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
A
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AlanWarner
Lowell, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015

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