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Description
Deadbeat: LPS 2002-2005 - VINYL LPTitle: LPS 2002 2005 Artist: Deadbeat Label: BLKRTZ Product Type: VINYL LP UPC: 880319684838 Genre: Pop Release Date: 2014 11 18 Number of Discs: 6 Deadbeat reissues the 2002 2005 albums in a deluxe vinyl box set. Featuring three classic albums that introduced his intimate brand of dub techno to the world. "Ever since launching his production career at the turn of the century, dub techno auteur Scott Monteith has been nothing if not deeply prolific.
Title: LPS 2002-2005Artist: Deadbeat
Label: BLKRTZ
Product Type: VINYL LP
UPC: 880319684838
Genre: Pop
Release Date: 2014-11-18
Number of Discs: 6
Deadbeat reissues the 2002-2005 albums in a deluxe vinyl box set. Featuring three classic albums that introduced his intimate brand of dub-techno to the world. "Ever since launching his production career at the turn of the century, dub-techno auteur Scott Monteith has been nothing if not deeply prolific. The Canadian-born, Berlin-based producer's nine Deadbeat albums and nearly two-dozen singles represent one of most prolific and consistently rewarding catalogs in the 21st century electronic music canon. Continuing the reissue campaign of his early output that began with 2001's Primordia (BLKRTZ 006 CD/LP), Monteith's BLKRTZ imprint now releases a massive 6-vinyl box set of his most iconic Montreal albums: 2002's Wild Life Documentaries, 2004's Something Borrowed, Something Blue, and 2005's New World Observer. Taken together, these three Montreal albums capture the Deadbeat project at it's most contemplative and intimate, as far from the club speakers as it would ever get and tuned inward instead. Released a year after moving to Montreal, the roots-reggae revisionisms of Wild Life Documentaries proved to be Monteith's international calling-card. The album pitted the Montreal producer alongside contemporaries such as Jan Jelinek and Kit Clayton. Two years later, Monteith returned with Something Borrowed, Something Blue, the most introspective album of the entire Deadbeat catalog, and also the album from this early period to attain the most critical acclaim. Monteith quickly turned the corner and released the bristling, politically-charged New World Observer album in 2005. a year later, the producer would make the move to Berlin, joining a generation of Canadian producers who'd launched careers to become frustrated with the limited growth potentials of the North American market at the time. Whereas his most recent BLKRTZ albums have been defined by Berlin's ever-morphing club culture, these long out-of-print early albums that first elevated the Deadbeat moniker to international recognition are reflective of another time, another place, and ultimately another context than the one familiar to a new generation of electronic-music listeners. There's a degree of depth and texture to these recordings that simply bypasses any notion of minimalism that was all the rage in discussions of the meeting ground between Kingston's dub low-ends and Berlin's fin-de-siecle avant-garde electronics. Looping repetitions swirling out ad infinitum are simply not part of the Deadbeat aesthetic at this juncture. Instead, the listener finds an inordinate amount of attention being placed on narrative and musical storytelling. These albums are dubby, yes, and not quite techno at all. There are refractions of Krush, Vibert, and Vadim-like trip-hop pacing at work here. There's the moodiness and syncopation of Warp-era IDM at work here, too. Micro-house collage techniques emerge in the sampling. All of this is to say that, in hindsight, the Deadbeat at work on these three albums is a synthesist, not a purist. His vision of dub-techno was less keen on sonic formula and more open to narrative concept than the standards set by the pioneering dub-techno of the mid- to late-'90s. Removed from the timeline that defined them within the footsteps of dub techno, listeners shouldn't be surprised if they hear something altogether different at work here." - Dmitri Nasrallah.
Tracks:
1.1 Open My Eyes That I May See
1.2 Organ in the Attic Sings the Blues
1.3 For Palestine
1.4 For Israel (Jaffa Revisited)
1.5 Let It Rain
1.6 Cause for Hope
1.7 To Berlin with Love
1.8 A Dub for Akufen
1.9 When First You Gave Me Shivers
1.10 Kezia
2.1 A Brief Explanation
2.2 Head Over Heels
2.3 White Out
2.4 Requiem
2.5 Steady As a Rock
2.6 Fixed Elections
2.7 A Joyful Noise (Part 1)
2.8 A Joyful Noise (Part 2)
2.9 Quitting Time
2.10 Portable Memory (The Final Cut)
3.1 Slow Rot from Rhetoric
3.2 Port-Au-Prince
3.3 N'importe Quoi
3.4 Abu Ghraib
3.5 Texas Tea
3.6 O Little Town of Bethlehem
3.7 Time Is Passing Slowly
3.8 Rock of Ages
3.9 Ruination
3.10 Habitat for Heavy Hearts
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
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Product Reviews
★★★★★ 5
Impressive Power and Convenience Right Out of the Box
I just got this electric milk frother, and after only a few uses I’m already impressed. It has strong, consistent power that turns milk into smooth, velvety foam in seconds — perfect for lattes, cappuccinos, or even mixing matcha. The LED display is a surprisingly premium touch, making it easy to see and switch between speeds.
The fact that it’s rechargeable is a huge plus, and the 3‑in‑1 attachments give it more versatility than most handheld frothers. The charcoal black finish looks sleek and modern, and the build feels solid so far.
Even with just a handful of uses, it’s clear this frother delivers great performance and convenience. A fantastic little upgrade to any coffee routine — definitely a 5‑star start.
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Reviewed in the United States on May 22, 2026
★★★★★ 5
I love it!
Color: Black, Size: Rechargeable
This thing works great! It holds a charge for a long time. I love that it has different attachments. I use it mainly for mixing powder into my drinks. It is very powerful. The speed is adjustable too. It feels good to hold too. It lights up when you squeeze the trigger and when it starts losing charge, the light bar gets shorter. I highly recommend it.
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Reviewed in the United States on June 3, 2026
★★★★★ 5
Perfect all-around frother, stand keeps it nice and neat on the counter within easy reach.
Color: Black, Size: Rechargeable
Rechargeable, lightweight, variable speeds and optional whisks all make this the perfect item for your kitchen. You can quickly froth milk for your coffees, whip a small batch of whip cream, and even make mug cakes with the hook attachment. The price is very compatible with the competitors, but the ease of use makes this a top choice.
The variable speeds makes it much better to control than the push button ones. When you let go of the pressure switch it turns off, no need for a dedicated on-off switch. Having the pressure switch on the top makes it extremely easy to use! It fits very comfortably in the hand and with the metal stand, looks quite nice on the counter, ready to use at any time. I highly recommend this InstaWhisk!
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Reviewed in the United States on May 28, 2026
★★★★★ 5
Great product from a great company
Color: Black, Size: Rechargeable
This product works very well. There are several other whips to use also. I absolutely love the cream it makes and that is important so I can enjoy my morning coffee. I used this whisk for quite a while then all of a sudden it stopped working. I wrote to the company to explain. A few days later they sent me a beans new whisk. GREAT item and great company to work with.
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Reviewed in the United States on May 23, 2026
★★★★★ 4
Great Frother - almost too powerful
Color: Black, Size: Rechargeable
I’ve been using the Tyohur InstaWhisk milk frother for a while now, and overall I really like it—but I wouldn’t quite give it 5 stars, and honestly it’s because it might be a little too powerful for its own good.
First, the positives: this frother does an amazing job. The single-button control is super easy to use, and I love that you can adjust the speed just by how much pressure you apply. It feels very intuitive, and you can really dial in the exact texture you want. Whether I’m making a latte or mixing something thicker like a protein drink, it handles everything smoothly.
The performance is seriously impressive. On the lower speeds, it creates nice, silky foam, and when you turn it up, it’s incredibly fast—like café-quality foam in seconds. High-speed frothers like this are designed to create rich foam very quickly, and this one definitely delivers on that promise
That said, the power is also what knocks it down a star for me. If you’re not careful (especially when using higher speeds), it can splash pretty easily. The product description says it’s designed to prevent mess with stable low-RPM operation, and that’s true if you stay on the lower settings—but once you ramp it up, you really need to keep the whisk fully submerged or start slow, or it can send milk flying out of the container
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Reviewed in the United States on May 23, 2026
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