SKU: 27429837781

carlo graziani walter al mondo musicale

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carlo graziani walter al mondo musicaleCarlo Graziani Walter (Brussels, 1851 Florence, 1927) "TO THE MUSICAL WORLD" (CVLD350) Compositions For Mandolins, Piano And Voices A Musical Project By Maura Mazzonetto And Pier Corrado Danieli Available in: CD, HD File 01 Dante e Beatrice, op. 134 Meditazione for plectrum orchestra, harp and organ, 6: 38 To Letizia Marcucci my beloved wife Orchestral Ensemble conducted by Maura Mazzonetto * 02 Canzone dAmore op. 281 Andante espressivo for mandolin

Carlo Graziani-Walter (Brussels, 1851 – Florence, 1927)

"TO THE MUSICAL WORLD" (CVLD350)

Compositions For Mandolins, Piano And Voices
A Musical Project By Maura Mazzonetto And Pier Corrado Danieli

Available in: CD, HD File

01 - Dante e Beatrice, op.134  “Meditazione” for plectrum orchestra, harp and organ, 6:38
To Letizia Marcucci “my beloved wife”
Orchestral Ensemble conducted by Maura Mazzonetto *                          
 
02 - Canzone d’Amore op.281   Andante espressivo for mandolin and piano, 2:51
“To mademoiselle Jenny Simon”
Giulio Sensolo, mandolin, Maura Mazzonetto, piano
 
03 - Inno op.261 for 2 voices with piano accompaniment, 3:27
To the Holy Virgin of the Rosary of Pompeii
04 - Ave Maria  for voice and piano, 2nd voice ad libitum, 3:58
Kamilla Menlibekova, soprano,  Cristiano Didone’, tenor
 
05 - Sur la plage “Barcarolle” for piano, 2:24
06 - Sous le tilleul “Courante” for piano, 1:35
To the charming girl Emmina Curzio
07 - En gondole op.131 “Caprice barcarolle” for piano, 2:07
Maura Mazzonetto, piano
 
08 - Gemito Appassionato  ”Elegia” for two mandolins, mandola and piano, 7:27
To the Esteemed Mandolinist Prof. Costantino Bertucci”
Great success of the Mandolinists Society Margherita
Maria Cleofe Miotti, Massimo Sanapo, mandolins,
Kioko Kato, mandola,  Maura Mazzonetto, piano
 
09 - Dans le pays des songes  “Aubade” for piano, 3:43
To the charming girl Rita Curzio
Chiara Gislon, piano
 
10 - Patinage “Caprice caracteristique” for piano, 3:16
Paolo Cornale, piano
 
11 - Infanzia on 5 notes for piano four hands, 6:00
No.1 Doll laughs (Gavotte) No.2 Doll cries (Melody) No.3 Doll plays (Waltz)
No.4 Capricious doll (March) No. 5 Doll sleeps (Lullaby)
Eduardo and Sara Castellano, piano  
 
12 - Vogata Notturna op.233 “Barcarola” for Plectrum Orchestra, 3:54
Orchestral Ensemble conducted by Maura Mazzonetto *
 
 
13 - Pleine lune  Contemplation for piano, 3:58
14 - Dante e Beatrice  “Meditazione” (author's piano version), 6:10
Maura Mazzonetto, piano
 
15 - Mirto e Cipresso op.180  “Elegia” for plectrum orchestra, 4:57
In memory of my mother
Orchestral Ensemble conducted by Maura Mazzonetto *
 
Total Time: 62:32


Carlo Graziani-Walter (Brussels, 1851 - Florence, 1927) was a pianist, mandolinist, and composer, distinguished by a wide musical production dedicated to the mandolin and, in general, to the world of plectrums, and of course, to the piano.
It mainly consists of chamber music and music for small orchestras, a noble highlight of the best late European Romanticism.
Thanks to his close relationships with the upper bourgeoisie and the Central European and Italian nobility, Graziani-Walter often, if not almost always, drew inspiration from acquaintance and friendship for his works, which almost always boast a specific dedication to this or that person.
The repertoire proposed in this album is the result of careful research carried out by Maura Mazzonetto, a lecturer at the C. Pollini Conservatory in Padua, focused on the rediscovery of original and unpublished manuscripts.
All recordings are WORLD PREMIERES

* Breganze Plectrum Orchestra / Ensemble "Mandolins and Guitars of the Venetias"
/ "Pollini" Mandolin and Guitar Ensemble
Conductor Maura Mazzonetto
Performers:
Mandolin: Anna Bozzetto, Carlo Calzavara, Emanuele Cappellotto,
Pier Corrado Danieli, Giannarnaldo Ferrara, Edoardo Lazzarin,
Stefano Maciga, Andrea Miotti, Maria Cleofe Miotti, Davide Petrin,
Massimo Sanapo, Emiliano Scettri, Giacomo Simioni
Mandola: Alessandro Antonello, Giuliano Menara, Kyoko Kato, Giulio Sensolo
Guitar: Anna Favaro, Filippo Favaro, Marco Fragalà, Alessandro Marchiori, Nicola Mazzon, Ilaria Settimo
Mandocello: Andrea Bazzoni, Paolo Gatto
Harp: Giorgia Bragante, Chiara Isepato
Cello: Enrica Frasca
Double Bass: Federico Salotto
Organ: Pietro Revoltella.
 
24bit / 96 kHz original recording made at Auditorium Pollini, Padova, Italy,
during different sessions on 2018 and 2019
 
Tracks 13 and 14 were recorded and mixed by Marco Lincetto, at Main Hall, Fondazione Masiero e Centanin, Arquà Petrarca, Italy, on February, 2022, using piano Steinway & Sons Mod.O, made in New York on 1909
 
Production: VELUT LUNA
Executive Producer: Marco Lincetto
Artistic direction: Maura Mazzonetto
Recording and Mix Engineer: Giacomo Brocca
Mastering Engineer: Marco Lincetto
Graphics and layout: L'Image

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SKU: 27429837781

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4.5 ★★★★★
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A. Jimenez
Belleville, US
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
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Reviewed in the United States on September 25, 2012
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Terry L.
Alexandria, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
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Reviewed in the United States on May 15, 2015
G
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George Vargas
Alexandria, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 26, 2017
H
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Howard
Phoenix, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
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AlanWarner
Louisville, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015

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