SKU: 3508566042

Regina Go Canada (SM) by Mercana Studio a Hand Embellished Decograph Framed Art Print

Sale price$80.99 Regular price$89.99
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  • CAN

Ships within 48 hours · Estimated delivery Aug 17 - Aug 22

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Description

Regina Go Canada (SM) by Mercana Studio a Hand Embellished Decograph Framed Art PrintOverview "Regina Go Canada (SM)" by Mercana Studio is a captivating decograph framed graphic art print portraying the cultural essence of Regina. The scene showcases a stately figure on horseback set against the backdrop of Reginas architectural skyline, intertwined with lush green landscapes. Hand embellished for added texture and depth, this artwork uses a rich palette of earthy tones, celebrating the harmony between tradition and modernity while

Overview

"Regina Go Canada (SM)" by Mercana Studio is a captivating decograph framed graphic art print portraying the cultural essence of Regina. The scene showcases a stately figure on horseback set against the backdrop of Regina’s architectural skyline, intertwined with lush green landscapes. Hand-embellished for added texture and depth, this artwork uses a rich palette of earthy tones, celebrating the harmony between tradition and modernity while inviting you to explore the history and heritage of this iconic city.

Features

  • Art Name and Artist: Regina Go Canada (SM) by Mercana Studio 
  • Inspiration: Inspired by the vibrant cityscape of Regina and its rich cultural heritage, symbolized by the Canadian Mountie and iconic architecture. 
  • Production Artist Medium and Technique: Hand-embellished decograph framed graphic art print. 
  • Color Hues and Shades: Features a vibrant palette with rich blues, earthy greens, warm browns, and deep reds, creating a lively yet grounded atmosphere. 
  • Room Atmosphere: This vibrant artwork adds a nostalgic touch, perfect for enhancing spaces like studies, home offices, or reading nooks with a sense of history and culture. 
  • Orientation and Dimensions: Measuring 10.5L x 1.5W x 15.5H, this rectangular artwork is designed to hang in portrait orientation using the included wall-mounting hardware. 

Specifications

  • Release Season: Summer 2020
  • Holiday / Occasion: No Holiday
  • Season: No Season
  • Product Type: Graphic Art
  • Set Type: Does Not Apply
  • Art Print Type: Graphic Art
  • Art Framed Structure: Closed Corner Frame
  • Art Wood Type: Does not Apply
  • Total Number of Pieces Included: 1
  • Orientation: Portrait
  • Art Scale: Small
  • Subject: Education
  • Countries: Canada
  • Shape: Rectangle
  • Wall Mounting Hardware: Yes
  • Number of Hooks: 2
  • Open Format Type: Flat Poster
  • Multi Piece Art: No
  • Title: Regina Go
  • Number of Batteries: Does Not Apply
  • Production Run: Open Edition
  • Made to Order: Yes
  • Main Color: Brown, Black, Blue
  • Main Material: Wood
  • Mat Included: No
  • Mat Color: Does Not Apply
  • Framed: Yes
  • Frame Color: Black
  • Fire Resistant (Y/N): No
  • Uniform Packaging and Labeling Regulations (UPLR) Compliant: Yes
  • Canada Product Restriction: No
  • Reason for Restriction: Does Not Apply
  • Country of Origin - Additional Details: Made In Canada
  • Mercana Style - Influences: Art Deco

Dimensions

  • Product Size (inches): 10.5L x 1.5W x 15.5H
  • Weight: 1.30 lbs
  • Box Size (inches): 14.0L x 6.0W x 19.0H
  • Box Weight: 5.00 lbs
  • CBM: 0.0040

Additional Resources

Click on the link to view or download the available file:

Shipping Notes
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  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 3508566042

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Format: eTextbook
Kevin M. Kruse’s One Nation Under God: How Corporate America Invented Christian America dismantles the enduring myth that the United States was founded as a “Christian nation.” Instead, Kruse demonstrates how this identity was deliberately constructed in the mid‑20th century as a political strategy. Beginning in the 1930s, business leaders alarmed by Franklin D. Roosevelt’s New Deal sought to counter what they perceived as government “slavery.” To resist these reforms, they partnered with clergy and promoted the idea of “freedom under God,” blending economic resistance with religious appeal. This alliance reached its zenith during Dwight Eisenhower’s presidency. Eisenhower expanded religion’s role in public life, inaugurating the National Prayer Breakfast, adding “under God” to the Pledge of Allegiance, and making “In God We Trust” the official national motto. These initiatives reshaped American identity, fueling a surge in church membership and embedding religious language into civic rituals. The phrase “one nation under God” became a widely accepted marker of patriotism, crossing political and denominational lines. Kruse’s central argument is that Christian nationalism was not inherited from the Founders but deliberately cultivated by corporate and political interests in the 20th century. By exposing its origins, he reveals how this “invented tradition” continues to shape and divide American politics today. C.S. Lewis, in The Screwtape Letters, anticipated this danger with remarkable clarity. He warned that the gravest temptation is not outright disbelief but the subtle corruption of faith—when Christianity is treated as a means to another end rather than as an end in itself. Lewis’s insight resonates with Kruse’s account: both show how faith can be co‑opted when believers confuse God’s kingdom with Caesar’s. History is important, but it is equally important that we do not allow bad history to repeat—or even to rhyme—when each stanza leads us further from God. Kruse provides the historical scaffolding, Lewis the theological discernment. Together they invite us to vigilance: to name the temptations of Christian nationalism, to resist its allure, and to anchor our communities in the truth that God’s kingdom cannot be co‑opted by worldly power.
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