SKU: 5324248629

Manfred Mann: Radio Days Vol. 1: Live At The Bbc 1964-66 - VINYL LP

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Manfred Mann: Radio Days Vol. 1: Live At The Bbc 1964-66 - VINYL LPTitle: Radio Days Vol. 1: Live At The Bbc 1964 66 Artist: Manfred Mann Label: Creature Umbrella Product Type: VINYL LP UPC: 5060051334429 Genre: Rock Release Date: 2019 05 17 Number of Discs: 2 Double vinyl LP pressing. Radio Days The Paul Jones Era is the first complete collection of existing BBC recordings made by the original Manfred Mann lineup with vocalist Paul Jones between 1964 and 1966. The band join legendary BBC presenter Brian Matthew

Title: Radio Days Vol. 1: Live At The Bbc 1964-66
Artist: Manfred Mann
Label: Creature / Umbrella
Product Type: VINYL LP
UPC: 5060051334429
Genre: Rock
Release Date: 2019-05-17
Number of Discs: 2

Double vinyl LP pressing. Radio Days - The Paul Jones Era is the first complete collection of existing BBC recordings made by the original Manfred Mann lineup with vocalist Paul Jones between 1964 and 1966. The band join legendary BBC presenter Brian Matthew through the rapidly changing music styles and environment of the mid-'60s. The sessions also feature another legend, bassist Jack Bruce, who was previously with The Graham Bond Organisation and John Mayall's Bluesbreakers. After his stint with Manfred Mann, Bruce would go on to form Cream with Eric Clapton and Ginger Baker. His presence in the group is highlighted on "Long Hair, Unsquare Dude Called Jack" never before officially available. "Radio Days" also includes group and individual interviews. Compiled from BBC recordings featured on the programs "Saturday Swings," "Saturday Club," "Top Gear," Swing Into Summer" and "Pop Inn," this "Radio Days" collection is a fascinating look into how one of the UK's most respected sixties bands promoted their current and upcoming releases and cultivated their fan base. Manfred Mann achieved this by performing new studio versions of their HMV label output along with some unique, BBC-only performances.

Tracks:
1.1 Groovin' (#1)
1.2 Band Interview
1.3 Watermelon Man (#1)
1.4 Sha la la (#1)
1.5 Band Interview
1.6 I Need You
1.7 Come Tomorrow (#1)
1.8 Look Away
1.9 L.S.D
1.10 Manfred Mann ; Tom McGuinness Interview
1.11 Oh No Not My Baby (#1)
1.12 That's the Way I Feel
1.13 The Abominable Snowmann
1.14 Manfred Mann ; Paul Jones Interview/ Paul Jones Interview
1.15 The One in the Middle
1.16 Parchman Farm (Paul Jones Solo)
1.17 What Am I to Do
1.18 I Put a Spell on You
1.19 Manfred Mann Interview
1.20 If You Gotta Go, Go Now
1.21 Watch Your Step
2.1 It Took a Little While
2.2 Manfred Mann Interview
2.3 There's No Living Without Your Loving
2.4 Spirit Feel
2.5 Tired of Trying, Bored with Lying, Scared of Dying (Unedited)
2.6 When Will I Be Loved (#1)
2.7 Still I'm Sad
2.8 Manfred Mann Interview
2.9 Pretty Flamingo
2.10 Machines
2.11 Long Hair, Unsquare Dude Called Jack
2.12 Paul Jones Interview
2.13 You Better Be Sure
2.14 Sha la la (#2)
2.15 Mike Vickers Interview
2.16 Come Tomorrow (#2)
2.17 Groovin' (#2)
2.18 Watermelon Man (#2)
2.19 Oh No Not My Baby (#2)
2.20 When Will I Be Loved (#2)"
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SKU: 5324248629

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compact surrounds that blend well with the right setup
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I picked up the Klipsch R‑40M as part of a full 5.1 system built around the R‑50M fronts and the R‑50C center. My original plan was to use another pair of R‑50M speakers in the back, but they simply didn’t fit in the rear cabinet space I have. The R‑40M ended up being the only model that fit comfortably, so they became my surround channels. In terms of build quality, they feel solid and consistent with the rest of the Reference Next‑Gen line. The copper woofers and updated horn design give them the same visual identity as the larger models, which helps the whole system look cohesive. They’re compact enough to place in tighter spaces without compromising too much on performance. Sonically, the R‑40M does a respectable job as a surround speaker. Effects are clear, directional cues are easy to follow, and they integrate smoothly with the more powerful R‑50M fronts. That said, they are noticeably less powerful than the R‑50M, so you need to spend a little time balancing your levels. Once I bumped their channel trim a bit and adjusted the distance settings, the rear soundstage locked in nicely and felt much more even. They won’t deliver the same fullness or dynamic punch as the larger models, but for rear channels that’s usually not a deal breaker. What matters is clarity and consistency, and the R‑40M handles both well. Movies with active surround mixes feel immersive, and ambient effects wrap around the room without calling attention to the speakers themselves. If you’re building a system where space is limited in the back, the R‑40M is a practical and capable choice. Just be prepared to fine tune your calibration so they match the output of the bigger speakers up front. Once dialed in, they round out a 5.1 setup very effectively.
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