SKU: 67901338323

Cristal & Bronze Honeycomb Design Tissue Box – 27 Options

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Description

Cristal & Bronze Honeycomb Design Tissue Box – 27 OptionsKnown the world over, Cristal&Bronze of France makes the finest in bathroom and boudoir accessories. Each piece is custom made by hand. Finishes are impeccable, as are the crystal components. Custom made for you in one of 27 finishes and shipped in about 7 weeks. Some sooner. Features Cristal&Bronze Nid DAbeilles translates to "Honeycomb" which refers to the exquisite patterning throughout the Crystal sections of each piece. PHOTOS are for reference

Known the world over, Cristal&Bronze of France makes the finest in bathroom and boudoir accessories. Each piece is custom made by hand. Finishes are impeccable, as are the crystal components. Custom made for you in one of 27 finishes and shipped in about 7 weeks. Some sooner.
Features
  • Cristal&Bronze Nid Dâ€Abeilles translates to "Honeycomb" which refers to the exquisite patterning throughout the Crystal sections of each piece. PHOTOS are for reference only. Please refer to the description and title for finish and speciications.
  • Each piece is custom made for you by hand, in Chateau-Landon, a medieval town near Paris. The Nid D'Abeilles series can be fabricated in 27 impeccable finishes according to your preference.
  • The "regular" tissue box is 10.2" x 5.9" x 2.75" High, including the ball feet - it holds about 150 tissues.
  • The square tissue box is 5.9" x 5.9" x 6.3" High, including the ball feet - it holds about 150 tissues.
  • The guest tissue box is 5.9" x 5.9" x 6.3" high, including the ball feet and has an open top.
Cristal & Bronze

Joining the inner circle of French companies with outsanding craftsmanship and manufacturing expertise, in 2013 the French government awarded Cristal et Bronze the coveted “Entreprise du Patrimoine Vivant” label. This certification is in recognition of its heritage acquired through manufacturing experience, its knowledge of old-world techniques, and its ongoing search for innovation through technological progress.
Cristal & Bronze was founded in 1937 in Paris, France. Today its workshop is located in a medieval village near Paris - Château-Landon - where each piece is custom made by hand. Skillful craftsmen, trained in traditional metalworking techniques lend their extensive know-how to the process. It can seen through the impeccable quality of the products they make - especially pronounced through their perfect finishes, including amongst others, gilding and patinas.

Bath Accessories: In response to worldwide requests for high quality bathroom projects, Cristal & Bronze has developed a strong selection of towel hangers, mirrors, perfume atomizers, soap dishes, etc. The materials used are of the highest caliber brass, cut crystal, and obsidian.

Finishes

Some finishes are not available in certain items.
Frank Benito and Cristal&Bronze

Frank Benito and the Cristal&Bronze Collection

Renowned craftsman Frank Benito was chosen by Cristal&Bronze to revisit the classic Cristal&Bronze collections. The "Nid d'abeilles" and "Bambou" collections have booth originated in Frank Benito's workshop. The patterns are transposed with a brush or felt pen onto the crystal. They are then cut with exacting precision using a time-honored freehand technnique using cork or sandstone grinding wheels. This is all done by hand, enabling the fascinating effects of light, transparency, and reflections.

Hotels

Cristal&Bronze proudly in use at these fine hotels.

Four Seasons Hotel George V Paris
Le Bristol Paris
Le Meurice Paris
Ritz Paris
Sangri-La Hotel Paris
Hotel du Cap-Eden-Roc Antibes
Annabel's London
The Ritz London
Hotel Metropole Brussels
Royal Mansour Spa Marrakech
Beau-Rivage Palace Lausanne
The Pierre New York
Four Seasons Hotel Alexandria

Frank Benito Video

Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 67901338323

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4.0 ★★★★★
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Product Reviews
L
Verified Purchase
lee thomas
Grantham, US
★★★★★ 5
A classic
Format: Mass Market Paperback
The Once and Future King is a saga I didn't want to end. There's enough in it to read it again, and again. The paperback squeezes 4 books into a volume you can carry in a purse, but unless you're traveling, I would recommend buying the books separately, with illustrations.
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Reviewed in the United States on May 9, 2026
Z
Verified Purchase
Zoeeagleeye
Los Angeles, US
★★★★★ 5
The Once and Future TH White
This book is in my lifetime top ten list. I've read it three times. Its pages are full of wisdom, humor, mysticism and hard life, an unbeatable combination. I call the story "a hopeful tragedy." For sure it is a high tragedy up to Greek levels and then some. And yet it's hopefulness lies in King Arthur's ability to continue deepening, learning, reaching for the goodness that he still believes is in every person. Someone said that The Once and Future King was the "Harry Potter" of its day. While I love the Harry Potter series, Rowling is no T.H. White. Her writing is a serviceable yeoman's march compared with White's kingly, profound, sometimes soaring performance. Harry changes very little as he grows up, while his supporting characters seem to stay exactly the same. Not so with Arthur. He changes before our very eyes, sometimes not for the better, as does Lancelot, Guinever and others. Though both tales are mythological, White's story feels real and gets us deep down in the bowels of our conscience, our morality and our fears. Eventually, it provokes compassion, allowing us to become more forgiving of ourselves and others. Not a bad way to live in the world. When you really learn something, you become a different person. You will really learn something from The Once and Future King, making T.H. the Once and Future White.
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Reviewed in the United States on May 17, 2009
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Verified Purchase
P. Smith
Massapequa, US
★★★★★ 3
Not what I expected
Format: Mass Market Paperback
I love stories about King Arthur and that time period in general. I really looked forward to this book because of the high ratings and my special interest in the subject. There was a lot to like about the book. The author was imaginative and, at times, the writing and characters came alive. I have to say sometimes it was kind of like riding in an old car over a road filled with pot holes -- I kept getting shook out of the story by either references to things not from that time period or the endless social commentary that seemed to be the real point in the author writing the story. By about halfway I was wondering why he didn't give up on the story and just write a philosophy book. He wasn't being subtle. I just wanted to get back to the action and felt like I was being preached at through the narrator and the characters. I also love historical details but be aware that this author tends to mention armor and then go on and on for a while to explain it down to the tiniest detail - same with jousting - the details of what the men are wearing as fashion - what is hanging in the room - and so on. As for the characters, it was sad to see Arthur diminish to being almost a shadow or joke near the end. The glorious king who was supposed to be so strong appeared to have no power to do anything and even allowed himself to have no voice in his own court (Gawaine did the talking). He didn't have any real presence after the very beginning though - not even as a tragic character until the very end. The author didn't make him feel like a real person in what is supposed to be his story. Arthur is the shadow between Lancelot and Gwen (or Jenny), Arthur is the go-between for the vengeful knights in his failing efforts to keep peace... He stands back hoping something will happen to stop the burning of his wife... he is not instigating but moderating action. He is even described as plain, shuffling... Not the grand King Arthur. Merlyn was a joke as well. His magic was more like a Disney cartoon special than anything resembling Arthurian legend and the constant references to things from the future (or Merlyn's past if you buy him living backwards) kept yanking me out of the "story world" and the other characters almost never reacted to it - as if it were normal. He leaves soon after Arthur becomes king and never comes back (you know the whole locked in the cave thing). The character most fleshed out is Lancelot. The author spends a great deal of time into his motives, feelings and actions through almost the entire book. If it weren't for the very beginning, you might be able to make an argument that more is written of Lancelot than of Arthur. Lancelot seems stronger, more driven and more clearly defined nearly at all times in the book. You know what he wants and how far he'll go to get it. In the end I am glad I read it, but it isn't my favorite Arthurian book and I doubt I'll read it again.
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Reviewed in the United States on November 30, 2010
D
Verified Purchase
David Seth Michaels
Whiting, US
★★★★★ 5
A Classic
Format: Mass Market Paperback
A classic that deserves to be re-read to our children and grandchildren
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Reviewed in the United States on March 22, 2026
C
Verified Purchase
Cindy Adair
Battle Creek, US
★★★★★ 4
A challenging read
Every now and then I challenge myself with a classic. This one was definitely that - a challenge. Allow me to explain. First, this is the story of King Arthur. All the characters are present: Gweniviere, Lancelot, Merlin, the Knights of the Round Table, the sword in the stone, Mordred, and all the ones I’d ever heard of in retellings-of the story. However, many were not as good, bad, beautiful, handsome, or courageous and pure of heart as I’d been led to imagine. These characters were messy and deep with honor and dishonor battling within them. But there was a quiet strength and desire to do good about them. So, this book challenged my preconceived images of these characters. Second, this book is long. It is divided into four parts. The first two parts were more familiar (maybe) and were a little easier to read. They told of Arthur’s early education under Merlin, pulling the sword from the stone, and establishing the Round Table - the glory days. Part three tackles the love triangle between Arthur, a Gwen, and Lancelot; the quest for the Holy Grail; and the rise of Mordred. Part four got a little tedious describing the fall of Arthur’s reign, the destructive force of lies and secrets, and the power of evil. This section challenged me with some very deep theological and philosophical musings amid the battles among friends and family. Finally, this book is written using a Middle English wordings and geographic dialect. I had to look up many words (not all definitions could be found) to really understand some things, but was generally able to follow the story. The author also frequently talked directly to the reader which took some getting used to. The writing style definitely challenged my vocabulary and ability to follow transitions from author speaking to characters. One last thing, the ending was left somewhat open to interpretation and imagination. I choose to believe the happiest of the possible outcomes. I’m glad I read this book, but i think I’ll go read something a little easier next!
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Reviewed in the United States on March 22, 2020

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