SKU: 89747107805

THE BEATLES / ANTHOLOGY : COMPLETE WORKS 4

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THE BEATLES / ANTHOLOGY : COMPLETE WORKS 4THE BEATLES ANTHOLOGY : COMPLETE WORKS 4 [2CD] DIGITAL ARCHIVES PROMOTION Part number [DAPB068CD1 2] An anthology that traces the history of the Beatles is newly released as a new edited and expanded edition "Complete Works" series! The latest definitive edition of the rare sound source collection, which has been greatly upgraded, including the first appearance sound source! ! [Original press edition imported directly from overseas] Major studio

THE BEATLES
/ ANTHOLOGY : COMPLETE WORKS 4
[2CD] DIGITAL ARCHIVES PROMOTION Part number [DAPB068CD1/2]

An anthology that traces the history of the Beatles is newly released as a new edited and expanded edition "Complete Works" series!
The latest definitive edition of the rare sound source collection, which has been greatly upgraded, including the first appearance sound source! !
[Original press edition imported directly from overseas]

★ Major studio outtakes & demos/lives have been greatly expanded. Recorded with the latest upgrade remastered by new editing with a different sound source from the original!
★ Many monaural sound sources are recorded in the first appearance version converted to real stereo by the latest AI sound source analysis!
* Newly edited and revised edition with additional recordings of newly discovered sound sources since 1995 and unrecorded sound sources.

"The Beatles Anthology", which traces the history of The Beatles from before their formation to their dissolution in chronological order with rare sound sources and live performances, is a documentary made up of video footage, books, and a trilogy of albums in 1995.・It was announced as a project. The trilogy of albums includes numerous studio outtakes, demo recordings, and live recordings from existing TV broadcasts and concerts.・A Bird” and “Real Love” were also recorded and became a hot topic worldwide. 3 types were released sequentially from VOL.1 to 3 on 2 CDs, including previously unknown first appearance sound sources and unreleased songs, and at that time, Beatles collectors were shocked and attracted attention. In the 20 years since then, sound source sources have been discovered, and many sound sources, including sound sources that were not recorded in 1995, have evolved to become closer to the original sound, unedited, and improved in sound source quality. doing. In addition, remastering technology has advanced and the sound quality has improved further. Even monaural sound sources are converted to real stereo by the latest AI sound source analysis, and unprecedented attempts are evolving. Although "Complete Works" follows the original anthology trilogy, it is basically re-edited based on the best sound sources at the moment. In addition, it is an extended and revised version that has been replaced with longer episodes and versions than the original. Not only is the content significantly increased compared to the original, but when you listen to it, you can see the difference in the updated sound quality. As a sound source collection that traces the history of The Beatles in chronological order, all basic rare sound sources are covered, and newly excavated sound sources are additionally recorded. I'm here.

[Contents of Anthology Complete Works 4]
Recorded from the end of 1966 to the beginning of 1968 when he stopped live activities and devoted himself to studio recording. CD1 includes the session sound source of "Sgt. Pepper's Lonely Hearts Club Band", which rewrote the history of rock as an artistic concept album, starting with the sound source that documented the production process of "Strawberry Fields Forever". The recorded songs are doubled compared to the original, and the content of the recording session is more conveyed. The instrumental "Within You Without You" has been updated with vocals. CD2 mainly includes outtakes from the self-produced movie "Magical Mystery Tour". Many monaural sound sources have been changed to real stereo, and they have been updated with improved sound quality and longer recording. "Love is Everything" and "Christmas Time (Is Here Again)", which were broadcast simultaneously around the world, are also unedited versions that have been converted from monaural to stereo. In addition, outtakes of “The Inner Light” with George’s vocals, which were not originally recorded, and “Across the Universe (Take 7)” are additionally recorded.

CD1
1. STRAWBERRY FIELDS FOREVER (Demo)
Kenwood, Weybridge, UK november 1966
2. STRAWBERRY FIELDS FOREVER (Take 1)
(stereo) EMI Abbey Road Studio, London 19 september - 6 november 1966
3. STRAWBERRY FIELDS FOREVER (Take 7)
(stereo) EMI Abbey Road Studio, London 19 september - 29 november 1966
4. STRAWBERRY FIELDS FOREVER (Take 26)
(stereo) EMI Abbey Road Studio, London 21 December 1966
5. WHEN I'M SIXTY-FOUR (Take 2)
( stereo) EMI Abbey Road Studio, London 6 December 1966
6. PENNY LANE (Overdub Session)
(stereo) EMI Abbey Road Studio, London 9 January 1967
7. PENNY LANE (Edit Takes 6/7&9)
8. PENNY LANE (RM 11)
(stereo) EMI Abbey Road Studio, London 17 january 1967
9. A DAY IN THE LIFE (Takes 1/2)
(stereo) EMI Abbey Road Studio, London 19 january 1967
10. SGT.PEPPER'S LONELY HEARTS CLUB BAND (Take 9)
(stereo) EMI Abbey Road Studio, London 6 march 1967
11. GOOD MORNING, GOOD MORNING (Demo)
Kenwood, Weybridge, UK january - february 1967
12. GOOD MORNING, GOOD MORNING (Take 8)
(stereo) EMI Abbey Road Studio, London 16 february 1967
13. FIXING A HOLE (Take 3)
(stereo) EMI Abbey Road Studio, London 21 february 1967
14. ONLY A NORTHERN SONG (Takes 3/12)
(stereo) EMI Abbey Road Studio, London 20 april 1967
15. BEING FOR THE BENEFIT OF MR. KITE (Takes 1/2)
16. BEING FOR THE BENEFIT OF MR.KITE (Take 7)
17. BEING FOR THE BENEFIT OF MR.KITE (Take 9)
(stereo) EMI Abbey Road Studio, London 17 february 1967
18. LOVELY RITA (Take 9)
(stereo) EMI Abbey Road Studio, London 23 february 1967
19. LUCY IN THE SKY WITH DIAMONDS (Takes 6/7/8)
(stereo) EMI Abbey Road Studio, London 2 march 1967
20. GETTING BETTER (Take 12)
(stereo) EMI Abbey Road Studio, London 9 march 1967
21. WITHIN YOU, WITHOUT YOU (Take 1)
(stereo) EMI Abbey Road Studio , London 3 april 1967
22. SHE'S LEAVING HOME (RM 1)
(stereo) EMI Abbey Road Studio, London 20 march 1967
23. WITH A LITTLE HELP FROM MY FRIENDS (Takes 1/2)
(stereo) EMI Abbey Road Studio, London 30 march 1967
24. SGT.PEPPER'S LONELY HEARTS CLUB BAND (REPRISE) (Take 5)
(stereo) EMI Abbey Road Studio, London 1 april 1967
25. SGT.PEPPER'S INNER GROOVE
(stereo) EMI Abbey Road Studio, London 21 april 1967
26. IT'S ALL TOO MUCH (Take 4)
(stereo) De Lane Lea Studios, London 2 june 1967

CD2
1. MAGICAL MYSTERY TOUR (Film Mix)
(stereo) EMI Abbey Road Studio, London 3 may 1967
2. YOU KNOW MY NAME (LOOK UP THE NUMBER) (Take 30)
(stereo) EMI Abbey Road Studio, London 17 may / 7-8 June 1967
3. ALL YOU NEED IS LOVE (Rehearsal)
4. ALL YOU NEED IS LOVE (Live Broadcast)
(stereo) TV "Our World" at EMI Abbey Road Studio, London 25 june 1967
5. YOUR MOTHER SHOULD KNOW (Take 8)
(stereo) Chapell Studios, London 22 august 1967
6. I AM THE WARLUS (Takes 16/17)
7. THE FOOL ON THE HILL (Demo)
8. BLUE JAY WAY (RM 1)
9.AERIAL TOUR INSTRUMENTAL (FLYING)
(stereo) EMI Abbey Road Studio, London 5-8 september 1967
10. FLYING (Remix)
11. YOUR MOTHER SHOULD KNOW (Take 27)
(stereo) EMI Abbey Road Studio, London 16-28 September 1967
12. THE FOOL ON THE HILL (Take 4)
13. THE FOOL ON THE HILL (Take 6)
(stereo) EMI Abbey Road Studio, London 25 september 1967
14. ALL TOGETHER ON THE WIRELESS MACHINE
BBC "Where It's At" Radio Broadcast november 1967
15. HELLO GOODBYE (Take 1/16)
(stereo) EMI Abbey Road Studio, London 2/19 october 1967
16. JESSIE'S DREAM
(stereo) "Magical Mystery Tour" Film Soundtrack october 1967
17. CHRISTMAS TIME (IS HERE AGAIN) (Edit Version)
18. CHRISTMAS TIME (IS HERE AGAIN) (Complete)
(stereo) EMI Abbey Road Studio, London 28 November 1967
19. STRANGER IN MY ARMS (Demo)
20. HEY BULLDOG (Demo)
21. YOU KNOW MY NAME (LOOK UP THE NUMBER) (Demo)
22. CRY BABY CRY / ACROSS THE UNIVERSE (Demo)
Kenwood, Weybridge, UK December 1967 - january 1968
23. ACROSS THE UNIVERSE (Take 2)
24. LADY MADONNA (Takes 3/4)
(stereo) EMI Abbey Road Studio, London 3/6 february 1968
25. THE INNER LIGHT (Take 6)
(stereo) EMI Abbey Road Studio, London 8 february 1968
26. ACROSS THE UNIVERSE (Take 7)
(stereo) EMI Abbey Road Studio, London 4 february 1968

Release date: March 25, 2022
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SKU: 89747107805

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Kevin
Lowell, US
★★★★★ 5
Nice and Elegant.
Size: 7.7" x 7.7" x 1.7", Color: Black (Metal Glided), Size: 7.7" x 7.7" x 1.7", Color: Black (Metal Glided)
Color looks great, material is good quality and fits most of my items. It makes my items look neat and organized. Price is a bit high but worth it in my opinion.
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Reviewed in the United States on January 22, 2026
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Lana T
Omaha, US
★★★★★ 5
Quite nice and very functional
Size: 7.7" x 7.7" x 1.7", Color: Grey (Metal Silvered), Size: 7.7" x 7.7" x 1.7", Color: Grey (Metal Silvered)
Elegant and substantial - this valet catch all for your night stand or dresser is quite nice and very sophisticated. Sleek and soft brushed suede like material. It was packed well, and is quite nice to keep miscellaneous items corralled together. I’m very pleased and would recommend.
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Reviewed in the United States on February 15, 2025
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Cali Mom
Whiting, US
★★★★★ 5
Perfect size, high quality
Size: 7.7" x 7.7" x 1.7", Color: Black (Metal Silvered)
I had a previous catch all tray that I bought on amazon, it used buttons on the 4 corners to turn a flat cardboard into a tray. Over time, the catch all tray got filled up, not just with a wallet, keys and eyeglasses but eventually business cards and other knick knacks. With all the items inside the tray, sometimes the buttons would start to pop out. It wasn't awful, more of an annoyance. But it was time for me to find a more durable tray. I looked on amazon and added 6 different trays that had "potential" into my shopping cart. Then I carefully evaluated each one and deleted them out of my cart until there was only one left. Some had multiple compartments. Some were larger than this one. I felt the ones with compartments would limit my ability to put the things I want in there. Also, I didn't want it so big that it took up too much desk space. Ultimately, I felt this was the perfect size. I'm extremely happy with it, the quality is really nice and it looks and feels durable. No more loose buttons and spilled knick knacks.
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Reviewed in the United States on October 14, 2024
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Denise
Houston, US
★★★★★ 5
Keeps clutter away
Size: 7.7" x 7.7" x 1.7", Color: Black (Metal Silvered)
This works great to corral all my notes I write on post its or small notes. Keeping them hidden from the desk top b/c or the depth but still visible to me. Much better than keeping on the plotter. Looks great in quality .
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Reviewed in the United States on October 25, 2025
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MovieGuy
Los Angeles, US
★★★★★ 5
Attractive, Simple, And Well-Made
Size: 7.7" x 7.7" x 1.7", Color: Orange (Metal Glided)
I use this as a "catchall". A place to stash things like my wallet and keys when I enter the door, so that I don't use them (I had been prone to that!). It serves it's purpose well. It's both sturdy and attractive, and a good size for a "catchall". Recommended for those like me who need such things.
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Reviewed in the United States on April 8, 2024

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