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Description
GORGEOUS Large Quimper Tureen/Casserole | Minstrel Blue | SignedThis is a truly gorgeous piece of fiance. Handpainted, signed and in great condition. It's not every day you find Quimper beyond the traditional plates. Markings for the pottery known variously as the Grande Maison, de la Hubaudire or the HB factory have been posted in the photos. FREE UPS SHIPPING All sales final The western most part of the continent of Europe, this is a 1683 map of Brittany. Quimper is located to the left of center, above a small
This is a truly gorgeous piece of fiance. Handpainted, signed and in great condition. It's not every day you find Quimper beyond the traditional plates.
Markings for the pottery known variously as the Grande Maison, de la Hubaudière or the HB factory have been posted in the photos.
FREE UPS SHIPPING
All sales final
The western-most part of the continent of Europe, this is a 1683 map of Brittany. Quimper is located to the left of center, above a small island and noted with its name at that time...Quimper-Corentin.
From OldQuimper.com
Quimper...pronounced "kem-pair"...is a town in northwestern France. It is also a people and a pottery.
To the people of Quimper, the town name is Kemper, which in their language describes a confluence of rivers. ("Quimper" is a somewhat nonsensical rendition as not all the Breton dialects have a "Q" and a true French pronunciation would be different from the actual "kem-pair"). At any rate, "confluence of rivers" is an apt description, as the town is situated at the juncture of two rivers, the Odet and the Steir. Two other rivers, the Jet and the Frout, are close-by, but travel underground through the town limits. Historically, this close proximity to rivers meant an ideal place to establish a pottery factory and thus, Quimper has been a pottery town for centuries. Its "recent" history of continuous pottery production begins in 1708. (Previous accounts put the date as 1690, but history is not written in stone and recent findings have provided further information).
By the last decade of the nineteenth century, three pottery factories were operating in the town of Quimper. One was the Porquier factory, another was known as the Grande Maison or De la Hubaudière factory, and the third, owned by Jules Henriot, was called the Faïencerie d’Art Breton. Tin-glazed earthenware, known in France as faïence, was a popular product, especially pieces that were hand-painted with scenes depicting life in the region of Brittany.
The making of faïence is an art. Especially in the early days, prior to the introduction of more modern methods, when both the technical and artistic skills necessary to make a piece of faïence were quite daunting. Extremely difficult to master its making, I've been known to liken faïence to being the "puff pastry" of pottery production.
The use of an opaque tin glaze is one factor that distinguishes faïence from other types of pottery...pieces made by this process were known as faïence in France, Spain, Germany, and Austria; in the Netherlands, they were called Delft; in England, the term was Delftware; and in Renaissance Italy, such pieces were called maiolica...not to be confused with majolica, that's actually a trade name of the Minton pottery in England for a Victorian-era product made using substantially different glazes and production methods.
The tradition of Quimper faïence production continues today. But much like the comparison of a Model T with a current Ford Motor Company product, today’s Quimper is very different from vintage Quimper. In many fields of collecting there is a line of demarcation; for Quimper pottery that line is World War II. Modern techniques and machinery introduced in the days after World War II resulted in the creation of a different product. Vintage Quimper refers to pieces made prior to that time period; later production falls into the collectible genre.
Quimper...pronounced "kem-pair"...is a town in northwestern France. It is also a people and a pottery.
To the people of Quimper, the town name is Kemper, which in their language describes a confluence of rivers. ("Quimper" is a somewhat nonsensical rendition as not all the Breton dialects have a "Q" and a true French pronunciation would be different from the actual "kem-pair"). At any rate, "confluence of rivers" is an apt description, as the town is situated at the juncture of two rivers, the Odet and the Steir. Two other rivers, the Jet and the Frout, are close-by, but travel underground through the town limits. Historically, this close proximity to rivers meant an ideal place to establish a pottery factory and thus, Quimper has been a pottery town for centuries. Its "recent" history of continuous pottery production begins in 1708. (Previous accounts put the date as 1690, but history is not written in stone and recent findings have provided further information).
By the last decade of the nineteenth century, three pottery factories were operating in the town of Quimper. One was the Porquier factory, another was known as the Grande Maison or De la Hubaudière factory, and the third, owned by Jules Henriot, was called the Faïencerie d’Art Breton. Tin-glazed earthenware, known in France as faïence, was a popular product, especially pieces that were hand-painted with scenes depicting life in the region of Brittany.
The making of faïence is an art. Especially in the early days, prior to the introduction of more modern methods, when both the technical and artistic skills necessary to make a piece of faïence were quite daunting. Extremely difficult to master its making, I've been known to liken faïence to being the "puff pastry" of pottery production.
The use of an opaque tin glaze is one factor that distinguishes faïence from other types of pottery...pieces made by this process were known as faïence in France, Spain, Germany, and Austria; in the Netherlands, they were called Delft; in England, the term was Delftware; and in Renaissance Italy, such pieces were called maiolica...not to be confused with majolica, that's actually a trade name of the Minton pottery in England for a Victorian-era product made using substantially different glazes and production methods.
The tradition of Quimper faïence production continues today. But much like the comparison of a Model T with a current Ford Motor Company product, today’s Quimper is very different from vintage Quimper. In many fields of collecting there is a line of demarcation; for Quimper pottery that line is World War II. Modern techniques and machinery introduced in the days after World War II resulted in the creation of a different product. Vintage Quimper refers to pieces made prior to that time period; later production falls into the collectible genre.
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4.0 ★★★★★
Based on 11 reviews
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Product Reviews
★★★★★ 5
Good
Size: X-Large, Color: Riviera Blue, Size: X-Large, Color: Riviera Blue
I got XL which is my normal size. It’s a bit roomy which I think is exactly what I wanted for a work shirt.
I wanted it to be a no tuck shirt, but it’s too long for that. I’m really disappointed there, but it’s not a dealbreaker.
The sleeves are a bit long, but my arms are short, so I will modify it or roll them up, not an uncommon problem for me with shirts but it’s not too bad either.
The material is soft and would be good for summer or under a jacket.
Someone posted about the collar being messy and that made me nervous to get this shirt, but I have washed it once and the collar remains in good shape. It stands up properly.
The wrinkleproof seems to be pretty good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 18, 2026
★★★★★ 5
It fits well,and looks good
Size: X-Large, Color: Tuq Seabed
I gave this as a gift,my son loves it
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 16, 2026
★★★★★ 3
Good shirt
Size: X-Large, Color: Bel Air Blue
This is a good shirt, I’m 5’ 9” and 220 (old dad bod 50’s), it fits well and the sleeves are a good length. My only thing I don’t like and this is nit-picking: it wrinkles easy. I’m ex military so I like my shirts ironed or pressed, I get it it’s more casual, it’s just my preference. This is a comfortable shirt
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Reviewed in the United States on December 12, 2025
★★★★★ 5
Good quality shirt
Size: Medium, Color: Tuq Seabed
Very comfortable and nice to use.
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Reviewed in the United States on April 5, 2026
★★★★★ 5
Fair quality shirt
Size: Large, Color: Port Red
Decent shirt. No shirt if wrinkle-free so take these claims with a grain of salt. The fabric blend will tell you just how much it will wrinkle. If you leave it in the dryer overnight you can guarantee that even if it was made of cast iron, it would likely have a wrinkle or two.
Don't be swayed by a 'label'. The same shirt can have a no-name label sewn on it. Doesn't make the shirt better or worse. It is what it is. Size runs correct. NOT a 'slim fit' shirt, fyi.
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Reviewed in the United States on April 1, 2024
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