SKU: 11454726910

'Rumsbild' (Room Image) by Wilgot Lind

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Description

'Rumsbild' (Room Image) by Wilgot Lindartist: Wilgot Lind (Swedish 1915 1996) medium: gouache on paper dimensions: 20 x 16 cm art size (approx) 42 x 38 cm framed size (approx) signed circa 1950s presented in a double thick archival mat with non reflective UV glass and hand finished timber frame AU $2250 (approx US $1465 1275 EUROS 225,000 yen 11200 GBP for exact current conversion visit xe. com) artist biography Wilgot Fredrik Lind was born on 1 October 1915 in rgryte, Bohusln. He was a

artist: Wilgot Lind (Swedish 1915-1996)

medium: gouache on paper

dimensions: 20 x 16 cm art size (approx) / 42 x 38 cm framed size (approx) 
signed 
circa 1950s

presented in a double thick archival mat with non-reflective UV glass and hand finished timber frame

AU $2250 (approx US $1465 / 1275 EUROS / 225,000 yen / 11200 GBP - for exact current conversion visit xe.com)

artist biography
Wilgot Fredrik Lind was born on 1 October 1915 in Örgryte, Bohuslän. He was a Swedish artist and one of the early innovators of Swedish abstract art. 

Largely self-taught, Lind began painting as a teenager, and his earliest motifs depicted the port of Gothenburg. A formative journey to Paris in 1948 profoundly changed his artistic direction: inspired by modern abstract painters such as Alfred Manessier and Jean Bazaine, he became one of the first artists to introduce abstraction to the Gothenburg art scene.

Lind travelled widely throughout Europe, studying and exhibiting in France (1946), Denmark and Norway (1946, 1948, 1953, 1954), and later held numerous solo exhibitions — among them Galleri Aveny in Gothenburg (1950, 1951), Galleri Brinken in Stockholm (1952), and in Skara (1953), as well as in Övertorneå, Ulricehamn, Lidköping, Arvika, Halmstad, and Alingsås. He participated in group exhibitions at Konsthallen in Gothenburg (1945–49), Galleri Aveny (1950–54), and Uddevalla (1954). In 1950, his first exhibition of abstract paintings at Galleri Aveny received glowing critical praise.

After a period of illness, Lind developed a new form of expression through gouache painting, creating a personal and vividly coloured visual language that culminated in a celebrated exhibition at Gallery 54 in Gothenburg in 1962. Working across a wide range of media — oil, gouache, watercolour, linocut, monotype, batik, lithography, mosaic in stone and glass, and textile printing — he created a large body of work, encompassing landscapes, still lifes, figures, and purely abstract compositions. Though many of his titles were reality-based, his paintings were almost always non-figurative. Critics praised his refined sensitivity to colour and light: Bo Lindwall in Aftonbladet (12 March 1952) described his watercolours as “beautiful, graceful and refined in colour,” while Eugen Wretholm in Svenska Morgonbladet (20 March 1952) admired his “subtle overlays of airily transparent planes.”

Lind lived and worked in Gothenburg but drew inspiration from his summer house in Haverdal, near the artists of the Halmstad Group. For two decades he held annual summer exhibitions there and participated in major shows including the Spring Salon at Liljevalchs and exhibitions at the Moderna Museet in Stockholm, as well as international exhibitions in New York, Zurich, and Wuppertal.

Lind described his creative process simply: “I get my inspiration from within and see myself only as the tool.” His work is represented in numerous prestigious collections, including the Brooklyn Museum (New York), the British Museum (London), the Wuppertal Museum (Germany), the Gothenburg Museum of Art, the Borås Art Museum, and the Gustav VI Adolf Collections.

A member of the National Organisation of Swedish Artists (Konstnärernas riksorganisation) and of Grupp 54 in Gothenburg, Wilgot Lind remained throughout his life an artist of great refinement, lyricism, and formal clarity — a pioneering voice in the emergence of Swedish abstract art.

He passed away in 1996.

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SKU: 11454726910

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I spent probably about an hour putting it together, only to take it right back apart and pack it up to return. The dimples for half the poles were on the wrong side (double and triple checked to make sure they couldn't be spun around. The threaded ends for the wheels were freely spinning on all but 2 wheels, making it impossible to actually tighten them fully. Once it was all put together, the screens could not be folded up to neatly put it aside when not in use. All in all, this was shamefully low quality for the money spent.
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This was purchase to divide two Sunday school children classes. It works wonderful, big enough, sturdy and with wheels, so is easy to move. Thanks God we can find everything in amazon.com. Delivery was fast and perfect. Thank you .
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