SKU: 1305936284

MXL Microphones CR89 Condenser, Dynamic Microphone for Guitar, Recording, String Instrument, Piano, Studio - Black, Black Chrome

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Description

MXL Microphones CR89 Condenser, Dynamic Microphone for Guitar, Recording, String Instrument, Piano, Studio - Black, Black ChromeExperience a bold, professionally crafted sound with the MXL Microphones CR89. This large diaphragm condenser microphone combines top tier components and a striking black chrome finish to deliver a sonic profile that remains incredibly dynamic and rich across a wide range of sources. From the whisper quiet detail of a subtle acoustic guitar to the full, immersive power of a vocal take, the CR89 maintains a balanced response that translators

Experience a bold, professionally crafted sound with the MXL Microphones CR89. This large-diaphragm condenser microphone combines top-tier components and a striking black chrome finish to deliver a sonic profile that remains incredibly dynamic and rich across a wide range of sources. From the whisper-quiet detail of a subtle acoustic guitar to the full, immersive power of a vocal take, the CR89 maintains a balanced response that translators beautifully in a modern studio environment. Its design emphasizes low noise circuitry and an exceptionally low proximity effect, enabling clean, transparent recordings whether you’re capturing intimate solo performances or orchestrating multi-mic sessions. If you’re building a versatile recording chain for guitar, piano, strings, or voice, the CR89 stands out as a reliable, studio-grade companion that blends sonic depth with practical, road-ready construction.

  • Premium large-diaphragm condenser design delivers a expansive, rich, and highly dynamic sound that captures subtle nuances without coloration, making it ideal for delicate fingerpicked guitar, warm vocal tones, and expressive instrument performances.
  • Versatile performance across sources—guitar, recording vocals, piano, strings, and other acoustic instruments—while retaining clarity and presence in dense mix contexts, helping your tracks sit naturally within a professional studio environment.
  • Low-noise circuitry and an extremely low proximity effect profile reduce self-noise and unwanted bass buildup, ensuring clean recordings at close range and in near-field setups typical of home studios and pro facilities alike.
  • Bold black chrome finish and rugged, durable build provide a visually striking presence on mic stands and in racks, marrying aesthetics with reliability for studio sessions, broadcast, or live recording environments.
  • Designed to preserve transient detail and dynamic range, the CR89 remains sonically balanced across a broad input spectrum, delivering consistent performance whether you’re capturing a soft plucked guitar or a powerful vocal take.

Technical Details of MXL CR89

  • Transducer: Large-diaphragm condenser microphone engineered for high-fidelity capture with a strong, clear top end and rich lower frequencies.
  • Finish: Black with Black Chrome accents, offering a bold aesthetic that complements modern studio gear and stage setups.
  • Architecture: Built to minimize noise and maximize signal integrity, supporting pristine recordings in home studios and professional facilities alike.
  • Application versatility: Suited for guitar, vocals, strings, piano, and other acoustic instruments, providing a balanced response across diverse sources.
  • Dynamic range and sensitivity: Optimized to capture nuanced performances while preserving headroom for louder sources without harsh saturations.

How to Install MXL CR89

Setting up the CR89 is straightforward and quick, allowing you to focus on performance rather than configuration. Follow these steps to start recording with confidence:

  • Mount the CR89 on a standard microphone stand using a shock mount to isolate handling noise and vibrations from your recording space.
  • Connect the microphone to a compatible audio interface or mixer with phantom power supplied (typical 48V) to ensure proper condenser operation and full signal potential.
  • Position the microphone at an appropriate distance from your source—about 6 to 12 inches for vocals and 8 to 18 inches for acoustic guitar or piano percussive parts—and adjust angle for optimal clarity and tonal balance.
  • Use a pop filter or windscreen to minimize plosives and breath sounds, especially for close vocal takes, while allowing the full frequency range to come through cleanly.
  • Set your interface gain to achieve a strong, clean signal without clipping. Listen critically through headphones and adjust placement or gain as needed to maximize intelligibility and low-end fidelity.

Frequently asked questions

  • Q: What makes the CR89 different from other large-diaphragm condensers?

    A: The CR89 combines a bold black chrome aesthetic with top-tier components and low-noise circuitry to deliver a dynamic, balanced sound that remains consistent across delicate acoustic sources and louder vocal performances. Its design minimizes proximity effect, helping you capture natural tones without excessive bass buildup when recording close to the source.

  • Q: Is the CR89 suitable for both studio and live environments?

    A: Yes. The CR89’s rugged construction and versatile sonic character make it well-suited for studio sessions, home studios, and stage use. Its low-noise design and broad dynamic range help it perform reliably in varied acoustic spaces while delivering professional results.

  • Q: Which instruments benefit most from the CR89’s sound signature?

    A: The microphone shines on vocals, acoustic guitar, piano, and stringed instruments, offering a warm, detailed response that preserves nuance across dynamics. It’s also a strong choice for room recordings and intimate vocal takes where clarity and presence are essential.

  • Q: Do I need phantom power to use the CR89?

    A: As a large-diaphragm condenser microphone, the CR89 typically requires phantom power (usually 48V) from a compatible audio interface or mixer to operate properly and achieve optimal sensitivity and noise performance.

  • Q: Can the CR89 handle loud sources without distortion?

    A: Yes. The CR89 is designed to maintain a balanced response across a broad dynamic range, preserving detail on quieter passages while maintaining clarity on louder performances. Careful gain staging and mic placement will maximize headroom and avoid unwanted clipping.

  • Q: What complements the CR89 for a complete recording chain?

    A: Pair it with a reliable audio interface, a result-driven mic preamp, a sturdy shock mount, a pop filter, and proper acoustic treatment for your room. This combination ensures pristine capture, minimal coloration, and a professional-sounding mix straight out of the gate.

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SKU: 1305936284

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4.5 ★★★★★
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M
MarieS
Fort Morgan, US
★★★★★ 5
Excellent book!
Format: Audiobook
Excellent book!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 9, 2019
J
Verified Purchase
John
West Palm Beach, US
★★★★★ 5
This book will make a difference in your presentation.
Format: Paperback
If you rely on Powerpoint-like presentation in your work, get Cliff Atkinson's Beyond Bullet Points. I had determined that improving my company's presentations had potentially very high returns so I started poking around the net and Amazon for resources to help. At first, I struck out with books that were supposed to improve presentations, but ended up being guides on technically how to use Powerpoint. That was NOT what I was looking for. Beyond Bullet Points is very different. It is a philosophy about creating presentations whose purpose is to communicate a story, not dump information. Frankly, it was not intuitive for me so I had to decide to just trust that it would work. When I was about ¾ finished, I started to really "feel" what I was doing. And, to my surprise, the most unlikely people really liked the result. In a world where most business and how-to books are nothing more that restating what you already know (or, what you know isn't true), this one is an exception. I highly recommend it!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 19, 2005
C
Verified Purchase
C. Tucker
Lake Worth, US
★★★★★ 5
Presentations with the audience in mind
Format: Paperback
I bought this hoping it would be a guide to creating Big-3 Consulting-style slides with fancy diagrams and eye-catching graphic design. That is not what this book is. Instead, this book is about how to tell a story with slides, using the framework of a five act drama. With this method forcing you to focus on who your audience is, what they need to know, and how much time you have to tell them (as opposed to trying to shoehorn everything you know about a subject into your pitch) you end up with a presentation that finishes on time for intelligent questions from an engaged audience. Since buying the book I have given several well-received presentations using precisely that technique. With no words on screen there is no temptation to just read the bullet points, and the audience cannot think ahead of you and must instead listen to what you're saying. You have to know your material to use this method, but when you succeed your audience will be impressed with your knowledge of the subject matter. (If you're working in a group project and want to Blue Falcon a non-contributing teammate, try giving them a few of these slides to speak to.) The recommended slide format is one picture and one headline per slide, with no bullet points at all. The book suggests creating Notes Pages with an outline of your talk as a handout, since the slides themselves don't stand alone. (And that's a good thing--visual aids are supposed to *augment* the presentation, not *be* the presentation.) In conclusion, this book might not be for everyone, but it was exactly what I needed.
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Reviewed in the United States on June 15, 2018
M
Verified Purchase
mrliteral
Alexandria, US
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone. Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation. This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents. On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach. Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
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Reviewed in the United States on June 16, 2006
A
Verified Purchase
Arthur E. Williams
Whiting, US
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 24, 2006

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