2LP - Stone Temple Pilots - Tiny Music… Songs from the Vatican Gift Shop

2LP - Stone Temple Pilots - Tiny Music… Songs from the Vatican Gift Shop2LP Stone Temple Pilots Go Glam and Get Psychedelic on Tiny Music Songs from the Vatican Gift Shop: Includes Big Bang Baby and Trippin on a Hole in a Paper Heart" Experience the Double Platinum 1996 Album in Audiophile Sound for the First Time: Mobile Fidelitys Numbered Edition 180g 45RPM 2LP Set Is Sourced from the Original Analog Tapes 1 2 30 IPS analog master to DSD 256 to analog console to lathe If great art, as many believe, is inherently

2LP - 

Stone Temple Pilots Go Glam and Get Psychedelic on Tiny Music… Songs from the Vatican Gift Shop: Includes “Big Bang Baby” and “Trippin’ on a Hole in a Paper Heart"

Experience the Double-Platinum 1996 Album in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180g 45RPM 2LP Set Is Sourced from the Original Analog Tapes

1/2” / 30 IPS analog master to DSD 256 to analog console to lathe

If great art, as many believe, is inherently polarizing, then the Stone Temple Pilots’ Tiny Music… Songs from the Vatican Gift Shop easily ranks as the California-based band’s finest album. Simultaneously celebrated and castigated upon release in spring 1996, the group’s third full-length finds vocalist Scott Weiland and company expanding their “grunge” palette with a smart blend of glam rock, psychedelia, jangle pop, and other related styles. Having benefited from long-view reassessments that shed the biases and meanness of initial criticisms, the double-platinum effort is now largely and rightly seen as a creative masterwork. All the more reason why it deserves reference-grade production. 

Sourced from the original analog tapes, pressed at Fidelity Record Pressing, and housed in a gatefold Stoughton jacket, Mobile Fidelity’s numbered-edition 180g 45RPM 2LP set presents Tiny Music… Songs from the Vatican Gift Shop in audiophile sound for the first time. Benefitting from exceptional groove definition, quiet surfaces, and black backgrounds, the collectible edition plays with levels of separation, imaging, and dynamics that further raise the profile on what the quartet accomplished on an album recorded at Westerly Ranch — a sprawling location north of Santa Barbara, CA, where a 25,000-square-foot mansion and surrounding property turned into an exploratory canvas for the band’s ambitions. 

Overseen by producer Brendan O’Brien, Stone Temple Pilots used bedrooms, hallways, bathrooms, and the lawn to capture a broad blend of textures, spaciousness, and ambience that helped underline the group’s obvious (and somewhat unexpected) leap from normal “alternative” status to an artist whose aspirations went beyond that of many of its contemporaries. You can hear the multitude of details and tonalities with previously unattained clarity, presence, and scope on this fantastic reissue, which also delivers the impact and punch every rock record deserves. Another tremendous asset: The depth, grain, and pitch of Weiland’s voice. 

For all the contagious choruses and glossy melodies that help make Tiny Music… Songs from the Vatican Gift Shop sparkle, the vocal performances of the late singer arguably rank as the best that the much-missed Weiland committed to tape. None other than the Smashing Pumpkins’ Billy Corgan — who, like many peers and critics, felt a pressing need to reevaluate the record as both time marched on and the self-importance attached to the “alternative” scene faded — praised Weiland’s efforts by noting: “[Like] Bowie can and does, it was Scott's phrasing that pushed his music into a unique, and hard to pin down, aesthetic sonicsphere.”

Smooth and diverse, those traits are everywhere on Tiny Music… Songs from the Vatican Gift Shop. From the clever combination of emotional closeness and distance he brings to the catchy albeit ultimately melancholic “Lady Picture Show”; to the lounge-fly balladeering that causes “And So I Know” to lightly swing akin to a bleary-eyed house band’s final number at a 4 A.M. bar; to the effortless cool and laissez-faire casualness he articulates on the grinding “Pop’s Love Suicide”; to the dimensional raspiness, defiant energy, and let-loose wail that sail through the crunchy “Big Bang Baby.” 

The latter tune, the record’s first single and per Weiland a conscious attempt by the band to deconstruct its prior approaches, clearly borrows from the Rolling Stones’ “Jumpin’ Jack Flash.” Because of it, the song drew all kinds of barbs from naysayers. Their disdain extended to most material on Tiny Music… Songs from the Vatican Gift Shop, which indirectly references other prized acts such as the Beatles, Cheap Trick, T. Rex, and Lush. Those cynics failed to grasp that Stone Temple Pilots were paying homage and having a blast, with even Weiland, then battling serious substance-abuse and legal issues, getting in on the action. 

Stone Temple Pilots’ skeptics also turned a deaf ear to the records’ stellar pop craftsmanship, sticky hooks, and sly commentary on music-industry machinations and fame. Not to mention the band’s intent, made clear from the outset. In an interview conducted in 1994, guitarist Robert DeLeo stated: “The last thing I wanted to do with this band was make everybody believe we invented something.”

"Some of the most impressive improvements (when put up against the Music On Vinyl variant), are found within the tracks, 'Pop's Love Suicide,' where Weiland's lead vocals are no longer severely overtaken by the songs super heavy rhythm section, but given the appropriate separation and spatiality; 'Trippin' on a Hole in a Paper Heart,' where the massive clutter of sound (and I mean clutter in a good way) became more realistically holographic, as the band sounds more present and live as opposed to compressed."
—Goldmine

Seen through that lens and the hindsight afforded history, and appreciated independent of the self-righteous authenticity standards of the day,  Tiny Music… Songs from the Vatican Gift Shop sounds borderline fearless while authoritatively checking all the right boxes for fun, flavor, and finesse. Part winking send-up, part tribute to the glitter rock age, and part middle finger towards the hip crowd that didn’t know what they were missing, this mid-90s classic repeatedly invites you to drop the needle and press play.