SKU: 16110452129

Kodian Trio: II - VINYL LP

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Kodian Trio: II - VINYL LPTitle: II Artist: Kodian Trio Label: Trost Product Type: VINYL LP UPC: 9120036682559 Genre: Jazz Release Date: 2018 01 05 Number of Discs: 1 London based saxophonist Colin Webster is quickly establishing himself on the European avant garde scene. Working with a broad range of collaborators, Webster is known for working from extreme sonic palettes from minimal to maximal, constantly pushing boundaries. Webster first worked with Dirk Serries on the

Title: II
Artist: Kodian Trio
Label: Trost
Product Type: VINYL LP
UPC: 9120036682559
Genre: Jazz
Release Date: 2018-01-05
Number of Discs: 1

London based saxophonist Colin Webster is quickly establishing himself on the European avant-garde scene. Working with a broad range of collaborators, Webster is known for working from extreme sonic palettes - from minimal to maximal, constantly pushing boundaries. Webster first worked with Dirk Serries on the landmark Endless Voids performance led by Dead Neanderthals at the 2014 Incubate Festival. Since this initial meeting, the two have worked on different collaborations both live and in the studio, a number of these encounters involving the drummer Andrew Lisle. Also based in London, Andrew Lisle's quick and highly textural playing is making him highly in demand in the fertile improvisation community. In turns both propulsive and abstract, Lisle has worked with a number of key UK-based improvisers including Alex Ward, Daniel Thompson, Seymour Wright, and also plays in the Roland Ramanan Tentet, and punk-improv band Shatner's Bassoon. Dirk Serries is hardly your average improvising musician. Even though the man has a fondness for the classic free jazz of the sixties and seventies and the current updates, his own talents lie elsewhere. As a master of texture, a skill which he's been able to forge and refine for more than 30 years (as Vidna Obmana, Fear Falls Burning, Microphonics, with collaborative projects and, more recently, under his own name), he has always been involved in the more abstract, or sound-oriented wing of experimental music. Serries is now less reliant on his trademark effects and loops. A new "naked" language that veers from gentle strumming to scribbling, pointillism, and occasional outbursts of disjointed howls. Pulling from his great experience in the worlds of ambient and industrial music, as well as from masters like Derek Bailey, Serries's approach is improvisation that relies purely on his relationship with his electric guitar, prepared or not. Personnel: Dirk Serries - electric guitar; Andrew Lisle - drums; Colin Webster - baritone and alto saxophone. Mastering by Dirk Serries. Edition of 300. "Kodian Trio... blasts through, mashing free improv clicks and clatters with free jazz-inspired hoots and hollers, all wrapped up in a waistcoat of gimlet-eyed punk attitude." -Paul Margree, We Need No Swords

Tracks:
1.1 A1
1.2 A2
1.3 A3
1.4 B1
1.5 B2
1.6 B3

Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
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SKU: 16110452129

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These books are worth the money! I know law school books are expensive, but if you're struggling with a certain area of law, forget the price and buy Examples & Explanations. They all come with great practice essay questions and answers, as well as explain concepts in normal-people speak (unlike most law school casebooks).
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Great for law school! Perfect condition. Thanks!
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missing pages
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Robert A. Mcinnes
Lexington, US
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Fantabulous!
This is a fantastic and true re-publication of a classic favorite. The illustrations are great (though I wish they were in color), and the type-font and whole format were designed to make this a timeless heirloom, to be passed down the generations. I also learned the correct names of two of the eight reindeer were "Dunder" (not "Donner") and "Blixem" (not "Blitzen"). It shows that Candlewick Press took pains to make sure that what they were republishing was true and accurate to Clement Clark Moore's original work. Note that the name of the illustrator (Matt Tavares) is prominently acknowledged on the cover, though Moore's name is only mentioned in "A Note from the Illustrator", probably owing to the fact that Moore first published his poem anonymously. Still, I'm surprised that "they" did not include Moore's name on the cover. If you are looking to acquire a good, faithful, accurate and wonderfully illustrated version of this classic for your shelves, to be pulled at Christmas-time for reading and re-reading, this would be as good a copy (or perhaps better) than any.
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Reviewed in the United States on January 31, 2010

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