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Basta, Martyna – Winged in Collapse [IMPORT PET plastic] – New LPPolish sonic alchemist composer, producer, and singer songwriter announces her third album, Winged in Collapse 2026. Pressed on PET plastic. Winged in Collapse by Martyna Basta Winged in Collapse is dedicated to dualities; the title itself is an image of a creature collapsing mid flight. Basta positions softness beside sharpness, fragility beside resilience, exploring the poetic dualities of lullament: the evocative coming together of lullaby and
Polish sonic alchemist - composer, producer, and singer-songwriter announces her third album, Winged in Collapse 2026.
Pressed on PET plastic.
Winged in Collapse is dedicated to dualities; the title itself is an image of a creature collapsing mid-flight. Basta positions softness beside sharpness, fragility beside resilience, exploring the poetic dualities of lullament: the evocative coming together of lullaby and lament. She captures the sensations of being held and suffocated, finding comfort and grief overlapping in inseparable ways. Heard clearest on “Hands Want To” and “You, My Nest”, these songs soothe and mourn in the same breath, offering the listener safety but hinting at danger. Throughout the album, contradictory textures converge, whispery vocals and classical instrumentation are pierced by sharp, metallic interruptions, expressing gentleness within the clamour and strength in vulnerability. These contradictions fuel the emotional engine of the record. Winged in Collapse breathes with Basta’s classical musical training, chamber-inspired instrumentation that flirts with delicate pop elements. Basta pulls on influences from shoegaze to baroque ornamentation; “Sob and Moan” collides this old and new by intertwining harpsichord with Babyxsosa-inspired autotuned vocals. “Laid”, featuring New York duo LEYA, leans into an uneasy, ancient landscape as LEYA’s hymnal vocals glide over discordant strings.
Basta’s collaborators bring personal offerings to Winged in Collapse; on “2674”, Prestonian artist Rainy Miller’s poem is a meditation on peace and loss, softly cooed over fleeting flashes of rhythmic light. Swedish sound artist Felisha Ledesma’s contribution to “Guidelines” cuts the heavy tension with a beam of midsummer sunlight. Felisha recounts blurry memories of hot, heady afternoons; no details are certain, but the vision is warm and organic. The album’s closing track, “Say it Closely”, lifts the album out of the dark, a hopeful glimmer of light. james K’s sweet, Elizabeth Fraser-inspired vocals sigh over crunching footsteps. Basta says of the track: “This one feels like a quiet hymn, something whispered directly to someone you love. Martyna Basta says of the album: “Winged in Collapse came from a place of inner rupture, one I chose to embrace. Mourning a world growing increasingly unfamiliar, shaped by forces that feel bent on destruction, I’ve found my vulnerability becoming a resilient force within me. The clash of the sharp and the tender became my guide. And within the weight, I discovered there is always a glimmer: an ember, a breath, a hand held in the dark.” Through her tactile sound design and collaboration with art directors NA Service, Basta conjures a haunting musical and visual world as a whispered sonic diary: ornamented shapes, calligraphy, faded manuscripts, repaired objects, carrying age and detail. These motifs mirror the album’s themes of ritual and devotion. Laden with ornamentation and rot, Winged In Collapse remains resilient within its own decay.
Winged in Collapse is dedicated to dualities; the title itself is an image of a creature collapsing mid-flight. Basta positions softness beside sharpness, fragility beside resilience, exploring the poetic dualities of lullament: the evocative coming together of lullaby and lament. She captures the sensations of being held and suffocated, finding comfort and grief overlapping in inseparable ways. Heard clearest on “Hands Want To” and “You, My Nest”, these songs soothe and mourn in the same breath, offering the listener safety but hinting at danger. Throughout the album, contradictory textures converge, whispery vocals and classical instrumentation are pierced by sharp, metallic interruptions, expressing gentleness within the clamour and strength in vulnerability. These contradictions fuel the emotional engine of the record. Winged in Collapse breathes with Basta’s classical musical training, chamber-inspired instrumentation that flirts with delicate pop elements. Basta pulls on influences from shoegaze to baroque ornamentation; “Sob and Moan” collides this old and new by intertwining harpsichord with Babyxsosa-inspired autotuned vocals. “Laid”, featuring New York duo LEYA, leans into an uneasy, ancient landscape as LEYA’s hymnal vocals glide over discordant strings.
Basta’s collaborators bring personal offerings to Winged in Collapse; on “2674”, Prestonian artist Rainy Miller’s poem is a meditation on peace and loss, softly cooed over fleeting flashes of rhythmic light. Swedish sound artist Felisha Ledesma’s contribution to “Guidelines” cuts the heavy tension with a beam of midsummer sunlight. Felisha recounts blurry memories of hot, heady afternoons; no details are certain, but the vision is warm and organic. The album’s closing track, “Say it Closely”, lifts the album out of the dark, a hopeful glimmer of light. james K’s sweet, Elizabeth Fraser-inspired vocals sigh over crunching footsteps. Basta says of the track: “This one feels like a quiet hymn, something whispered directly to someone you love. Martyna Basta says of the album: “Winged in Collapse came from a place of inner rupture, one I chose to embrace. Mourning a world growing increasingly unfamiliar, shaped by forces that feel bent on destruction, I’ve found my vulnerability becoming a resilient force within me. The clash of the sharp and the tender became my guide. And within the weight, I discovered there is always a glimmer: an ember, a breath, a hand held in the dark.” Through her tactile sound design and collaboration with art directors NA Service, Basta conjures a haunting musical and visual world as a whispered sonic diary: ornamented shapes, calligraphy, faded manuscripts, repaired objects, carrying age and detail. These motifs mirror the album’s themes of ritual and devotion. Laden with ornamentation and rot, Winged In Collapse remains resilient within its own decay.
released May 15, 2026
Written, composed & produced by Martyna Basta
Mixed by Martyna Basta
Mastered by Adam Badí Donoval
Creative Direction and Design by NA Service
Photography by Stefano Giuliano
Special thanks to HEM
Written, composed & produced by Martyna Basta
Mixed by Martyna Basta
Mastered by Adam Badí Donoval
Creative Direction and Design by NA Service
Photography by Stefano Giuliano
Special thanks to HEM
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★★★★★ 5
This is a great printer. I love it.
Pattern Name: Printer, Style: ET-15000
I’ve been using the Epson ET‑15000 for custom chip bags and ran into a huge issue with my original paper choice. The printer itself is great, but the Koala 30 lb glossy paper did not play well with the black ink at all. Even after letting my prints sit for a full two days, the black areas would still smear and come off on my fingers as soon as I started folding and assembling the bags. It was super frustrating and made it hard to trust my prints for orders.
I decided to try Eshang high gloss paper instead, and the difference has been night and day. With the same Epson ET‑15000 and the same designs, the Eshang paper works like a charm. The black ink dries quickly, doesn’t rub off when handled, and holds up beautifully while I’m folding and sealing my chip bags. Colors look vibrant, the finish is nice and glossy, and I don’t have to worry about smudging anymore.
If you’re using an Epson EcoTank like the ET‑15000 and struggling with black ink smearing on Koala glossy, I highly recommend switching to Eshang high gloss. It completely solved the problem for me and made my chip bag printing so much easier and more professional.
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Reviewed in the United States on March 13, 2026
★★★★★ 5
Another great Epson product
Pattern Name: Printer, Style: ET-15000 (Renewed)
Terrific large format printer and doesnt break the bank
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Reviewed in the United States on June 9, 2026
★★★★★ 4
Need scan button to work!
Pattern Name: Printer, Style: ET-15000
Love (almost) everything about this except the scan button. The scan button on the Epson screen does not work. I called Microsoft who tried to fix it through the connection but still didn't work. Sent an e-mail to Epson and no response. Really need this scan button to work so that I can scan to desktop.
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Reviewed in the United States on May 5, 2026
★★★★★ 5
Great so far
Pattern Name: Printer, Style: ET-15000
So far its a great printer, no issues as of now. We’ll see how it holds
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Reviewed in the United States on May 30, 2026
★★★★★ 5
My Go-To Sublimation Paper — Flawless Results Every Time
Size: 8.5"x11", Size: 8.5"x11"
This is hands down the best sublimation paper I’ve used and the only one I continue to buy. I get a perfect transfer every single time—no fracturing, no fading, and no uneven results. The paper dries fast, which makes my workflow so much smoother, especially when I’m producing items in batches.
I use this regularly to make air fresheners and tote bags for my small business, and the color payoff is always vibrant and crisp. The transfer rate is excellent, and it works beautifully on light-colored, high-quality polyester and other sublimation-ready surfaces.
If you’re a small business owner or crafter who values consistency, quality, and ease of use, this paper is absolutely worth it. I highly recommend it and will continue to repurchase.
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Reviewed in the United States on January 24, 2026