SKU: 26006422501

Synology RX418 Drive Enclosure - eSATA Host Interface - 1U Rack-mountable

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Description

Synology RX418 Drive Enclosure - eSATA Host Interface - 1U Rack-mountableThe Synology RX418 Drive Enclosure is a high performance capacity expansion solution designed to seamlessly scale your Synology 1U RackStation storage. Engineered for reliability and ease of use, this 4 bay expansion unit slots into your NAS ecosystem to deliver effortless growth, improved data protection, and flexible storage management. Whether you are expanding for capacity hungry applications, consolidating backups, or preparing for future growth,

The Synology RX418 Drive Enclosure is a high-performance capacity expansion solution designed to seamlessly scale your Synology 1U RackStation storage. Engineered for reliability and ease of use, this 4-bay expansion unit slots into your NAS ecosystem to deliver effortless growth, improved data protection, and flexible storage management. Whether you are expanding for capacity-hungry applications, consolidating backups, or preparing for future growth, the RX418 provides a robust, enterprise-grade upgrade path that integrates tightly with Synology’s DSM-powered systems.

  • Effortless storage expansion for Synology 1U systems: Add four hot-swappable drive bays to your network-attached storage with a single, plug-in solution. The RX418 is purpose-built to extend the capacity of compatible Synology 1U RackStations, enabling you to scale storage without replacing existing hardware or disrupting operations.
  • eSATA host interface for fast, reliable connectivity: The RX418 connects to your NAS via a dedicated eSATA host interface, delivering fast data transfer speeds and stable performance essential for large media libraries, backups, and business-critical workloads. The simple interface minimizes setup complexity while maximizing throughput between the NAS and the expansion unit.
  • Flexible drive support — 3.5" and 2.5" SATA drives welcomed: Use your preferred mix of drive sizes to tailor capacity and performance to your needs. The RX418 supports both 3.5" and 2.5" SATA drives, enabling you to leverage existing inventory or upgrade with high-capacity drives for dense storage.
  • 1U rack-mountable design for data centers and offices: The compact 1U form factor fits neatly into standard server racks, helping you maximize space in data centers, server rooms, or IT closets. Solid construction and rack rails make installation quick and secure, with minimal footprint for optimized cooling and cable management.
  • Dedicated backup destination and scalable storage strategy: Beyond capacity expansion, the RX418 serves as a reliable local backup target for Synology 1U RackStations. Use it to implement robust backup and recovery workflows, ensuring your important data stays protected with straightforward recovery options and flexible retention scales.

Technical Details of Synology RX418

  • Drive Bays: 4 bays compatible with 3.5" and 2.5" SATA drives, allowing scalable capacity and flexible media configurations.
  • Interface: eSATA host interface for high-speed connectivity to a Synology NAS, enabling seamless expansion without compromising performance.
  • Form Factor: 1U rack-mountable enclosure designed to integrate into standard data-center racks and office server rooms.
  • Compatibility: Intended to work with Synology 1U RackStations and compatible NAS units to provide expansion and backup capabilities; requires a Synology NAS with an available eSATA port.
  • Drive Management: Supports hot-swappable drives for easy maintenance and minimal downtime during rebuilds or replacements.
  • Usage Scenarios: Ideal for expanding storage capacity for media libraries, surveillance archives, business databases, backups, and archival storage, with DSM handling RAID and storage pool configurations on the host NAS.

How to install Synology RX418

Step 1: Power down both your Synology NAS and the RX418 enclosure to ensure safe installation. This helps prevent any data loss or hardware damage during the connection process.

Step 2: Install your chosen drives into the RX418’s bays. Slide in 3.5" or 2.5" SATA drives, ensuring they are properly seated and locked in place. If you’re using 2.5" drives, adapters may be required depending on your bay design, so refer to the RX418 installation guide for precise instructions.

Step 3: Connect the RX418 to your Synology NAS using the included eSATA cable or the recommended cable from Synology. Ensure the cable is securely attached to both the RX418 expansion port and the NAS eSATA port.

Step 4: Restore power to the RX418 and then power on your Synology NAS. The NAS will recognize the additional expansion capacity via the eSATA link, and you can proceed to DSM.

Step 5: Open DSM on your NAS and navigate to Storage Manager to manage the new expansion. Use the expansion tab to add the RX418 into your storage pool or to configure additional volumes. DSM will guide you through the available RAID options and expansion strategy, enabling you to grow existing pools or create new ones as needed.

Step 6: Complete your preferred RAID or storage layout, assign appropriate shared folders, and configure backup or replication rules if you’re using the RX418 as a backup destination. Validate performance by running a quick consistency check and monitor drive temperatures during the first use to ensure stable operation.

Step 7: Document your configuration for future maintenance. Label drives if you plan to swap or replace them in the future, and establish a routine for monitoring the RX418’s health, including drive SMART status, array health, and NAS system alerts.

Step 8: Regularly review your storage needs. The RX418 is designed to scale with your workload, so consider setting up automated tiering, scheduled backups, or replication jobs to maximize efficiency and data protection across your expanding NAS environment.

With these steps, the RX418 offers a streamlined path to increased capacity with minimal downtime. The design emphasizes reliability and straightforward integration with Synology’s DSM ecosystem, so even administrators new to Synology can confidently extend their storage without complex reconfigurations. The combination of hot-swappable drives, a compact 1U footprint, and a proven eSATA connection makes the RX418 a practical, future-ready choice for growing businesses and demanding home NAS setups alike.

Frequently asked questions

Q: What is the Synology RX418 Drive Enclosure?
A: The RX418 is a 4-bay expansion enclosure with an eSATA host interface designed to extend the storage capacity of Synology 1U RackStations and compatible NAS units. It allows you to add more drives without changing your existing NAS hardware, enabling scalable storage and enhanced backup options.

Q: Can the RX418 be used as a standalone NAS?
A: No. The RX418 is a drive enclosure intended to work with a Synology NAS via eSATA. It relies on the NAS for RAID management, storage pools, and overall system functionality. It is not a standalone network appliance.

Q: Does the RX418 support RAID configurations on its own?
A: No. RAID and storage pool management are handled by the connected Synology NAS through DSM. The RX418 provides expanded drive capacity, while the NAS controls how those drives are configured within your storage volumes and protection schemes.

Q: What type of drives can I install?
A: The RX418 supports both 3.5-inch and 2.5-inch SATA drives. This flexibility lets you mix drives according to capacity, performance, or cost preferences. Always ensure that drives meet the NAS and enclosure specifications and that you maintain balanced performance across your expansion.

Q: Is assembly or installation difficult?
A: Not at all. The RX418 is designed for straightforward integration with Synology NAS devices. After installing drives into the enclosure and connecting via the eSATA interface, you configure the expansion in DSM. Synology provides clear prompts to guide you through the expansion and volume setup.

Q: What benefits does the RX418 offer for backups?
A: By providing a dedicated local backup destination and additional capacity, the RX418 helps you implement robust backup strategies, improve data protection, and simplify disaster recovery planning. It enables longer retention periods, offloads backup workloads from the primary NAS, and supports efficient archiving of older data.

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SKU: 26006422501

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Product Reviews
J
JeFF Stumpo
West Palm Beach, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Chelsea, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Fort Morgan, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
A
Verified Purchase
amber a
San Leandro, US
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015
R
Verified Purchase
Ruth Franklin
Battle Creek, US
★★★★★ 4
Good, Fun, Important Topics
Format: Paperback
Good, solid, read for ages 12+. Somewhat unrealistic and yet believable story of two strong young female characters traveling west disguised as boys. Couldn't stop reading it until I was finished with the book, and now my granddaughter is doing the same. This book has many relevant themes about race, gender, class, religion, and other stereotypes and is an excellent choice for a classroom or family read aloud. Get it.
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Reviewed in the United States on February 26, 2017

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