SKU: 26521962384

Towtrust Vertical Detach Towbar For Jaguar F Pace SUV 2016-On +13 Pin Wiring

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Description

Towtrust Vertical Detach Towbar For Jaguar F Pace SUV 2016-On +13 Pin WiringCompany Profile Tow Trust Towbars Ltd are one of the UK's largest manufacturers of towbars and towing accessories. Based in Atherstone, Warwickshire the company has set about forging a strong reputation amongst the trade for supplying the highest quality products. From commercial and non commercial towbars to an expanding range of trade accessories, Tow Trust are confident we have the right towing solution for you. Here at Tow Trust we have

Company Profile
Tow-Trust Towbars Ltd are one of the UK's largest manufacturers of towbars and towing accessories. Based in Atherstone, Warwickshire the company has set about forging a strong reputation amongst the trade for supplying the highest quality products. From commercial and non-commercial towbars to an expanding range of trade accessories, Tow-Trust are confident we have the right towing solution for you.

Here at Tow-Trust we have deliberately chosen to site ourselves at the premium end of the market, and this means sourcing the best quality steel and using the latest technology for design and manufacturing processes. This enables us to produce products that our nationwide stockists recommend without hesitation. The Tow-Trust promise from start to finish is simple, 'absolute quality'.

In today's competitive market, every brand and manufacturer seem to make the claim for the quality of their product, yet we constantly hear headlines of how companies are trying to cut costs in order to cheapen the manufacturing process of their products. Cheaper manufacturing costs may lead to cheaply made products, a concept Tow-Trust have challenged through heavy investment in our production process. The whole Tow-Trust operation, from initial computer aided design right through to our high-grade packaging of each towbar, exhibits a remarkable attention to detail.

You may be forgiven for now expecting that this makes our products expensive, however our dedicated sales team constantly monitor our prices to ensure we are competitively priced against all alternative manufacturers. Although our products may not be the cheapest on the market we firmly believe they offer true 'value for money'. We think anyone would agree that you cannot be the cheapest and the best at the same time, and for that very reason we have decided to become the best. After all, ask yourself the question: with a safety critical component such as a towbar would you really want to rely on using the cheapest product?

Tow-Trust have been a quiet success in the towing industry for over 20 years and until relatively recently, it is fair to say that most people who require use of a towbar may only know of a few brands. However, in today's modern world the internet has meant motorists have better access than ever before to new products and possibilities. It is time therefore for the towing industries previous best kept secret to now reap the rewards of years of hard work.

From commercial fleets to the private motorist who drives to the tip once a month, the demands of a towbar are relatively simple: that it is safe, fits well, looks good, and does the job it was intended for. Despite not seeming like a lot to ask, without the proper attention to detail and passion for the product it can be surprisingly difficult to find a towbar that ticks all the boxes and we believe this is where Tow-Trust comes in. In today's market where money is tight and competition is high, it turns out that quality is still a word that means something and with such dedication to producing quality, why would you trust anyone else ....

 

Please note: Images are for illustration purposes only

 

Vertical detachable swan neck towbar
The majority of Tow-Trust's detachable swan neck towbars are 'vertical' (VK) systems making them fully hidden behind the bumper once the detachable neck is removed. All our VK towbars incorporate a fold away electrical plate enabling the towbar electrics to fold behind the bumper when not in use. Key features of the vertical detachable system are;

Suitable for vehicles with reversing sensors
In most instances this system is completely invisible once the neck is removed and therefore preserves the aesthetic appearance of the vehicle
Alko compatible
Allows free access to the rear of the vehicle
Lockable with a set of two keys provided
Storage bag provided for safe keeping once neck is removed

Tow-Trust offer one of the largest ranges of 'swan neck' detachable towbars.  This system offers a removable solution for customers looking to combine a towing facility with maintaining the appearance of their vehicle.

The majority of our 'swan neck' detachable range are 'vertical' (VK) systems which in most cases are invisible kits that are fully hidden behind the bumper once the detachable neck is removed. Most VK detachable towbars come complete with a single fold away electrical socket plate which enables the towbar electrics to be moved up behind the bumper when not in use. For security purposes, all detachable necks are lockable and come with a set of keys to ensure peace of mind when the vehicle is left with the neck in place. A storage bag is also supplied once the neck is removed for safe keeping.

It is our aim to manufacture all detachables in the VK format due to their neat appearance when the neck is not attached. Unfortunately due to the design of some vehicles, it is not possible for a VK to be designed and fitted. This is usually due to insufficient space behind the bumper for the housing of the neck and the socket plate to be located. In this rare instance we still try to offer a detachable option by designing a 'horizontal' (HK) system. Whilst not being completely invisible this still offers a removable, lockable neck solution that enables customers all the benefits of a detachable system apart from it not being invisible.

The key features of a Tow-Trust detachable system are as follows:

  • Invisible*
  • Easy to use
  • Detachable towball
  • Retractable electric sockets
  • Aesthetically pleasing solution for executive vehicles
  • Increased security (Lockable neck)
  • Full VCA / RDW approval
  • Minimal maintenance
  • Alko compatible
  • Will not affect the reverse sensors once neck is removed

* Please note visibility of towbar and electrics is wholly dependent on vehicle make & model


COMPANY PROFILE
ECS Electronics is an established international company specialised in development, manufacturing, validation and marketing of premium quality electronic connection systems for the automotive industry.

Our product portfolio includes solutions for automotive accessories, vehicle telematics and test & diagnostic equipment. In addition, by maintaining a flexible automotive manufacturing base and our own in-house Research & Development and Electronics departments, we are able to deliver customised solutions.

With over 30 years of continued improvement, we are the number one supplier of vehicle specific towbar connection systems in the European market.

From our production plants in The Netherlands, Vietnam and Poland we provide cutting-edge products to more than 20 of the biggest automotive original equipment and aftermarket brands around the world.

ECS Electronics is committed to quality and strives for the best environmental practice: we are certified to ISO/TS 16949 and ISO 14001.

Disclaimer: All towbars and electrics or accessories for bundle offers are sent separately!

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 26521962384

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4.5 ★★★★★
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Zachary Bednar
Port Orchard, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
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Terry Seale
Port Orchard, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
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Smrz
Birmingham, US
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011
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Krisha
Lake Worth, US
★★★★★ 4
Worth Watching Crime Drama
I almost stopped watching this film early on because I found the behavior of the cashier's wife so annoying and insufferable. I stuck with it though. It is almost as if it is a crime re-enactment show because of the voiceover narration. In one of the close to final scenes, I thought "This is Kubrick, alright." It is interesting that I watched a film yesterday, "Dead End" in which some of the characters believe that the only life worth living is one with material wealth as do some of the characters in this film. How sad. Maybe that belief is what kills what has real worth. Maybe it is that belief that leads one to a dead end.
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Reviewed in the United States on October 6, 2025
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Rob
Battle Creek, US
★★★★★ 5
Excellent.
kubrick's first i think. an excellent b/w noir crime film. very influential. sets the standard. must see.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 5, 2026

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