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Optic Sink – Lucky Number – New LPReleases ships October 31, 2025 Lucky Number by Optic Sink Lucky Number, the third album from Memphis trio Optic Sink, finds the band both refining and expanding their hypnotic mix of post punk and dance music, resulting in a sharp and moving exploration of surfaces, shadows, and self delusion. Natalie Hoffmann (NOTS) has come into her full power as a lyricist. Her work on earlier records (see Modelesque and Glass Blocks) shows her talent for
Releases/ships October 31, 2025
Lucky Number, the third album from Memphis trio Optic Sink, finds the band both refining and expanding their hypnotic mix of post-punk and dance music, resulting in a sharp and moving exploration of surfaces, shadows, and self-delusion.
Natalie Hoffmann (NOTS) has come into her full power as a lyricist. Her work on earlier records (see “Modelesque” and “Glass Blocks”) shows her talent for exploring the hidden shallows of modern life, but here the funhouse mirrors are balanced by painful longing and drops of truth
that leak through the cracks. The music reflects this—under Bauermeister’s driving grooves and the songs’ tight arrangements lurk hidden complexities, thanks in part to Keith Cooper’s exceptional, angular work on guitar and bass.
“Unreachable / untouchable space / glass tower / a fragile face / when you’re here / where do you go?” Hoffmann sings over the sinister, nocturnal funk of “Construction.” Few bands can match the hard beauty of Depeche Mode, New Order, and A Certain Ratio—Optic Sink
manages to do more than that, adding their own sad, cutting wisdom.
Produced and recorded by Caufield Schnug of Sweeping Promises, Lucky Number is out Fall 2025 on Feel It Records.
-Dan Hornsby of True Green/author of Sucker and Via Negativa
Natalie Hoffmann (NOTS) has come into her full power as a lyricist. Her work on earlier records (see “Modelesque” and “Glass Blocks”) shows her talent for exploring the hidden shallows of modern life, but here the funhouse mirrors are balanced by painful longing and drops of truth
that leak through the cracks. The music reflects this—under Bauermeister’s driving grooves and the songs’ tight arrangements lurk hidden complexities, thanks in part to Keith Cooper’s exceptional, angular work on guitar and bass.
“Unreachable / untouchable space / glass tower / a fragile face / when you’re here / where do you go?” Hoffmann sings over the sinister, nocturnal funk of “Construction.” Few bands can match the hard beauty of Depeche Mode, New Order, and A Certain Ratio—Optic Sink
manages to do more than that, adding their own sad, cutting wisdom.
Produced and recorded by Caufield Schnug of Sweeping Promises, Lucky Number is out Fall 2025 on Feel It Records.
-Dan Hornsby of True Green/author of Sucker and Via Negativa
releases October 31, 2025
Recorded and produced by Caufield Schnug
Mastered by Matthew Barnhart at Chicago Mastering
Album artwork by Natalie Hoffmann
Additional vocals on Don't Look Down, Kinetic World and Laughing Backwards and additional synth on Golden Hour by Lira Mondal
Vibraphone on Kinetic World, Luxury of Honesty and Golden Hour by Jackson Graham
Optic Sink is:
Natalie Hoffmann
Ben Bauermeister
Keith Cooper
Special thanks to Greg Cartwright
Recorded and produced by Caufield Schnug
Mastered by Matthew Barnhart at Chicago Mastering
Album artwork by Natalie Hoffmann
Additional vocals on Don't Look Down, Kinetic World and Laughing Backwards and additional synth on Golden Hour by Lira Mondal
Vibraphone on Kinetic World, Luxury of Honesty and Golden Hour by Jackson Graham
Optic Sink is:
Natalie Hoffmann
Ben Bauermeister
Keith Cooper
Special thanks to Greg Cartwright
Memphis synth punk without the trash-stomp garage-rock abandonment many have come to associate with that Tennessee town, Optic Sink cold and calculated as an Akron robot typing messages on an electric teletype, cracking a Moroder power-line like a Morricone bullwhip, but still analog warm and organic as skin on a knuckle, a brass-knuckle sandwich electricity into your ear, twisting up the knob on the space heater to warm up the vacuum tubes and cold space suits hanging in the back of the garage, Natalie Hoffmann (Nots) vocals, guitars, art w/ Ben Bauermeister (Magic Kids) drums, and Keith Cooper (Jack Oblivian and the Sheiks, I assume), bass. Loads of synth electricity filling the sounds, like icicles on slate rooftops, strong and fragile, sharp and melting, dripping mineral water on fluorescent lamps and power circuits, Hoffman's guitar and Cooper's bass helping pulsate the rhythms into your ears, exotica percussion and electro funk mixed with bits of early mid-60s secret agent elbowing its way into the sound, shards of spaceage rock piercing into the skin, all the sounds wound up tight and the band working together wonderfully, twisting rhythms into your eardrums like wires wrapping around glass power pole insulators ... surrender and let Optic Sink knot their rhythms around your ankles and up and down your Frankenstein spine, let go of the railing and bop your noggin like the heads of the Peanuts dancing away the holidays...become a puppet riding on the pulse and electricity of Optic Sink. -- winch
Expanding on the magnetic, minimalist post-punk frontier first chartered on their Goner debut, Optic Sink return with their second album, 'Glass Blocks'. Hot on the heels of their recent EP on Spacecase Records, the Memphis trio of Natalie Hoffmann, Ben Bauermeister, and Keith Cooper ventured out to Lawrence, Kansas to record at the home studio of Caufield Schnug (Sweeping Promises). The resulting seven originals and a rendition of LiLiPUT's "A Silver Key Can Open An Iron Lock, Somewhere" define Optic Sink and their remarkable style with a clarity and power seldom realized in a studio setting. Hoffmann and Bauermeister command the high end of the mix with a gamut of perfectly dialed synth and percussive tones while Cooper's bass serves as rhythmic anchor. There's far more to dive into, whether it's the cold, driving beat of "Modelesque" or the minimal, percussive brilliance heard on "Glass Blocks". Perhaps the best part of the formula is the sheer amount of natural energy that gleams through the mix. Like a warm refraction of musical chemistry and originality, Optic Sink have struck gold with 'Glass Blocks'.
Produced, recorded, mixed, and mastered by Caufield Schnug in Lawrence, KS
A Silver Key Can Open An Iron Lock, Somewhere originally written and performed by LiLiPUT
Album art by Natalie Hoffmann
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4.5 ★★★★★
Based on 15 reviews
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Product Reviews
★★★★★ 5
Works
Size: 3 Panel-102'', Color: Beige, Size: 3 Panel-102'', Color: Beige
It’s beige and not white. Once install - hard to disinstall. Need a drill to put it together
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 4, 2026
★★★★★ 3
Does the job, but assembling by yourself is a nightmare
Size: 4 Panel-88'', Color: Black
Does it do the job? Yes, although as others said there are small gaps but it's not a huge deal. The price is also good. But the reason I'm giving it a 3/5 is simply because the assembly for this was a complete nightmare. I honestly don't think I would recommend this to anyone unless they have another person to help them assemble it, because doing it by myself was terrible. I don't think I'd buy this again, I think I'd opt to just spend a bit more money and save myself the trouble personally.
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Reviewed in the United States on May 29, 2026
★★★★★ 4
Reasonably adequate room divider
Size: 4 Panel-88'', Color: Beige
I'm reviewing this as I assemble it.
Couple things:
1. I didn't expect as much assembly. I've ordered dividers before and they more-or-less came as one unit. Sometimes the panels needed screwing together. These require complete assembly and come largely as three rods: two make up vertical columns and snap together. Another one (called part "C") makes the horizontal columns and you have two of these per panel (one attaches to part "A" and the other part "B"). These parts are metal with a plastic shim. Using the wood screws to attach to part "C" is a real pain in the neck. There's not much holding the panel in place so it's a little tricky.
One tactic I've found while I'm assembling that works for the initial connections from parts A and B to their respective "C" rods is to hold the screw in place with a screw driver and then rotating the rod around the screw. This will do a number on your hands if you aren't wearing gloves. This obviously doesn't work when completing the connection.
Using a driller driver on this is really near impossible because there isn't anything you can use to secure it in place. You can use it on the first panel, but as it gets longer, it becomes increasingly difficult and because it isn't wood, it's really tight. I considered drilling larger pilot holes but since there are only 4x4=16 screws I need to screw in, I just decided to use my screw driver to complete it.
2. Also related to assembly. When completing the panels (attaching parts "A" and "B" to parts "C" that have the cloth cover on it), you have to be careful that when you tighten that side that it isn't loosening the other side. Because the pilot holes are so tight, you can end up rotating the rod, which rotates it in the same direction as looser on the original side. Having someone hold the "C" rod in place while you screw it in is probably the easiest approach. I didn't have a 2nd person, so I just had to keep flipping back and forth and tightening both sides as I screwed it in. Not the worlds biggest deal, but annoying nonetheless.
3. The way the instructions are written, they seem to suggest building this thing progressively; that is, you do panel 1, then 2, connect them together, then do 3 and connect it, etc. I took a different route that I suspect saved me quite a bit of trouble, and I assembled all four panels first and THEN connected everything together.
4. For the love of God make sure you check that the plastic tip is on the same side for every panel. Otherwise, you have to take one side apart again and reverse it. On the bright side, if this happens, you've essentially bored out the pilot holes to be the correct size... which is having me question if I shouldn't have just bored them out to the appropriate width in the first place.
5. Attaching all of the panels together is also an enormous pain in the ass unless you happen to have an 88" long elevated surface. Attaching the legs either requires you to elevate one side, which will invariably twist the inexplicably cheap material in the bottom connectors... or you can attach them sideways... or you can put this thing upright, having two people hold the panels in place while you use the allen wrench to tighten the bolts on the underside. None of those are particularly great options.
NOW on to the utility itself.
1. The panels do let some light through (I didn't believe their advertising, and that was one of the reasons that I bought beige, is that I wanted it to not be too dark). They aren't transparent though, so it isn't that far off from their description. They functionally work great, and keep the mess of wires hidden and when I'm sitting at my desk, actually reflect quite a bit of light into my office. Great!
2. My wife has described these as "the most hideous piece of furniture ever conceived of by man." So it does not have spouse approval factor. Granted, she will seldom be in my office area, so that isn't the end of the world.
3. These are really hard to align in a way that doesn't look a little tacky. There are some plastic connectors but they don't do a bang up job of keeping these in place. Each panel is slightly tilted and it's... quite obvious. I may at some point make my own improvements to these to help make them more level. It's not a particularly expensive product so I wasn't expecting much so it's fine and I'm not going to ding them on the rating because of it.
All said, would I buy this product again? Probably not. It's assembly was ~90 minutes which is about 75 minutes longer than I was anticipating spending on this (not including the 5 minute writeup that I'm doing here). But am I going to return it? Also no, if for no other reason I'd be just as annoyed taking it apart and putting it in the original box to return it.
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Reviewed in the United States on October 31, 2023
★★★★★ 5
Game-Changer for My Space!
Color: White, Size: 4 Panel Basic
I recently purchased the Kecreque 4-Panel Room Divider, and it has completely transformed my living area. At 88" wide, it provides ample coverage, creating a private nook in my open-concept home. The white polyester fabric is not only sleek and modern but also wrinkle-resistant and easy to clean—just a quick wipe with a damp cloth, and it looks brand new.
Assembly was a breeze; I had it set up in about 20 minutes. The metal frame feels sturdy and durable, and the three extra-wide metal feet offer excellent stability, ensuring it doesn't tip over easily. I love how the panels are connected with flexible buckles, allowing me to adjust the configuration to suit my needs—be it a straight line or an angled setup.
This divider has been perfect for creating a dressing area in my bedroom, and I've also used it to section off a workspace in my living room. Its versatility is unmatched, and it folds down compactly when not in use, making storage hassle-free.
If you're looking for a stylish, functional, and easy-to-use room divider, I highly recommend this one. It's been a fantastic addition to my home!
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Reviewed in the United States on June 7, 2025
★★★★★ 5
Sturdy and Functional
Color: White, Size: 4 Panel Basic
I got this to replace a poor quality divider that I tried first, and this thing is the best! It is easily folded, stands sturdily, easy to assemble, and the fabric looks great. Very very happy with the quality for the price.
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Reviewed in the United States on March 17, 2026
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