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Description
The FiresBy: Joe Flood A revealing account of the first time computer modeling met City Hall and the disaster that ensued In 1968, New York City struck a deal with the RAND Corporation to use their computer models to establish more efficient public services and save millions of dollars, beginning their first civilian effort with the FDNY. Over the next decade a series of fires swept through New York, displacing more than 600,000 people, all thanks to the
By: Joe FloodA revealing account of the first time computer modeling met City Hall -- and the disaster that ensued
In 1968, New York City struck a deal with the RAND Corporation to use their computer models to establish more efficient public services and save millions of dollars, beginning their first civilian effort with the FDNY. Over the next decade a series of fires swept through New York, displacing more than 600,000 people, all thanks to the intentional withdrawal of fire protection from the city's poorest neighborhoods -- and all based on RAND's computer modeling systems.
In The Fires, journalist Joe Flood provides an X-ray of the inner workings of New York City in the 1970s and of all modern cities, using the dramatic story of a pair of mayors, an ambitious Fire Commissioner, and an even more ambitious think tank to illuminate the patterns and formulas that are now inextricably woven into the very fabric of the modern urban experience.
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4.9 ★★★★★
Based on 28 reviews
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★★★★★ 5
Five Stars
Format: Paperback
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Reviewed in the United States on April 10, 2018
★★★★★ 4
Magic City poetry series
Format: Paperback
This book was recommended to me to add to my poetry collection. It is a book that you can pick up and read a few poems and then put down to try to think of the meaning. It is written very well. Just takes a bit of thinking to understand.
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Reviewed in the United States on February 25, 2013
★★★★★ 5
Down Home Blues
Format: Paperback
Magic City remains, perhaps, my favorite volume out of Yusef Komunyakaa's distinguished body of work. With his characteristic blues and jazz-inflected lyricism, Komunyakaa revisits the harrowing violence and racism of the deep south as viewed through a piercingly translucent prism of personal memory. The poems making up this volume are in many respects a poetry of witness, and the eyes through which which this gritty psychic landscape is revealed to the reader penetrate various scenes of troubled family life, poverty, violence and racism with a razor-sharp clarity rife with anger, sorrow, and beauty. Ranging in age from childhood to young adulthood, the speakers, or witnesses, in these poems see through eyes that are simultaneously innocent and jaded, naive and urbane, unflinchingly tough and lyrically sensitive. These are unforgettable poems. Like good blues, they cut right down to the bone.
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Reviewed in the United States on April 21, 2002
★★★★★ 4
Four Stars
Format: Paperback
took a little longer than I expected but overall good quality for a used book .
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Reviewed in the United States on September 24, 2014
★★★★★ 4
Unblinking portrait of a childhood in the Jim Crow South
Format: Paperback
Komunyakaa, who won the Pulitzer Prize for his Neon Vernacular, here writes about his childhood in a Louisiana town. The poems are poignant but unsentimental: the child's world has a certain kind of innocence but is saturated with violence, from the Klan to his father's abuse of his mother to the pragmatic violence of slaughtering a hog. One of the more exciting elements of this book is Komunyakaa's skill in combining realistic description with startling and even puzzlingly abstract language.
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Reviewed in the United States on February 26, 2000