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Description
The Red Heifer is Taken to Jerusalem Original Artwork37. 5 X 27. 5 Oil on Canvas "The red cow is led to Jerusalem", 70x90, o p. This painting was inspired by the amazing work done by The Temple Institute. In general, this subject (red cow) is not very well known, mentioned in Numbers 19, but is nevertheless an important figure in the Jewish tradition. The cow must be completely red (there should not be a single white or black hair only shades of red), without defects, completely "chaste" in the language
37.5 X 27.5 Oil on Canvas
"The red cow is led to Jerusalem", 70x90, o/p. This painting was inspired by the amazing work done by The Temple Institute. In general, this subject (red cow) is not very well known, mentioned in Numbers 19, but is nevertheless an important figure in the Jewish tradition. The cow must be completely red (there should not be a single white or black hair - only shades of red), without defects, completely "chaste" in the language of the people.
It was bought with Temple money and sacrificed outside the camp, and the ashes were mixed with water to create a cleansing solution. It was NOT the priest (an ordinary Israelite) who had to kill the Red Cow - that is, the whole nation was involved in this commandment, but only the kohen (priest) had to burn it. This part of the rite emphasized the role of the priesthood in the work of holiness and purification.
The red cow was and still is interpreted in different ways, in particular as a symbol of the paradox of death and life. The ash that cleanses the impure comes from a being that is itself a living being. Rabbinic sources suggest that only nine red heifers were prepared from the time of Moses until the destruction of the Second Temple. The tithe is expected to be prepared by the Messiah. The red cow is associated with the future rebuilding of the Jerusalem Temple and worship in it.
Original artwork of Oil on Canvas 70 x 90 CM. Painted 2024. Framed at 42.5 x 34.5.
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