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Litter, The - $100 Fine - New LP\ How do you top The Litter's godlike 67 longplayer, Distortions? Well, you dont. But leave it to The Litter to deliver the equally essential (not to mention hopelessly rare) 68 follow up, $100 Fine. From the album opener, Mindbreaker to the LPs epic finale; a nine minute, ambitiously retooled Shes Not There, $100 Fine ranks as one of its eras masterpieces. $100 Fine by The Litter In a tradition established on Distortions, The Litter again prove they
\How do you top The Litter's godlike ’67 longplayer, Distortions? Well, you don’t. But leave it to The Litter to deliver the equally essential (not to mention hopelessly rare) ’68 follow-up, $100 Fine. From the album opener, “Mindbreaker” to the LP’s epic finale; a nine-minute, ambitiously retooled “She’s Not There,” $100 Fine ranks as one of its era’s masterpieces.
In a tradition established on Distortions, The Litter again prove they were the most totally inspired – no, make that totally English-inspired – cover band to invade a US recording studio. $100 Fine includes exceptional covers of Jeff Beck (“Tally Man”), newcomers Procol Harum (“Kaleidoscope”), and last but certainly most obscure, a cover of “Here I Go Again” by Eire Apparent. But what separates $100 Fine from its predecessor is the emergence of original material; from the ‘Fresh Cream’-style harmonica wailer “Blues One” to heavier psychedelic fare like “(Under the Screaming Double) Eagle.” For further enticement, we should mention everything is drenched in double-tracked, screaming fuzz from Midwest guitar legend Tom “Zip” Caplan. Unfairly rare but now rescued by Sundazed…and sounding exactly like it should. PLAY LOUD!!!! PLAY EVEN LOUDER!!!!
Minneapolis was their home turf. But in the decades that followed, appreciation for Distortions swelled to tidal wave proportions among fans of amped-up, ramped-up, balls-to-the-wall rock 'n' roll. Headlined by two red-hot, stone-cold killers, "Action Woman" and "Soul Searchin'"--both penned by producer Warren Kendrick--Distortions is arguably the greatest private-press garage band album of the era.
The Litter formed in 1966 as a merger between two popular Twin Cities combos, the Victors and the Tabs. They quickly established a reputation as the wildest, loudest band on the scene. Bill Strandlof was responsible for the incendiary, feedback-laced guitar work on "Action Woman"--a local hit for the band when released as a single in January 1967--but by the summer he'd been replaced by another fast-fingered guitar slinger, Zippy Caplan. Caplan's fiery leads helped ignite the remainder of Distortions, including smoking interpretations of the Who's "Substitute," the Small Faces' "Whatcha Gonna Do About It," an intense reading of "Codine," and a comprehensive reconstruction-destruction of "I'm A Man."
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