SKU: 40412191936

ResinTech HPP Fast-Cure Polyaspartic Coating

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Description

ResinTech HPP Fast-Cure Polyaspartic CoatingStocked by Canopus Supply North Vancouver, BC. Call 250 233 3000 to confirm current availability or arrange pickup. ResinTech HPP High Performance Polyaspartic Fast Cure, UV Stable Traffic Surface Two Component, High Solids Aliphatic Polyaspartic Topcoat, Sealer, Traffic Wear Coat & Broadcast Seal Coat Brand: ResinTech 10 L kit (2. 6 US gal), 1: 1 by weight ResinTech HPP is a fast curing aliphatic polyaspartic coating designed to be the exposed

Stocked by Canopus Supply — North Vancouver, BC. Call 250-233-3000 to confirm current availability or arrange pickup.

ResinTech HPP High-Performance Polyaspartic — Fast-Cure, UV-Stable Traffic Surface

Two-Component, High-Solids Aliphatic Polyaspartic — Topcoat, Sealer, Traffic Wear Coat & Broadcast Seal Coat | Brand: ResinTech | 10 L kit (2.6 US gal), 1:1 by weight

ResinTech HPP is a fast-curing aliphatic polyaspartic coating designed to be the exposed surface layer of ResinTech traffic and resin flooring assemblies. It combines UV stability, fast return-to-service, chemical resistance and traffic-ready durability in one product, used clear or pigmented, indoors or outdoors — as a stand-alone topcoat on prepared concrete or as the final wear layer over epoxy, broadcast and decorative systems. Confirm coverage, recoat window, slip-resistance and substrate preparation against the current ResinTech TDS, SDS and project specification before use.

Field Details
Brand ResinTech
Product Code HPP
Product Type Two-component, high-solids aliphatic polyaspartic coating
Kit / Pack Size 10 L kit — Part A 5 L + Part B 5 L (2.6 US gal mixed)
Mix Ratio 1:1 by weight (Part A : Part B)
Colour / Finish Clear or field-pigmented; light, medium or heavy broadcast texture
System Role Primary UV-stable traffic surface / topcoat / seal coat
Where HPP sits in the system: HPP is the exposed, UV-stable finish of the ResinTech system — prime and bond with CBE, build with TUE, and finish with HPP for a fast-cure, UV-stable surface. For the most aggressive chemical and abrasion service, CRU is the premium topcoat upgrade. Where movement or waterproofing is required, a flexible base membrane such as FLEXCOAT-PU is used beneath the build. Confirm the system specification against the current ResinTech documentation.

Best-Use Applications

Confirm all applications against the current ResinTech TDS before specifying.

  • Parking decks, drive aisles, parking stalls and light-to-moderate vehicular traffic zones
  • Balconies, podium decks, exterior walkways, corridors and service areas
  • Fast-track commercial, institutional, garage and light industrial flooring
  • Clear or pigmented seal coat over decorative flake, quartz, sand or metallic epoxy floors
  • UV-stable exposed topcoat over compatible ResinTech epoxy and reinforced broadcast layers
  • Operating strata, parkade and commercial projects where rapid return-to-service matters
  • Weather-exposed concrete coating work where colour and gloss retention are important

Product Data

Source: ResinTech HPP Technical Data Sheet (TDS-HPP-1.0). Typical values at 23 °C and 50% RH unless noted. Confirm against the current TDS before specifying or ordering.

Property Typical Value Note
Components Two — Part A resin + Part B hardener Mix only what can be placed within working time
Mix Ratio 1:1 by weight Part A : Part B
Solids Content 98% by weight ASTM D1353
Chemistry High-solids aliphatic polyaspartic UV-stable exposed-surface chemistry
Appearance Clear or pigmented Use compatible pigment / colorant where specified
Odour Low to moderate Ventilation required during application and cure
Shelf Life 12 months Unopened; stored properly at 10–30 °C

Performance Properties

Typical values from the ResinTech HPP TDS. Actual results depend on substrate, preparation, mixing, film build and conditions — confirm against the current TDS.

Property Typical Value Test Method / Note
Bond Strength to Concrete 310 psi ASTM D4541; substrate typically controls result
Tensile Strength 2,900 psi ASTM D412
Elongation 20% Flexible traffic-capable film; not a crack-bridging membrane
Abrasion Resistance 30 mg loss (excellent) ASTM D4060, CS-17 wheel, 1000 g, 1000 cycles
Shore Hardness 70 D ASTM D2240
Tack-Free Time 1 hour ASTM D1640 typical
Drying Time 4 hours at 15 mils ASTM D1640, 24 °C / 50% RH
UV Stability Excellent Suitable as exposed interior / exterior top surface
Chemical Resistance Excellent For maximum chemical / abrasion upgrade, use CRU where specified
Return-to-Service Speed Fast Designed for rapid-turnaround flooring and traffic coating work

Working Time, Recoat & Cure

Cool temperatures, high humidity, low airflow and thicker films extend cure; hot conditions shorten working time. Plan mixing, manpower and staging before opening kits. Confirm against the current TDS.

Condition Typical Value Practical Note
Recoat Window 1–2 hours Recoat when firm enough to accept the next layer without damage
Light Foot Traffic 3–4 hours Protect from dirt, water and early abuse
Vehicle Traffic About 24 hours Longer in cool or damp conditions, or at heavy film build
Full Cure 5–7 days Delay aggressive cleaning and chemical exposure until full cure
Rain / Moisture Protection 6–12 hours minimum Protect exterior work during early cure

Coverage & Film Build

Theoretical coverage per US gallon (10 L kit ≈ 2.6 US gal); adjust for texture, profile, porosity and method. Confirm against the current TDS.

Use Mode Typical Film Build Typical Coverage
Sealer / Thin Coat 5–10 mils 530–265 ft²/US gal
Standard Traffic Coat 10–20 mils 265–130 ft²/US gal
Heavy-Duty HPP Coat 20–30 mils 130–85 ft²/US gal
Broadcast Seal Coat 8–20 mils Depends on broadcast profile, aggregate size and texture
Pigmented Coat 10–20 mils Depends on colour, hiding, substrate profile and backroll technique

Application Conditions

Confirm all conditions against the current ResinTech TDS and project specification before use.

Condition Requirement
Substrate Temperature 10–30 °C
Ambient Temperature 10–32 °C
Relative Humidity Maximum 85% recommended
Dew Point Substrate at least 3 °C above dew point
Concrete Moisture Dry concrete; verify moisture before coating
Concrete Age Normally 28 days unless the designer approves earlier work
Minimum Concrete Strength 3,600 psi compressive and 220 psi tensile pull-off

Application Notes

Always confirm application requirements against the current TDS, SDS and project specification before use.

Surface Preparation

Concrete must be sound, clean, dry and free of laitance, curing compounds, sealers, oil, grease and bond breakers. Mechanically prepare to the surface profile required by the project — thin coatings need a clean, uniform profile; traffic and broadcast systems need stronger mechanical tooth. Vacuum until dust is removed from profile and pores; do not coat dusty or contaminated concrete. Existing coatings must be sound, compatible and properly abraded — remove glossy, soft, unknown or poorly bonded coatings. Repair cracks, spalls, transitions, drains and edges before coating; moving joints must remain functional and be treated separately. Avoid application during falling slab temperature when outgassing may cause bubbles or pinholes. Confirm against the current TDS.

Mixing

Condition materials to application temperature before use. Pre-mix Part A and Part B separately; add compatible pigment to Part A where a pigmented coating is required. Combine Part A and Part B at 1:1 by weight and mix mechanically for 2–3 minutes at low speed. Scrape sides and bottom of the pail and mix until uniform; avoid whipping air into the coating. Do not thin with solvents and do not stretch material beyond the recommended film build. Apply immediately after mixing — polyaspartics cure quickly, so organize tools and crew before mixing. Confirm against the current TDS.

Application & Texture

Apply by squeegee and backroll, roller, brush for details, or spray where appropriate; maintain a wet edge. For slip resistance, broadcast silica sand, quartz, aluminum oxide or approved media into the wet coating as specified. When sealing decorative flake or quartz, use even pressure and avoid resin puddles that can change texture or gloss. For pigmented coats, use a consistent batch procedure and film thickness — mock-ups are recommended for colour-sensitive work. Stage traffic work to protect fresh coating from rain, condensation, dust, vehicle tires and early turning stress. Confirm against the current TDS.

Limitations
  • Not a crack-bridging membrane — use a suitable flexible membrane (e.g. FLEXCOAT-PU) where movement or waterproofing is required.
  • Do not apply to wet, frozen, contaminated, dusty or condensing substrates.
  • Moisture exposure during early cure may affect appearance, gloss or surface quality.
  • Excessive film thickness can affect cure and appearance — apply within the recommended thickness range.
  • For maximum long-term abrasion or chemical resistance, use CRU as the premium protective topcoat where specified.
  • Slip resistance depends on aggregate type, broadcast rate, topcoat thickness and maintenance — approve texture by mock-up.
Technical Documentation

Request the current ResinTech HPP Technical Data Sheet (TDS) and Safety Data Sheets (SDS) from Canopus Supply before specifying or ordering.


Trade Purchasing Note

All sales are intended for professional and trade purchasers. Before ordering, confirm product suitability, quantity, colour, system compatibility, substrate condition, pickup timing and delivery requirements. Product use and installation are the responsibility of the purchaser and installer.

Technical information is provided for professional reference only. Always confirm suitability against the current TDS, SDS, project specification and site conditions before use.

Order Enquiries & Volume Orders

For volume orders, system compatibility questions, pickup timing or delivery across BC, contact Canopus Supply before placing a bulk order.

Call: 1 (250) 233-3000
Email: [email protected]
Pickup: Unit 103, 185 Forester Street, North Vancouver, BC


Canopus Supply Inc. — Authorised ResinTech Distributor, Metro Vancouver & BC

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 40412191936

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4.5 ★★★★★
Based on 11 reviews
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Product Reviews
W
Verified Purchase
Wayne C. Solomon
Cuba, US
★★★★★ 5
Five Stars
Format: Paperback
Look no further. This work is the Rosetta Stone of storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 24, 2017
D
D. Christofferson
New York, US
★★★★★ 2
It's good for storytelling but has content in stories that's inappropriate in this century
Format: Audiobook
Well modulated interesting and excellent storytelling ability, and skills to teach us of the same. However. I get to the 2nd lesson, it's a book of fiction for the story premise. She describes a woman in her family who can't get pregnant (in the old days), knowing her husband really wants children,and gets happy, as she turns to her "maid" and exclaims that this is alright, he can have a child with their maid! Then the storytelling author, laughs, jokes, about pleasing him and when she says the audience is laughing too, that maybe he can get a 2nd maid pregnant too. Laughing and joking I. The man's eyes as she tells it, about men and their sex drives. I'm not reading g a Victorian romance novel or of the plantation owners in the south, I'm reading a book of lessons on good story telling. This turned me off 500%, and I am done with this author and this book. Is this told by an FDLS polygamist, or ...what? What would make this story in 2013, OK to teach in a college course, or in this book? I don't care if she even made it up for a family old story.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 14, 2025
W
Verified Purchase
William L. Pogue
Boise, US
★★★★★ 5
Five Stars
Format: Paperback
good job
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 5, 2018
M
Michael Griswold
Alexandria, US
★★★★★ 4
A Book For Audio
Format: Audiobook
The Art of Storytelling from Parents to Professionals is the first book that I can be confident in saying is better as an audio version than it would be in a paper or Kindle form because you can here the verbal inflections and the storytellers can change character, voice much easier than the printed word might. It also captures the listeners attention as the author herself can connect in a lot more personal and intimate way. My concern is while I can understand what the author is getting at, I am not aspiring to be an oral performance style storyteller and there was not enough of a reach out from the world of oral storytelling to the written story. I mean how many of us are going to get up on stage and tell stories? I guess you can take the skills from one realm and use them elsewhere, but the connection may not be made so easily. This was an audiobook that I had a lot of fun with, even if I didn’t quite get what I was hoping for from it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 10, 2020
L
Louis LaSalle
Waukegan, US
★★★★★ 5
Great Overview of the Art of Storytelling
Format: Audiobook
I chanced on this as an Audible "freebie" to keep on the list for when I was out of credits. Well, it's excellent, and well worth the listen. And excellent survey of the topic spanning topics of performance (preparing, voice, body language, projection), various aspects of framing (culture, age, ethnicity, audience size), story structure and so on This point is for Hannah B. Harvey, if perchance she reads tese reviews. One point of modern storytelling and writing that is not brought out in your lectures, is that some of the best villain/antagonists are actually the heroes/protagonists of their own stories. This is tangentially alluded to in talking about story viewpoints, but not to the extent that it can be an entirely new story, as Wicked and Maleificent turned The Wizard of Oz and Sleeping Beauty on their heads. And even in the 1960's, many a Bond 007 villain was trying to create what they imagined to be a better world. It's useful to consider in storytelling, as far too many people have forgotten/fail to see the fundamental moral ambiguities of life, and I suspect that goes a long way to explaining the extreme partisanship we see in the world today.
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Reviewed in the United States on September 17, 2023

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