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Description
Katindig, Boy / After Midnight [IMPORT] – New LPJazz fusion, disco funk, Latin jazz and batucada rhythms get the Filipino treatment on After Midnight, the sublime second album from keyboardist Boy Katindig. Originally released in 1980, After Midnight draws heavy influence from soul and funk contemporaries in the US as well as Latin America, in particular the famed Brazilian percussionist Paulinho da Costa. After Midnight by Boy Katindig Its a testament to his musical prowess that Katindig weaves
Jazz-fusion, disco-funk, Latin jazz and batucada rhythms get the Filipino treatment on After Midnight, the sublime second album from keyboardist Boy Katindig. Originally released in 1980, After Midnight draws heavy influence from soul and funk contemporaries in the US as well as Latin America, in particular the famed Brazilian percussionist Paulinho da Costa.
It’s a testament to his musical prowess that Katindig weaves effortlessly between styles and tempos. His reverence for Paulinho da Costa extends far, with covers of several songs from the latter’s 1979 Happy People album. This includes slow-burner ‘Déjà Vu’ written by Isaac Hayes originally for Dionne Warwick; on the Filipino instrumental version, local legends Jun Regalado and Roger Herrera (from Regalado’s ‘Pinoy Funk’ single) are reunited on drums and bass respectively.
But Katindig’s original compositions hold just as much weight and unique personality: title track ‘After Midnight’ opens with a sultry funk serenade reminiscent of The Isley Brothers, and quickly transforms into a catchy, blistering, saxophone chorus that brims with swagger. Hidden B-side gem ‘Got The Need’ is an uptempo tribute to batucada that would not be out of place in a jazzy house set, and boasts increasingly elaborate and psychedelic solos from Katindig on keys and Ben Concepcion on soprano sax.
Meanwhile, ‘Love Till the End of Time’ is a masterclass in instrumental disco funk, penned by the prolific Greg Phillanganes who at that same time was writing for many of the greats including Chaka Khan, George Benson, Stevie Wonder, The Jacksons and Cheryl Lynn.
Dominating the Manila jazz scene of the 1970s and 80s, Boy Katindig hailed from musical royalty, with his father Romy Katindig and other family members having pioneered the Latin jazz sound in the region. After successfully carving out a niche in modern fusion in the Philippines, he eventually moved to the west-coast US and set up his own label in the 90s.
This album is lovingly and officially reissued by Sama Sama Records, a boutique label from DJ and collector Norsicaa, who ran the esteemed Soundway Records for 8 years and released the compilation Ayo Ke Disco in late 2024.
It’s a testament to his musical prowess that Katindig weaves effortlessly between styles and tempos. His reverence for Paulinho da Costa extends far, with covers of several songs from the latter’s 1979 Happy People album. This includes slow-burner ‘Déjà Vu’ written by Isaac Hayes originally for Dionne Warwick; on the Filipino instrumental version, local legends Jun Regalado and Roger Herrera (from Regalado’s ‘Pinoy Funk’ single) are reunited on drums and bass respectively.
But Katindig’s original compositions hold just as much weight and unique personality: title track ‘After Midnight’ opens with a sultry funk serenade reminiscent of The Isley Brothers, and quickly transforms into a catchy, blistering, saxophone chorus that brims with swagger. Hidden B-side gem ‘Got The Need’ is an uptempo tribute to batucada that would not be out of place in a jazzy house set, and boasts increasingly elaborate and psychedelic solos from Katindig on keys and Ben Concepcion on soprano sax.
Meanwhile, ‘Love Till the End of Time’ is a masterclass in instrumental disco funk, penned by the prolific Greg Phillanganes who at that same time was writing for many of the greats including Chaka Khan, George Benson, Stevie Wonder, The Jacksons and Cheryl Lynn.
Dominating the Manila jazz scene of the 1970s and 80s, Boy Katindig hailed from musical royalty, with his father Romy Katindig and other family members having pioneered the Latin jazz sound in the region. After successfully carving out a niche in modern fusion in the Philippines, he eventually moved to the west-coast US and set up his own label in the 90s.
This album is lovingly and officially reissued by Sama Sama Records, a boutique label from DJ and collector Norsicaa, who ran the esteemed Soundway Records for 8 years and released the compilation Ayo Ke Disco in late 2024.
released June 12, 2026
Restored and mastered by Frank Merritt at The Carvery Studio, London
Artwork restoration by Javi Bayo
Special thanks to Chris Campbell
Restored and mastered by Frank Merritt at The Carvery Studio, London
Artwork restoration by Javi Bayo
Special thanks to Chris Campbell
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4.6 ★★★★★
Based on 22 reviews
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Product Reviews
★★★★★ 3
nothing special
Size: Large, Color: Whiteone
Burt does the job
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Reviewed in the United States on November 15, 2024
★★★★★ 4
Nice color
Size: X-Large, Color: G-navy
The shirt is as described but my husband haven't wear it yet. He liked it
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Reviewed in the United States on December 22, 2025
★★★★★ 5
Muy linda
Size: X-Large, Color: Whiteone
Looks nicer than in the picture
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Reviewed in the United States on August 31, 2025
★★★★★ 5
Perfect Polo
Size: Large, Color: Dark Orange
Great polo. Fix/quality/orange all perfect
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Reviewed in the United States on July 25, 2025
★★★★★ 5
Nice!
Size: Medium, Color: C-1-black
Nice
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Reviewed in the United States on December 2, 2025
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