SKU: 52200207398

Audio-Technica ATND933AH Cardioid Condenser Hanging Microphone w/ Dante™ Network Output Power Module - Hypercardioid Polar Pattern, 100°

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Description

Audio-Technica ATND933AH Cardioid Condenser Hanging Microphone w/ Dante™ Network Output Power Module - Hypercardioid Polar Pattern, 100°The ATND933a condenser hanging microphone is designed for quality sound reinforcement, professional recording, television and other demanding sound pickup applications. Its low profile and excellent response make it ideally suited for suspending over choirs, instrumental groups and theater stages. The microphone is equipped with a 15. 2 m (50') permanently attached miniature cable, terminated with a TA3F type connector that attaches to the provided

The ATND933a condenser hanging microphone is designed for quality sound reinforcement, professional recording, television and other demanding sound pickup applications. Its low profile and excellent response make it ideally suited for suspending over choirs, instrumental groups and theater stages. 

The microphone is equipped with a 15.2 m (50') permanently attached miniature cable, terminated with a TA3F-type connector that attaches to the provided ATND8734a Dante-enabled wall/ceiling plate power module. UniGuard® RFI-shielding technology protects the microphone from radio frequency interference (RFI). 

The power module is equipped with an 80 Hz low-cut UniSteep® filter, three-position input gain level selector (+30 dB, +40 dB, and +50 dB), and a red/green LED status indicator (all controlled remotely via third-party software*). It mounts in a standard metal U.S. 2-gang electrical box, and its RJ45 output jack allows for easy connection to the network via CAT5e (or better) cable.

The ATND933a offers plug-and-play compatibility with AES67 networks, including those that utilize Livewire, RAVENNA and Q-LAN AoIP technologies, and has expansive Dante Domain Manager features, including role-based security, cross-subnet routing, SNMP alerts, and more.

Includes a two-stage foam windscreen and vinyl-coated steel hanger. Additional interchangeable elements – omnidirectional (360°), cardioid (120°), hypercardioid (100°), and MicroLine® (90°) – are available separately.

ATND933aH: hypercardioid polar pattern (100° acceptance angle); black finish.

 

  • Wall/ceiling plate power module with Dante™ network output permits permanent installation in standard, 2-gang electrical box and direct connection to the network via Ethernet cable

  • Low-profile design with low-reflectance finish for minimum visibility

  • Superior off-axis rejection for maximum gain before feedback

  • Logic input accepts external switch for connection to the Dante network

  • UniGuard® RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)

  • UniSteep® filter provides a steep low-frequency attenuation to minimize pickup of undesired ambient noise

  • Steel hanger positions microphone over choirs, instrumental groups and theater stages

  • Available interchangeable elements permit angle of acceptance from 90° to 360°

  • Plug-and-play compatibility with AES67 networks, including those that utilize Livewire, RAVENNA and Q-LAN AoIP technologies

  • Increases Dante Domain Manager features, adding role-based security, cross-subnet routing, SNMP alerts and more
Microphones
Element Fixed-charge back plate, permanently polarized condenser
Polar Pattern Cardioid
Frequency Response 30-20,000 Hz
Low Frequency Roll Off 80 Hz, 18 dB/octave
Maximum Input Sound Level -15 dBu @ +30 dB gain
-25 dBu @ +40 dB gain
-35 dBu @ +50 dB gain
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SKU: 52200207398

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4.4 ★★★★★
Based on 22 reviews
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Verified Purchase
C. Tucker
Natrona Heights, US
★★★★★ 5
Presentations with the audience in mind
Format: Paperback
I bought this hoping it would be a guide to creating Big-3 Consulting-style slides with fancy diagrams and eye-catching graphic design. That is not what this book is. Instead, this book is about how to tell a story with slides, using the framework of a five act drama. With this method forcing you to focus on who your audience is, what they need to know, and how much time you have to tell them (as opposed to trying to shoehorn everything you know about a subject into your pitch) you end up with a presentation that finishes on time for intelligent questions from an engaged audience. Since buying the book I have given several well-received presentations using precisely that technique. With no words on screen there is no temptation to just read the bullet points, and the audience cannot think ahead of you and must instead listen to what you're saying. You have to know your material to use this method, but when you succeed your audience will be impressed with your knowledge of the subject matter. (If you're working in a group project and want to Blue Falcon a non-contributing teammate, try giving them a few of these slides to speak to.) The recommended slide format is one picture and one headline per slide, with no bullet points at all. The book suggests creating Notes Pages with an outline of your talk as a handout, since the slides themselves don't stand alone. (And that's a good thing--visual aids are supposed to *augment* the presentation, not *be* the presentation.) In conclusion, this book might not be for everyone, but it was exactly what I needed.
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Reviewed in the United States on June 15, 2018
M
Verified Purchase
mrliteral
Bozeman, US
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone. Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation. This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents. On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach. Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
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Reviewed in the United States on June 16, 2006
A
Verified Purchase
Arthur E. Williams
Phoenix, US
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 24, 2006
D
Verified Purchase
db
San Leandro, US
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
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Reviewed in the United States on March 14, 2007
S
Verified Purchase
SteelBlue
Boise, US
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
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Reviewed in the United States on December 2, 2005

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