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Description
CD - Bustin' Out 1983- New Wave To New Beat Volume 31CD Import This is the third installment in veteran DJ Mike Maguire's sparkling, ongoing series chronicling the seismic developments in electronic based music through the often misrepresented 1980s. Following the post punk foragings of volume one and the follow up which captured the global groundswell of excitement as electronic music came into its own, the microscope now falls on 1983, when the fallout from the previous year's "Planet Rock" spawned
1CD - Import
This is the third installment in veteran DJ Mike Maguire's sparkling, ongoing series chronicling the seismic developments in electronic-based music through the often misrepresented 1980s. Following the post-punk foragings of volume one and the follow-up which captured the global groundswell of excitement as electronic music came into its own, the microscope now falls on 1983, when the fallout from the previous year's "Planet Rock" spawned electro-funk in tandem with the emerging hip-hop and graffiti cultures, while electronic developments started infiltrating many more stratas of new music, whether disco, punk or even mainstream.
Steering clear of the obvious route, the set kicks off with electro-punk poetess Anne Clark from Croydon, proceeding with an atmospheric mix of legendary film director-composer John Carpenter's theme to Assault On Precinct 13, before hitting New York City's boiling electro scene with Special Request's "Salsa Smurf" and later the Jonzun Crew's "We Are The Jonzun Crew," while Downtown is represented by Liquid Liquid's "Optimo." New York's clubs also massively influenced New Order, as beautifully shown on their Power, Corruption And Lies album, represented here by the grand melancholy of "Your Silent Face," while San Francisco's innovative electronic movement is represented by Twilight 22 (formed by Stevie Wonder's former synth programmer Gordon Bahary). Rather than focusing entirely on U.S. developments, the set carries on its tradition of exploring Europe's often darker use of new technology, including Belgium's Front 242 and The Neon Judgement, Denmark's Laid Back with the enigmatic electro of "White Horse," German goth-punks Xmal Deutschland, while Koto's dub of "Chinese Revenge" spotlights the burgeoning Italo disco movement.
Another standout track comes from German synth duo The Unknown Cases, fronted by legendary former Traffic percussionist Reebop Kwaku Baah on the rousing Afro-electro of "Masimba Bele." After such a potent, multi-strained hotbed, the UK's Cocteau Twins make the perfect finale with "Sugar Hiccup." 1983 was as unpredictable as it was exciting, with musical boundaries blurring all the time and club land on fire with the oddest anthems. At the time, the word buzzing around New York summed everything up: fresh. Same goes for this latest gem to appear in this wonderful series, telling the whole story in the celebratory spirit of that amazing era. Extensive sleeve notes written by legendary journalist Kris Needs. Artwork by Mike Coles (Malicious Damage).
Steering clear of the obvious route, the set kicks off with electro-punk poetess Anne Clark from Croydon, proceeding with an atmospheric mix of legendary film director-composer John Carpenter's theme to Assault On Precinct 13, before hitting New York City's boiling electro scene with Special Request's "Salsa Smurf" and later the Jonzun Crew's "We Are The Jonzun Crew," while Downtown is represented by Liquid Liquid's "Optimo." New York's clubs also massively influenced New Order, as beautifully shown on their Power, Corruption And Lies album, represented here by the grand melancholy of "Your Silent Face," while San Francisco's innovative electronic movement is represented by Twilight 22 (formed by Stevie Wonder's former synth programmer Gordon Bahary). Rather than focusing entirely on U.S. developments, the set carries on its tradition of exploring Europe's often darker use of new technology, including Belgium's Front 242 and The Neon Judgement, Denmark's Laid Back with the enigmatic electro of "White Horse," German goth-punks Xmal Deutschland, while Koto's dub of "Chinese Revenge" spotlights the burgeoning Italo disco movement.
Another standout track comes from German synth duo The Unknown Cases, fronted by legendary former Traffic percussionist Reebop Kwaku Baah on the rousing Afro-electro of "Masimba Bele." After such a potent, multi-strained hotbed, the UK's Cocteau Twins make the perfect finale with "Sugar Hiccup." 1983 was as unpredictable as it was exciting, with musical boundaries blurring all the time and club land on fire with the oddest anthems. At the time, the word buzzing around New York summed everything up: fresh. Same goes for this latest gem to appear in this wonderful series, telling the whole story in the celebratory spirit of that amazing era. Extensive sleeve notes written by legendary journalist Kris Needs. Artwork by Mike Coles (Malicious Damage).
Track Listing:
| Disc 1 | |||
| 01. | Anne Clarke | Sleeper In Metropolis | 04:07 |
| 02. | John Carpenter | The End (Sound Version) | 06:17 |
| 03. | Special Request | Salsa Smurf (Vocal Version) | 05:16 |
| 04. | Twilight 22 | Electric Kingdom (Kingdom Version) | 04:12 |
| 05. | The Neon Judgement | Fashion Party | 05:19 |
| 06. | Front 242 | Take One | 04:48 |
| 07. | The Unknown Cases | Masimbabele | 05:54 |
| 08. | New Order | Your Silent Face | 06:01 |
| 09. | Laid Back | White Horse | 05:48 |
| 10. | Koto | Chinese Revenge (Dub Version) | 06:01 |
| 11. | The Jonzun Crew | We Are The Jonzun Crew | 06:25 |
| 12. | Liquid Liquid | Optimo | 02:43 |
| 13. | Xmal Deutschland | Qual (12" Remix) | 06:42 |
| 14. | Cocteau Twins | Sugar Hiccup | 03:41 |
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★★★★★ 5
Gorgeous
Size: 9, Color: Tan
These are so pretty! I ended up returning these because they were so tall and I couldn’t walk in them as good as I thought I was going to be able to. Besides that, they fit true to size and were comfortable.
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Reviewed in the United States on April 21, 2026
★★★★★ 5
great!
Size: 6, Color: Black Patent
beautiful! fit great! i couldn’t decide between this one and another pair so i kept both!
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Reviewed in the United States on April 4, 2026
★★★★★ 1
Wouldn’t recommend these sandals.
I was really excited to try the Steve Madden Women's Wafer Heeled Sandals, but unfortunately, I’m disappointed with the quality. The sandals look great in photos, but when I received them, I noticed that the materials felt cheap and not as durable as I expected from a brand like Steve Madden. The straps are stiff, and they rubbed against my skin, causing discomfort after only a short amount of time.
The fit also wasn’t great — they felt a bit tight, especially around the toes, which made them hard to wear for longer periods. While the heel height is cute, the overall construction doesn’t seem to provide enough support, which made walking in them less comfortable than I anticipated.
For the price, I expected better quality and comfort. Unfortunately, I wouldn’t recommend these sandals.
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Reviewed in the United States on January 9, 2025
★★★★★ 5
Perfect black patent leather heel
Size: 6.5, Color: Black Patent
Definitely go up an entire size in these. I used to work at Steve Madden and can tell you with 100% confidence if you're ever buying one of their heels with a pointier toe, you need to go up an entire size or your foot is going to suffer. These are a perfect "high" stiletto, they're definitely not low and I wouldn't say they're a breeze to walk in unless you're used to heels. I will vouch for how comfortable they are though given the height and the shape - they're as comfortable as a heel like this could be for sure! If you have skinnier ankles, definitely recommend punching an extra hole in the strap.
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Reviewed in the United States on May 18, 2025
★★★★★ 4
toe strap is tewww tight
Size: 8, Color: Black
I love the look of these heels, they’re super classy, elegant, simple, and most importantly I chose these because of the small platform at the base of the heel for a less painful experience. The onlyyyyyy issue I have is that the toe strap is so close to the front and tight (as you can see)!! I got the correct size but wish I didn’t have to stretch them out (which is almost impossible because that leather is stiff). The shoe is not very bendable but I personally like it because the shoe is sturdy.
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Reviewed in the United States on November 11, 2024
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